Another night shift and another Penny Jordan romance - this one is from 1989 and utterly exemplifies how Jordan was an author of her time. This one features Hannah, the "free spirit" of the title, although to be fair, she's much more imprisoned by her own hang ups about her gender and how men treat her in the workplace. She's a vicar's daughter and high-flying finance expert, immersed in the world of yuppies, stripey ties and red porsches (remember that?) and telling herself that she's never going to marry because she needs to work and be independent. Obviously this ethos only lasts until she meets Silas, her new boss, who she is immediately attracted to. In fact, she fancies him so much she can no longer focus on her job and ends up resigning in order to get away from him, thus rendering herself unemployed. Not to worry though, it's a Mills and Boon after all, and there's a happy ending in view.
Despite constantly harping on about issues contemporaneous to 1989, there is a peculiar old-fashioned charm about this book. Consider, for example, one of the secretaries at Silas's company informing Hannah: "There’s no sexual discrimination at all within the Jeffreys Group, but neither does he expect us to be token men. All the girls get an extra hour off one day a week so that they can get their hair done." p. 77. Then there's the fact that Silas intends to spend some of his millions on - shock, horror! - a holiday home for single mothers and the wrangles he has with the local council on introducing these into the area. Finally, there is the nearly the last paragraph of the book where Silas informs Hannah that she can't get married in white because he's about to deflower her. It's all a bit silly really and all it really serves to show is that Jordan knew nothing about the world of high finance (I never got an extra hour off a week to get my hair done in 1989, that much I do know...)and was very much an old-fashioned girl.
Putting my bitterness aside about all those extra hours off a year I've missed out on, however, this is still a lovely read. Hannah is, like all Jordan heroines, charmingly written - and the fact that she's so determined to be treated as an equal, and yet all she manages to do is render herself unequal to the men (and some of the women who do use their sex to get what they want) around her lends a humour to the novel (I suspect, it's unwitting, but it's still there).