When schoolgirl Takiko Okuda attempts to destroy her father's translation of The Universe of the Four Gods, she is instead sucked into the story, becoming the Priestess of Genbu in an epic journey to find the seven Celestial Warriors! While Takiko learns the terrible truth behind the prophecy that set Uruki against his father, King Temdan, the country of Bêi-jîa faces both civil war and foreign invasion. Takiko’s final hope lies in reuniting the last two Celestial Warriors, the twins Urumiya and Teg. Can she mend the rifts between brother and brother, father and son?
Reads R to L (Japanese Style) for teen plus audiences.
Yuu Watase (渡瀬悠宇) is a Japanese shoujo manga-ka. She is known for her works Fushigi Yūgi, Alice 19th, Ceres: The Celestial Legend, Fushigi Yūgi Genbu Kaiden and Absolute Boyfriend. She likes all music, except heavy metal and old traditional music.
She received the Shogakukan Manga Award for shōjo for Ceres, Celestial Legend in 1997. Since writing her debut short story "Pajama de Ojama" ("An Intrusion in Pajamas"), Watase has created more than 80 compiled volumes of short stories and continuing series. Because of her frequent use of beautiful male characters in her works, she is widely regarded in circles[which?] as a bishōnen manga artist.[citation needed] In October 2008, Watase began her first shōnen serialization, Arata: The Legend in Weekly Shōnen Sunday. Her name is romanized as "Yû Watase" in earlier printings of Viz Media's publications of Fushigi Yūgi, Alice 19th, and Ceres, The Celestial Legend, while in Viz Media's Fushigi Yūgi Genbu Kaiden and Absolute Boyfriend her name is romanized as "Yuu Watase". In Chuang Yi's English-language versions of Fushigi Yugi (spelled without a macron or circumflex), her name is romanized as "Yu Watase".
I would have marked this entire review for spoilers, but this one's a landmark of sorts. This is my 500th manga review on Goodreads! I didn't start keeping track until the early part of 2019, so that's just three years' worth of manga reading. I'll put up a minor retrospective or something on my blog, with what I hope are some fun statistics, like how many were rereads, how many were shoujo manga, and so on.
On to the review itself. I'll mark everything with spoilers, because we're getting close to the end of the series.
Throughout, this has been pretty entertaining. Takiko is my absolute favorite part of the story. Even in her over-the-top moments of self-sacrifice, she seems like a good leader who has her head on straight.
Since I read this in bits and pieces over the course of a couple of years, a good number of the details went missing along the way. I have never had a clear picture of the politics, the time frame of the story, where places such as the imperial capital are located in relation to other settings, or what the large-scale region of the four kingdoms looks like. A reread at some point in the future could clarify some of that, though (and I am sorry to say this) I think that some fantasy maps would have been even better.
I don't know if it's because the volumes come out after long breaks or because I just never got into this Genbu story like I did FY (it's not as funny for one, though it has its moments), but I'm always so confused when I read it. :P
4.25! Qué bien volúmen wow. Han pasado muchas cosas pero aún queda la guerra y yo tengo miedo porqué sé que van a empezar las muertes :( Espero equivocarme ni que sea un poco y si no pues mira, es lo que hay. Anywayss que emoción!
This has set us up for hope and our epic battle so well. I am so glad i had both this and the 12th volume from the library at the same time cause I can’t wait to read the end.
Things are really moving to a head in this penultimate volume although I must say a couple of the scenes like Limdo's confrontation with his father are a touch anticlimactic. The art style has changed slightly too - all the characters in this volume have pointier chins for some reason. What's that all about?
There's the same level of emotional drama - sacrifice, death, romance, betrayal but I don't know I'm not finding the series as engaging or 'fresh' as the first half. It's still FY and full of fantastic characters and melodrama, but I don't know the drama seems to overshadow the fun and quirkyness somehow.
This volume had a lot of ground to cover and it did it quite well, for the most part, though I did find the big confrontation between Uruki and Temdan to be a touch anti-climatic.
Despite Fushigi Yuugi being a classic fantasy shoujo manga, I only got around to it long after its original publication. Sadly, I was rather disappointed by it, especially given that it is a popular work. Genbu Kaiden is a newer work of Watase's and serves as a prequel to the original series and this series is everything I hoped the original would have been.
All the things wrong with the original were made right here: our main character Takiko largely makes sensible decisions - sure, they are sometimes also emotionally loaded and not always strategic, but she never left me shaking my head in frustration over stupid decisions. Takiko and her love interest don't fall in love from the start allowing for a much more natural flow which in turn led me to genuinely care about them. The pacing was just right for this kind of plot with only a few chapters seeming a little rushed. The characters we meet along the way are more fleshed out and contribute to the story beyond being yet another follower of the main character - they've got agendas and dreams of their own. The fact that they still chose to follow Takiko just makes their bonds seem a lot stronger than in the original series. While I love a bit of comedy here and there, it was far more subtle than in the original which at times came across as silly.
Having fixed all that, this is a wholesome fantasy series with lovely friendships, interesting family dynamics and bittersweet turn of events. Takiko is a strong main character both in her determination but also in her willingness to lift a weapon despite being physically weaker than her companions. The world is interesting and the art is simply beautiful. Although I doubt it will ever happen, if Watase were ever to redraw the original series at this standard, I have no doubt I would love it. Instead, I will hope that her other prequel series, Byakko Senki, will soon no longer be on hiatus and be drawn to the end.
Only one little beef I had with this series: it's common for many manga, especially in the shoujo area, to have a style in which the characters look very much alike. It's usually hair and clothing more than anything else that makes characters look different from each other. This has never been an issue for me but I don't mind when artists add some more diversity. What I don't like is when authors add diversity purely for diversities sake. I am not sure if this is what Watase's intention was but the Genbu Kaiden cast was a lot more diverse than the original series' was (e.g. I was very pleased to have some more important female characters besides the main character). But, as I have already found with some of Watase's other works, she tends to add some goofy or stereo typical cartoonish characters. Hatsui is an overweight character and everything from design to behaviour and personality feels like a joke rather than a proper member of the group. Why not add a competent overweight character rather than, apologies, a bumbling idiot who is treated more like an overgrown child?
12/30/2020 Oh Hagus, I'll never forgive you rape-kissing Takiko for NO reason, but you died for your brother, which sucks for him. Poor Teg. I tentatively like him, but I don't think he'll have a big chance to develop since we're on the penultimate volume.
Loved the conclusion of the father arc, however sad it is.
AND for the big one: I usually HATE child marriages. Like, romanticizing marrying someone young squicks me out. BUT maybe it's the historical setting, the fact that none of these characters acts like 16 year olds or are drawn as such, but I didn't mind it. I'm glad for them even.
I'm SO curious about the end. It determines so much for me about how I will rank this series in my heart.
This entire review has been hidden because of spoilers.
*sobs* THE FEELS. I’ve officially entered my full fangirl state and can no longer be reasoned with. I love this series, but I’m terrified to read the last volume. So much happened in this one, so many surprises, but it was all so well done.
I'd been enjoying this series thus far, but I feel like Watase has been kinda phoning it in the past volume or two. It feels too rushed, both in the pacing/storytelling and in the actual quality of the art — so many panels with just dialogue balloons and sound effects over random bits of background, instead of actually showing what the characters are doing, where they're standing, etc. And while I know that it's Fushigi Yuugi and a certain amount of idiot plot is to be expected, there were a few developments in this volume that just seemed kind of insultingly dumb.
I was very unimpressed with this one. As usual, Watase's artwork is amazing. I enjoyed her artwork alot more than the story. The story confused me, and kept me guessing at most times, although I must say that I did enjoy the wedding part at the end. I suppose that I would have liked this better, if I had read the other 10 volumes of FYGK or maybe even some of FY, but I haven't read either, so it ended up confusing me. I nearly DNF'd this one several times, but I kept telling myself that it would get better, since it really couldn't get much worse. The romance and the wedding gained it a second star in my rating. Other than that, I didn't much care for it at all. ----------------- This volume was provided to me as an eManga by VIZ Media, via Edelweiss, in exchange for an honest review. All opinions expressed here are my own.
It took me a little while, but I finally got this volume and read it.
For some reason, I got a bit more confused in this book. I don't think it was always clear from the drawings what was going on - I had to operate on several different assumptions.
I liked how things went with Uruki and his father, though it would have been nice to see more of a reconciliation. I liked that Uruki and Takiko got married, too.
I'm almost dreading the last volume. I don't want to see it end, for many different reasons.
Almost as good as Vol.9--my favorite! I love the way all of the "daddy issues" have been resolved. I love how the storyline turned out with Hagus, and the new Emperor--whaaat?! I could go on forever--I didn't think I could be a bigger fan! The last volume was just released in Japan, which may mean a year or so for the English version :( . It will be a long wait...and for such a bittersweet ending!
the whole thing at the the end was a little silly but i'll take it. takiko deserves some happiness after all her self-sacrifice. :) i was going to say i enjoy how the narrative of this is more subdued then fushigi yugi? except upon reflection i don't think it is, it's more that takiko's a quieter character than miaka and since she's the heroine it gives the story a different tone. anyways the point is i like it. 3.5 stars
I love this series. Yuu Watase never fails to amaze me each time I read one of her books. I am so sad that this series is ending in the next book. I pretty much know what happens with Takiko, because I read her other series which came before this but I want to know how she actually ends it and what happens with the warriors.