Uneven
All I know about Jean Stafford is that she was married to prominent "New Yorker" writer/critic A. J. (Joe) Liebling. I love her wacky book about Lee Harvey Oswald's crazy mother. Oswald may or may not have killed Kennedy. I'm not a conspiracy theorist, so I don't know. He may or may not have been a committed communist. But his mother was certifiably insane; the kind of person you laugh at and then feel ashamed of yourself. "A Mother in History" is a fine read.
However, this book of ten stories (or nine and a novella, if you want to be technical) was going cheap and I decided to take the plunge. Not sorry I did, although I wasn't crazy about all of the stories. Stafford had a decidedly grim outlook on life and many of her stories (short stories being her specialty) are vague, with no beginning and no end. Not my style.
Two stories ("Bad Characters" and "A Reading Problem") about the little girl Emily Vanderpool (presumably based on Stafford as a child) are hilarious. Emily is a misfit with a genius for attracting the criminal element. The other stories about children are dark and depressing.
"In the Zoo" is about two orphaned sisters who land in the care of a despotic, neurotic old lady and suffer until she dies and they can make a break. It won an O'Henry award and I can see why, but it's still depressing. "Cops and Robbers" is about a small, pitiful child whose angry, selfish parents are using her as a pawn in their continuous feud. God knows what will become of her, but it's impossible to believe that any child could survive such a childhood without scars.
"Caveat Emptor" is an entertaining story about two young teachers who fall in love with each other and with a small, quirky, isolated town. They are thrown together because both teach at a small women's college that exists to train young women to be proper wives and mothers. The very thought of such a "Stepford Wives" institution would have driven Stafford mad.
"The Liberation" is interesting because it tells how Stafford felt about being a Westerner, born in California and raised in Colorado. Somehow I think of writers who flock to New York City to become famous as coming from New England or the Mid-west or maybe from the South. No reason why they shouldn't be Westerners, but it surprises me. Like Stafford, Shirley Jackson was a Western protestant who moved east and married a New York City Jew.
In this story, she captures the chip-on-the-shoulder attitude that many Westerners seem to have, assuming always that the sophisticated Easterners are looking down on them and ridiculing them. The young woman is the last of her generation still in Colorado and is determined to escape. The easiest way is marriage to an Easterner, but then there's a bump in the road. Will she still break free?
"A Winter's Tale" (the novella) was featured in a book of "best short novels" but I think it's dreary and boring. It's one of those vague, artsy-fartsy stories where the author seems to be saying something but I can't figure out what. The fact that it's set in pre-WWII Germany with lots of enthusiastic Nazis and "Heil, Hitlers" turns my stomach. After the war, of course, NO ONE had been a Nazi or a Hitler fan. No one. Absurd to be still fighting a war that was over before I was born, but there you are.
The young Nazis are heading to Spain to fight for Franco. I knew that idealistic Americans and English went to Spain to fight against Franco. It was a hopeless cause and many lost their lives. While Hitler and Mussolini were over-thrown, the Fascist dictator Franco was allowed to rule Spain for decades after WWII. Maybe no one thought Spain was that important. Anyway, I knew about the anti-Franco brigade, but never knew that German (and maybe Italian?) fascists were supporting him. It makes sense, but I never heard of it.
So I enjoyed four of the ten stories and plowed through the rest. Not a great percentage. Maybe it just shows that I don't appreciate fine literature. If so, it's too late to do anything about it. Thank God for the advantages of old age.