Control is the sequel to Kim Curran’s fantastic debut novel Shift and I have to say, she’s only gone and made this book even better. I know some people have read this as a standalone, and although Curran does give snippets of information about the events in Shift, in my opinion it needs to be read in order to fully appreciate and enjoy this book.
Firstly, I love the way Curran has developed and continued the storyline from Shift into Control. The story begins with Scott and Aubrey working together to clear up the loose ends of the uncovered Ganymede project, hunting down the adults involved. This definitely felt like unfinished business for the reader (as well as the characters themselves), so I was pleased Curran had thought to cover it. This is where Curran provides a catch-up for the important details from Shift, but far from being an info-dump, she subtly weaves it into the progressing timeline. Curran manages to do this perfectly, seamlessly picking up Control as if we’d only just left Shift.
From there Curran took the theme of shifting and explored it to its full capacity making Control slightly more complex, but only naturally so. This suited my perhaps over-analytical brain as I’d reached the point of thinking ‘yeah but what if…’. Curran delved into the ability of shifting, expanding its roles, exploring its extensive effects and consequences, allowing for multiple realities and layers in this detailed plot. In Control we watch Scott piece together clues from some unlikely sources whilst ending up in a couple of tough-to-explain situations, adding an additional emotional element and expanding the storyline beyond the main plot. Curran fully fleshes out her world, thinking of all the possibilities without getting too carried away, making Control both interesting and entertaining. She also subtly covers some pretty big topics within her prose: broken families, learning to face and stand by your decisions, and the importance of believing in yourself, making it touchingly relatable to her teen audience.
It was great to see the return of our protagonist Scott whose point of view we follow throughout. It’s refreshing to read of a modest, slightly naïve protagonist who doesn’t fit the usually stereotype of ‘manly and strong’. We got to see some real character development with Scott too, although at times I will confess to wanting to shake him into believing in himself! Essentially though, this is what I also enjoyed watching him work through. His journey to self-belief was relatable and transferable to an average teenage world. His additional abilities were cleverly utilised, not only as an integral part of the story but also as a memory aid, serving as a reminder of all the shifts that had taken place.
Aubrey was another interesting character, being the fiery teen with the difficult background. She’s the complete opposite of Scott and for that reason it would have been interesting, as well as insightful, to see from her point of view at times as well as Scott’s. Aubrey seems an unlikely candidate to be Scott’s girlfriend but I think that’s why it actually works. Despite what you might initially think, their two characters seem to complement each other without being clichéd or overly-sweet. Even the almost-sex scene was handled well, with tact and dignity, and completely fitting for their ages.
Oh and how could I not mention the villains of this tale! Curran brings back a well known bad guy as well as introducing a new evil-doing character. It’s the sign of a good, creepy villain when the mere mention of his name brings back a cold, sickly feeling in the pit of your stomach that you just can’t shake off, except this time he’s not quite as I remember him. It seems Curran has added new layers to all of her characters. Without revealing any spoilers, Curran’s main villain is new and intriguing, seemingly kind and endearing at first glance which provides the perfect cover up for some pretty devious crimes. Once again Curran delivers a brilliantly fresh perspective with this far from the norm personality.
The only issue I had was the way in which one of the supporting characters was allowed to use his shifting power for his own gain, in a success, fame and monetary way. It was only a small part of the story but it bugged me enough to warrant mentioning it. If it were allowed why wouldn’t more of the ARES shifters be doing that, resulting in an errant bunch of teenagers shifting their actions in a way to benefit themselves only? It didn’t feel like something ARES would allow but perhaps that’s just me. Also, in the original premise, shifting had its consequences, so why didn’t that apply to this character?
Curran’s writing is delivered at just the right level - it’s detailed enough to fully explain what’s happening, given that it’s aimed at a YA audience, yet not too in-depth as to lose the reader (she does mention the double slit experiment after all!). I raced through the book because I just couldn’t put it down - the words seem to flow making them easy to read, facilitating a vivid image in my mind, making me enjoy this read just that little bit more.
Oh and hats off to Curran for the ending! For me, it was simply fantastic, with Curran taking us on an emotional rollercoaster, complete with many unexpected twists and turns. Just when you think we’re in for a happy-but-slightly-unsatisfying ending, Curran throws us a massive curveball that leaves us on a wicked cliff-hanger. I totally didn’t see that coming! Curran left me open-mouthed in shock, grinning inanely, eagerly awaiting her third novel, Delete.