In the Image is an extraordinary first novel illuminated by spiritual exploration, one that remembers "a language, a literature, a held hand, an entire world lived and breathed in the image of God."

Like A. S. Byatt's Possession, Dara Horn's novel seamlessly weaves its deeper preoccupations into a narrative thoroughly absorbing and satisfying. We follow Leora through the death of a friend in high school and on to college, career, and falling in love, while simultaneously tracing the story of Bill Landsmann, her lost friend's grandfather, back to Amsterdam, Austria, and New York's Lower East Side. Each story is simply told and yet is also a foray into the nature of good and evil, of the significance of tradition and the law, of the presence or absence of God.

Not just a first novel but a cultural event—a wedding of secular and religious forms of literature—In the Image neither lives in the past nor seeks to escape it, but rather assimilates it, in the best sense of the word, honoring what is lost and finding, among the lost things, the treasures that can renew the present.