A biographical novel about Julius Caesar in the form of an autobiography; sequel to The Young Caesar. (From the Kirkus review, 1960) "When The Young Caesar was reviewed back in 1958 and commended as biographical historical fiction of a high order, we expressed the hope that there would be a sequel, since the story stopped with the Gallic Wars. Here is the sequel, which carries on the record through the conquest of the Germans, his invasion of Britain, the crossing of the Rubicon, the Battle of Pharsalia against Pompey, the amorous affair with Cleopatra, his campaigns in Africa and Spain -- up to the Ides of March, when, sleepless, he knew forebodings of death. The story is set in the frame of his reassessment of these years, his memory sharpened by insomnia. And the style holds closely to the mood and expression of Caesar's own writings of his campaigns. It has the same terse style, concern with facts, ruthless self-criticism - all recognized as Caesar's outstanding literary qualities, memorable even to high school students who suffered through the Gallic Wars. Today's analogies will be such writings as I, Claudius and Hadrian's Memoirs. With ample opportunity to let his imagination embroider the facts of history, Mr. Warner has used almost ascetic restraint. We may applaud him for his integrity and modesty, while regretting a somewhat dry account as the result. This is Caesar's story as he might have told it, taking for granted, on the part of the reader, the seething world of sensation and intrigue around him. This very sense of reality, coupled with military and political genius, that made Caesar great, adds authority to this novel. Mr. Warner has caught the right note, though we question its wide audience."
Rex Warner was an English classicist, writer and translator. He is now probably best remembered for The Aerodrome (1941), an allegorical novel whose young hero is faced with the disintegration of his certainties about his loved ones and with a choice between the earthy, animalistic life of his home village and the pure, efficient, emotionally detached life of an airman.
Lo que nos cuenta. César no consigue conciliar el sueño en la noche de los idus de marzo, y comienza a reflexionar sobre él, su relación con otras figuras importantes en la historia de Roma y sobre su posición al frente de la República. Como sigue sin conseguir dormir, echa la vista atrás y repasa los hechos que le llevaron a la Galia y lo que sucedió después. Continuación de “El joven César” pero que se puede leer de forma totalmente independiente.
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If Rex Warner is read at all nowadays, it is his translations from Greek, in particular Thucydides’ History of the Peloponnesian War. His novels languish. Few remain in print and of his historical novels, only the two focusing on Caesar’s life. I read The Young Caesar more years ago than I would like to admit, but only read its sequel, Imperial Caesar, many, many years later. Both novels taken together comprise the ‘autobiography’ of Julius Caesar’s life, written in a similar style to Robert Graves’ I Claudius and Claudius the God. No third person objective and ironically detached version of events for a general audience here; this is an attempt to reveal Caesar’s inmost thoughts and motivation.
‘I cannot tolerate disorder and I know that without order there can be no liberty at all.’
Where The Young Caesar featured a charming and talented young man on the make, this second volume is a much more sombre and serious affair. It amounts to a self-defence of the narrator’s life and career, his violence in politics, his ruthless and brutal conquest of the Gallic nations, a constant litany of why he was compelled to act as he did, in every case forced by his enemies to ignore the laws and promote himself, the only saviour of Rome.
The reader might well feel disquiet at this apology for political self-promotion and authoritarianism, not to say the amoral imperialism in Gaul. And this despite Caesar’s own eloquent and persuasive rationale for his behaviour. Perhaps the reader is meant to feel so. Warner, after all, wrote a number of novels set in his own times which attacked both authoritarian behaviour and imperialism.
There are many incidental delights in the novel. Caesar presents brief and incisive character appraisals of many of those involved in the fall of the Roman Republic, not just the famous, like Pompey, Crassus and Cicero, but the more minor players, such as Clodius and Vatinius. Sometimes he is not as astute as he thinks, failing to see the threat from men such as Brutus and Cassius. Only one character attracts his consistent enmity, the turncoat general Labienus, who fought so well under him in Gaul, only to fight equally hard against him in the civil war.
I have only two quibbles with the novel. It is, I think, implausible for Caesar to produce such a lengthy volume on a single night, in fact the night before his assassination. Secondly, the conceit of his expectation of assassination seems rather laboured. These are minor criticisms. The book is still in print. Only Thornton Wilder’s The Ides of March rivals it for a fictional portrait of the great dictator, the most famous Roman of all.
César y Roma son dos nombres vinculados. No se puede hablar de uno sin pesar en la otra. . Capital e Imperio vinculados eternamente a él, a Julio César, y en estas novelas sobre su vida podemos disfrutar tanto del hombre como del emperador. . Hazañas, victorias, derrotas...de la mano de este autor que no entra en contradicciones ni en cotilleos cleopatricos ni en lo macabro de su muerte. . Nos cuenta su vida. Punto. . Nos acerca al hombre y nos aleja del mito. . Nos habla de una manera bastante decente del hombre que tuvo el poder del mundo en sus manos. . Una buena opción para conocerlo mejor.
This is the sequel to Young Caesar, and covers the period in Caesar's life from the beginnings of the Gallic wars through the morning of his assassination. It takes the form of his reminiscences of the events and people he has encountered. He has always been very ambitious, and has tried to procede without breaking any laws, but his enemies have forced him to cross the Rubicon and declare civil war. There are times in battle when he very nearly failed, but his courage, his tactical intelligence and the quality of his troops pulled him through. Even though there's virtually no dialog, this is a very readable account of the life of a fascinating character.
Per combatre l'insomni, Juli Cèsar fa un repàs dels darrers anys de la seva vida. Des de l'arribada a Gàl·lia fins al dia que ens transporta, la vigília dels Idus de març. Ens narra el seu ascens militar (com es va anar guanyant la confiança de l'exèrcit fins a imposar-se a totes, o gairebé totes, les tribus gal·les) i econòmic (aquest ascens militar també esdevingué econòmic, podent resoldre els seus deutes històrics fins convertint-se en multimilionari), però també el seu enfrontament enfront de la facció més distant i ultraconservadora del Senat (com es va deteriorant la seva relació amb Pompeu).
L'autor ens presenta el relat en primera persona, amb el típic toc esbiaixat que sempre succeeix quan és un mateix qui relata la seva pròpia vida. On dona èmfasis als seus encerts, destacant la seva humanitat, enfront moltes situacions: impedint que l'exèrcit arrasi ciutats assetjades; clemència, front l'enèmic derrotat... També amb molt tocs propagandístics: "ell no volia baralla, però el van provocar" o "Tot i això, sempre vaig posar sobre la taula la meva aposta per la pau", etc. Encara que suposo que tots els conqueridors i líders històrics han de tenir aquest punt megalòman i pensar-se sempre està per damunt dels seus comuns de l'època que li ha tocat viure.
Si bé la distribució i temps del llibre són clars i ordenats; el volum del llibre no dona per recrear-se en segons quines batalles o setges que han fet famós Juli Cèsar. Així i tot, es nota que és un relat molt treballat i acurat.
Me gusto este libro y le doy las cinco estrellas porque a pesar que he leído bastante de la vida de Julio Cesar en novelas históricas de otros autores; está tiene la especial característica que todo lo que describe lo recuerda la última noche de su vida en la cual ha padecido otro y el último de sus frecuentes insomnio. la remembranza inicia con los hechos que llevaron a Julio Cesar a la conquista de las Galias, es decir cuando brilla su carrera militar. Termino esta obra en buena época esperando la tercera obra de la saga de Santiago Posteguillo "Los tres mundos", que comprende este mismo periodo de la vida de Julio Cesar
Sobre el libro: Continuación lógica de El joven César, pero de lectura independiente, esta es una apasionante novela sobre la evolución del guerrero, el legislador, el gobernante, el hombre más poderosos del imperio romano y, siempre, uno de los mayores conocedores de la naturaleza humana. Apartándose de lo anecdótico, Warner logra transmitir la talla humana e intelectual de Julio César, al tiempo que ofrece una poderosa reconstrucción de la época, adoptando la perspectiva del propio emperador.
*********** Review: Esta novela histórica revela todos los pensamientos que inundan a Julio César antes de morir, y que, al tiempo, refleja comunes cavilaciones, crisis, inquietudes y preocupaciones humanas, inseguridades, tormentos, es decir, refleja a la persona en su mayor esplendor, cuando algo malo está a punto de ocurrirle y sabe que es irremediable, y entonces, surgen toda clase de deseos y sueños que siempre quiso alcanzar, o todos los buenos momentos y los que le hicieron destacar en el fondo de su mente. El libro se centra mucho en ello, pero en un sentido más figurado, por lo que el libro invita a que se trascienda. A su vez, lleva a un momento muy interesante de la historia. Es un libro que debe abordarse con mucha atención, ya que es complejo de leer y uno puede perderse fácilmente entre líneas.
Otro gran libro, el cual es la continuación de : El joven César. Escrito en primera persona, César nos narra sus vivencias durante las campañas de Las Galias, Britania, España, Africa y Asia. Sería un buen libro de apoyo en la enseñanza de la historia de la gran Roma.