Shark Dialogues

by Kiana Davenport

“Compares with Toni Morrison.”— Glamour
 
Beginning with the fateful meeting of a nineteenth-century Yankee sailor and the runaway daughter of a Tahitian chief, and sweeping over a century and a half of passionate, turbulent Hawaiian history, Shark Dialogues takes its place as the first novel to do justice to the rich heritage and cruel conflicts of the beautiful and beleaguered islands and their people. Surreal, provocative, erotic, magical, meaningful, and supremely wise, it is a tale of islanders and invaders, of victors and victims, of queens and whores, of lepers and healers. And at its center are Pono, the magnificent pure-blooded matriarch and seer, and her four mixed-blood granddaughters seeking to come to terms with the contradictions of their ancestries and the hungers of their hearts. Their loves, their hates, the bonds joining them, and the furies possessing them are interwoven with ancient legends and lore of the islands whose past offers their salvation and whose future is their fate. Kiana Davenport has written a major contribution to the literature of the Pacific Rim—a great reading experience both brilliantly contemporary in its form and timeless in its illumination.
 
“A giant, image-fevered, luxuriant saga of a Hawaiian family… powerful, memorable, intoxicating.”— Kirkus Reviews
 
“Complex, resonant… handles the sweep of history and the nuance of the personal equally well… Sensuous.”— San Francisco Chronicle

Genres: Historical Fiction, Fiction, Magical Realism, Historical, Book Club, Fantasy, Indigenous

512 pages, Paperback

First published January 1, 1994

About the author

KIANA DAVENPORT is descended from a full-blooded Native Hawaiian mother, and a Caucasian father from Talladega, Alabama. Her father, Braxton Bragg Davenport, was a sailor in the U.S. Navy, stationed at Pearl Harbor, when he fell in love with her mother, Emma Kealoha Awaawa Kanoho Houghtailing. On her mother's side, Kiana traces her ancestry back to the first Polynesian settlers to the Hawaiian Islands who arrived almost two thousand years ago from Tahiti and the Tuamotu's. On her father's side, she traces her ancestry to John Davenport, the puritan clergyman who co-founded the American colony of New Haven, Connecticut in 1638.

Kiana is the author of the internationally best-selling novels, SHARK DIALOGUES, SONG OF THE EXILE, HOUSE OF MANY GODS, THE SPY LOVER, and most recently, THE SOUL AJAR, now available in paperback and on Kindle

Reviews

[Jeanette (Ms. Feisty) · Rating 5 out of 5]

This book utterly defies categorization. It begins with a brief introduction of four girl cousins winging their way back to Pono's coffee farm in the 1990s. Then it jumps back in time and becomes historical fiction with a smattering of magical realism. Hawaii's sad and painful past is covered, with special emphasis on the way lepers were treated through the decades. But it's also a family saga following the generations of women in Pono's family, beginning with the unlikely pairing of a Tahitian princess and a one-eyed white sailor in the 1830s.

Pono the dream-teller is the character holding together the entire story. She was born with mystical powers. Many people fear her the way they would a kahuna. Her life is bound by myth, legend, magic, and ancient herbal cures. Tall, fierce, and exquisitely beautiful, she has endured a life of rejection and alienation. Even her own family abandoned her as a child because they feared her strange powers. She finds solace in the sea, communing with mano 'aumakua, her shark ancestors. As she swims the depths with them she becomes part shark, growing the snout and the sandpaper-like skin. When she leaves the water she becomes fully human again.

The second half of the book abandons history and returns to the 1990s. The four girl cousins have been summoned back to the Big Island by their grandmother Pono. She shares with them the secrets she should have told them many years ago when they spent their girlhood summers with her. The truth entirely alters their view of the family and their place in it. In this second half there's also a touch of romance, some thriller moments, and a strong condemnation of colonialism the world over. This portion of the book was less enjoyable reading than the first half, but the writing is masterful throughout. The scope of the novel and depth of feeling warrants a five-star rating, regardless of the disparity between the first and second halves.

[Lori Ann · Rating 4 out of 5]

Count me as one Haole Wahine who really enjoyed the lessons this book had to offer. It spanned Hawaiian history from the 1800s to present day through the eyes of several generations of strong women from one family. I've been to Hawaii a handful of times, and this book gave me perspective on why native islanders are not always quite so happy to welcome new residents from the mainland. (I'd heard about this from a friend who lived there, but lacked the background to understand the history behind it.) It also gave me an understanding of Hawaiian folklore, and the meaning Hawaiians give to sharks, their land, their waters, their ancestors, the role of a kahuna, and more. I even picked up quite a few words of Hawaiian. My whole perspective on Hawaii has changed now that I have such a better grasp of the history; I think I will enjoy future visits so much more from having this more through understanding of native Hawaiian culture.

This book does take some commitment - it's is not a beach read. There were many times when it struck me more as a James Michener "eat your vegetables" kind of slog. And the writing style leaves something to be desired. In my opinion, it could have done with a stronger edit. It also took me quite a while to read it. I usually try to polish off several books that relate to the place I am visiting during one trip. Despite reading quite a bit during a 10-day trip to Hawaii, I got back on the plane only 30-40% of the way through the book, and then it took me another 3 weeks to finish it. But I do feel my time was well spent here.

[Tara Chevrestt · Rating 4 out of 5]

The first half of this novel is wonderful! I could not get enough of it. I thoroughly enjoyed reading about the Tahitian runaway bride and the one eyed whaler and their life in pioneer Hawaii and their children. I learned so much about Hawaii history. Davenport has exceptional talent throwing in historical facts and details without losing the magic of an engrossing storyline. I was overtaken with emotion many times.

A quarter thru the book, Pono is introduced and she proves to be a character the reader will both love and hate. I found her "becoming a shark" a little strange and unbelievable and her behavior such as biting her daughter's face extremely repulsive, but her character is so strong and brave, I was bewitched by her. The love she shares with Duke is so strong and powerful, a love that can truly endure all things.

However, the story started losing me when it began focusing on Rachel, Ming, Vanya, and Jess, Pono's granddaughters. I found them dull and unlikeable with all their drug and sex addictions and basically, I found myself scanning thru the last half of the book to see what became of Pono and Duke.

[Sara · Rating 4 out of 5]

A great first novel about Hawaii, with specific political views.

I've seen one criticism I agree strongly with: one, the need for an editor - the copy shown in the picture looks like a galley, there are rampant spelling mistakes and run on sentences. A few times, characters travel the same routes and the drive is described almost identically twice. Someone wrote that this book could have been 100 or 150 pages shorter and would have been much "tighter" and I agree.

That said, it's a great adventure, women's story (not chick lit), and it gives some real insight into Hawaii. The auther has some very good literary instincts, wrapping around the marks Agent Orange left on the skin of one generation to those that leprosy left on the prior.

It made me want to read other Hawaiian authors for other views. This is a very readable, multi-generational story made special by the unique historical and cultural viewpoint.

[Chrissie · Rating 2 out of 5]

I liked the first 70ish pages about the matriarch Kelonikoa, the daughter of a Tahitian chief. The writing was colorful and vibrant. Hawaiian history and geogarphy were wonderfully described.

But now, Pono, Kelonikoa's great granddaughter, has come on stage. The writing is just too dramatic, too graphic - with slaughter and rape and magical realism that is simply too weird. I am fighting my desire to just dump this book. I REALLY am not enjoying myself. Usch, do I have to continue with this....... I am on page 126 of 492. There is no map, and you have to constantly look up the Hawaiian words in the glossary at the back.

I am going to bed. I will do anything but read this book.

I forgot to mention, neither is there any humor. After sleeping on it, I have decided NOT to continue. Parts were well written, so I am giving it two stars. Frankly, maybe the book is OK, but it just isn't my cup of tea. I feel like I am a quitter, but I just don't want to read this!!!!!!!

[Nancy · Rating 5 out of 5]

What kind of legacy will I leave behind? I’m not convinced it will be much beyond my children. DNA testing, Ancestry and other genealogical sites are a great help in archiving family trees, photos and stories but I don’t feel we can capture the intimate thoughts and memories.

Shark Dialogues is a gorgeous book about the power of our descendants. The story revolves around Pono - the oldest matriarch of a Hawaiian family whose legacy goes back generations. She has been hesitant to reveal all the family stories. Without divulging too much, she has lost her daughters both in life and death for various reasons. As she feels her own mortality closing in, she gathers her granddaughters with the intention of finally filling in those blanks. All of the family has been adrift and struggling for lack of this anchor and identity. Has she held back because of sheer survival, her sense of shame, someone else’s privacy?

There is an element of what some would call magical realism, but I would prefer to call it myth. Myth that is part of what it means to identify as Hawaiian. My guess is the author was using her novel as a vehicle for criticism of American colonialism in Hawaii, the racist attitudes about Polynesians, disrespect of their traditions, the introduction of disease and tragic handling of leprosy patients for lack of a treatment, stolen lands and anthropogenic abuse of fragile ecosystems. All the while Davenport underscores history in her writing as well as touching on the ravages of the Vietnam war on service members, the toxicity of Agent Orange, gender bias and stereotyping. Obviously a character driven novel, the writing is lush and complex. The use of Hawaiian/Chinese words and pidgin English did not distract me. It’s spare enough if you are reading for context you shouldn’t need to look much up. There’s enough plot to keep you turning pages.

I’m thrilled for Ms Davenport that ABC has optioned the rights to develop this book into a series with Viola Davis as director. I look forward to what they produce and hope they do it justice, as this work is quite timeless.

“Most people sought a blindingly passionate, transcending love, the one impossible and tragic. At the same time they wanted a less perfect, more prosaic love, one that got them through the day-to-day. She brooded over this, wondering if it was age, or just fatigue that took away large appetites, left us desiring a life predictable and kind. Was wanting less the first step down the road to dying, or to wisdom?”

*Side note - the length of time it took me to read this is no reflection on the book. I was mounting a show and into the run. The writing was just so good, I couldn't concentrate and reflect on it while my head was buried elsewhere... Great book.

[Christie Bane · Rating 5 out of 5]

Oh my God, this book was SO GOOD!

I don't really even know where to start. I suppose I will start with the simple fact that Kiana Davenport is a beautiful writer. I don't know how it's possible for anyone to produce almost 500 pages of such terribly beautiful writing. I say "terribly beautiful" because some of the things she writes about are, truly, terrible. I don't want to give away too much of the story, but take my word for it, if you read this book you will have images burned into your brain that I don't think you will forget any time soon, or maybe ever.

I have been to Hawaii one time in my life, had never had any interest in going before then, and fell in love with it immediately. That's not an abnormal reaction to Hawaii. But part of falling in love with it is knowing that I could never possess it, even if I ever had enough money to live there. Hawaii belongs to its people, and the United States kind of screwed them, or else handed them the tools to screw themselves, you could argue either way. I know better than to dream of belonging in Hawaii. But what I do want is to understand it. I don't care about resorts or tourist attractions; I care about the native-blooded (or mixed, because it seems like almost everyone now is mixed) people who live in the small towns outside of the tourist areas. I want to know what they think about people like me who come and visit. This author is very good at showing exactly that.

This book is an epic story of four generations of people, starting with a Dutch trader and a Tahitian princess. The current generation, four girls who have all lost their mothers, keep returning to their grandmother's coffee plantation from all the places in the world they have scattered. Their grandmother, Pono, is a force of nature. She has done a lot of fantastic things in her life, and seems to be half myth and half reality. I could never really figure out which was which with her, but part of the charm of the book was that I really didn't want to; she was a perfect character as is.

This book should be savored one sentence at a time, like drinking an exquisite glass of wine in small sips. I read the first 100 pages that way and then chugged the rest down almost in one sitting on my day off from teaching class. I couldn't resist. After doing that, I feel like I was hit by a train. That's how powerful the writing is!

[Emily M · Rating 4 out of 5]

This multi-generational Hawaiian tale (with light magical realism elements) alternates between lush and sensuous and really dark…as befits the complex and often painful history of these volcanic islands where the fire at their heart both creates and destroys.

We begin in the (at time of writing) present day (early 1990s) with four women, each different mixtures of Hawaiian-native-plus-something, returning to see their imposing grandmother, Pono. The latter is rumored to be a kahuna (seer/priest/magic woman), and to be able to turn into a shark; certainly she has a cane made of human vertebrae! Then we jump back in time, to Pono’s grandparents - a Tahitian princess with a pouch of black pearls, and a one-eyed white sailor, both runaways – and follow down the family line and their various adventures, passions, and misfortunes.

Colonialism and its terrible impacts on native populations is of course a big theme, as is the way that many of the women in Pono’s line put up resistance to it, and their interactions with the Chinese, Japanese, Filipinos, and others brought in as workers.

And, boy, am I glad I’m over my childhood leprosy phobia, because damn does this book go in deep to the effects of that imported disease on the islands and specifically Pono and her lover, Duke, who is shipped off to the infamous leper colony on Molokai. This was located on the peninsula of Kalaupapa, separated from the rest of the island by a steep drop. Initially, lepers were given no care at all, expected even to swim to shore by themselves! By Duke’s time, there were proper houses and hospitals…but he still suffers damage from experimental treatments themselves. We get excruciatingly detailed accounts of what the disease did to human nerves and flesh and bone (I say did as a nod to my childhood self who didn’t know there are treatments now!), as well as the extreme social stigma attached to the condition.

So, trigger warning for all that, as well as for rape and sex trafficking!

As is often the case for me, my favorite parts were the descriptions of the natural world and the way the characters interact with it (whether swimming, hunting, coffee farming, making herbal medicines, etc.) and the tales of resistance and resilience in the face of oppression. For all I described this as “sensual”, though, I admit quite a few of the sex scenes did give me the ick – and not just the ones that were clearly kinda supposed to. I’m still not 100% sure why, but I think maybe it was the way the book almost feels sapphic…but isn’t. There’s a big focus on women and their relationships (eg Pono and her friend Ran Ran live together for years in a house that is described as basically repelling men) and the way they are soft and strong and beautiful. And then there are these men, none of whom I found all that appealing, inserting themselves (um, literally, often). And it’s weird, because I am still attracted to men…I just had a moment’s doubt about that because these ones or these descriptions made me go “Ew, go away! Gross!” for whatever reason. But that could just be me; maybe straight women will find this really sexy, IDK!

But forget that, because, as I say, this book is really about the relationship within and between these generations of women, and their relation to the land and sea:
“Rachel meet her many cousins, come close to t’ree of dem, Vanya, Jessamyn, Ming…Come back every summer, like dey addicted to Big Island. What I t’ink is, dey addicted to Pono, like swimmers addicted to da sea. Yeah, shoah, sea da mot’er of us all, but you no can tell, sometime da bottom drop, suck swimmers down…”

[Johanna · Rating 2 out of 5]

2,5

Ich weiß nicht so recht, wie ich das Buch finden soll. Die ersten 300 Seiten haben es mir sehr schwer gemacht, in die Geschichte zu finden. Es war sprunghaft und ich fand die Beschreibungen der verschiedenen traumatischen Erfahrungen ganz schön doll. Von Kannibalismus bis Vergewaltigung war alles dabei und das ist einfach nicht so mein persönlicher Geschmack... Dann aber, angekommen in der Gegenwart der Geschichte, wurde es eigentlich Recht interessant. Die Dynamik zwischen den Cousinen hat mir gefallen und den umstürzerischen und revolutionären Teil fand ich sogar richtig spannend. Auch die Abschnitte über Identität und Zugehörigkeit fand ich gelungen. Also alles in allem musste ich mich teilweise durchquälen aber es hatte seine starken Momente.

[Pamela · Rating 2 out of 5]

I read Shark Dialogues while in Hawaii, and it made me enjoy the book more than I would have. The language strays into over-adjectival cheesiness, especially whenever anyone admires nature or has sex. And although I'm sympathetic to the claims of the Hawaiian sovereignty movement, it really bums me out to read a novel that's openly sympathetic to terrorism. Sorry, Davenport, but I just can't get down with that.

Anyway, the real reason to read this book is for the first half, when Davenport skillfully (not sure how accurately, but who cares?) narrates the settling and annexation of Hawaii. It's already an unbelievable, enraging, and too-little-told story, and Davenport makes the history come to life in vivid detail.

However, by the time we zero in on Pono's granddaughters and their political and sexual passions, it's time to put down the book. The vibrancy of Davenport's earlier writing leaches away to the strident disapproval of men, hotels, the American mainland, capitalism. I'm not necessarily against anything Davenport has to say on the subject, but I just wish she were more reasonable in her arguments.

[Wanda · Rating 4 out of 5]

This story is so amazing! I loved the integration of the history of Hawai'i into the matriarchal genealogy of the main character, Pono. The first half of the book was so engrossing I read it in one day! Pono's stories and history were beautiful and powerful. But the second half sort of lost me. The cousins' stories were harder to keep track of, in terms of who was the daughter of whom. And the language got a little repetitive. I love reading about Hawai'i's rich and sad history, about mixed women, about powerful women.

[A · Rating 5 out of 5]

my fave book on hawaii, davenport's a genius. strong women, politics, that dirty/beautiful hawaii thing and of course sex.

[Alicia · Rating 3 out of 5]

Hawaii + magical realism. I generally enjoyed the storyline but the quality of writing is taxing. An editor would have made a huge difference.

[Serena.. Sery-ously? · Rating 3 out of 5]

Il problema ENORME del libro sono i personaggi: non si riesce ad entrare in sintonia con nessuno di loro (se escludiamo il povero Duke, dai), non si prova empatia e soprattutto non mi è venuto da fare il tifo per nessuno di loro, anzi! Li avrei condannati tutti ad un destino infelice.
Peccato, perché l'ambientazione e la storia meritano tantissimo, mi hanno trasmesso tanta curiosità e - strano! - voglia di visitare quei posti magnifici; le prime duecento pagine poi sono bellissime, me le sono divorate in un baleno!
Poi arriva Pono la stronza, e tutta la magia sfuma via :(

[Annapurna Holtzapple · Rating 5 out of 5]

this book is intense and raw and powerful and just gets under your skin and into your blood, it’s almost a mix of the overstory and the house of the spirits but with a lot of detailed and well researched Hawaiian history and culture — I literally have dreams about the book and these characters
absolutely painful and i loved it

[Laurie Hanan · Rating 5 out of 5]

If ever a book deserved more than five stars, it is this one. Each paragraph flows like a poem, and I found myself reading the same words again and again, trying to absorb all the ideas contained in them. This is not a fast read, by any means, but well worth taking the time to read it well.

The lines between reality and Hawaiian myth blur as this expansive saga follows seven generations of a family in Hawai'i. The often-dark, angry tale begins as "Pono's girls" are summoned to the Big Island by their 84-year-old grandmother. The four mixed-race cousins, who have scattered across the globe, are united only by memories of summers shared in the home of the fearsome Pono. Now they return to the run-down coffee plantation once again to face the six-foot-tall kahuna with flowing gray hair, who uses a cane made from a human spine and possesses the power to kill with just a look. The reader is then taken back to 1834, as a shipwrecked, one-eyed whaler turned cannibal falls in love with a runaway Tahitian princess. The story then centers around their great-granddaughter, Pono, who displays unusual powers from birth. At sixteen, Pono falls in love with Duke, a pure Hawaiian surfer. Duke contracts leprosy and the two young lovers go into hiding, living like animals in the wild jungles as they are pursued by bounty hunters. Duke is finally captured and imprisoned in the leper colony at Kalaupapa, on the Island of Molokai. The love story between Duke and Pono spans more than sixty years and has to be one of the most extraordinary, most haunting, tales of all time. The reader is brought to the present, as Pono's granddaughters wrestle with the secrets of their family's past. They finally learn of their grandfather, who--ashamed of his leprosy--had made Pono vow not to tell anyone of his existence.

This story carries an underlying theme of the racial tension that still simmers just beneath the surface in modern day in Hawai'i. It revolves around the Hawaiian matriarch who, though she despises foreigners, is actually of mixed race herself, granddaughter of an American and a Tahitian. Pono's daughters marry non-Hawaiians and produce a mixed bag of grandchildren, four of whom become the other central characters in the story. As a non-Hawaiian raised in Hawai'i, these islands are the only home I know. I have always counted the Hawaiian people as my own. And yet, they will never count me as one of them. I have spent my life studying Hawaiian history, doing my best to understand and sympathize with the anger at the injustices inflicted on the Hawaiians by foreigners--Americans in particular. This book does a good job of shedding light on the political complexities, the rage and frustration that still drive Hawaiian activists today.

[Becky · Rating 4 out of 5]

this book is reviewed on the cover by isabel allende, and it reminded me a lot of isabel allende books. it spanned over several generations of strong women often being oppressed by men all set to a historical and political background, written in a style of magical realism. however, what made this book especially interesting to me was that the historical and political background was that of hawaii. i realized that i really haven't thought much about the history of hawaii and how it came to be a part of the united states. it really is a very sad history, i suppose not much different than how the rest of the united states came to be the united states, but it was still really interesting to learn about. there was so much i never knew much about or just never thought about: the imperialism, the slave like conditions native hawaiians faced on pineapple, coffee, and sugar plantations, leprosy epidemics, the struggle for hawaiian independence, the way the bombing of pearl harbor affected non-military hawaiians, the commonality of the struggle of island nations, the international nature of hawaii (with influence from the us, japan, the philippines, polynesia, etc.), and so many other topics. this book really made me want to learn more about modern day hawaii. it was also really interesting to read this book while in costa rica. the tone of the book was definitely against the white tourists who come and against the foreigners who come and buy up land and build developments that destroy the natural habitat and take away land from the locals, which is what seems to be happening a lot in costa rica. as i was reading the book, i was overhearing conversations from people from the united states discussing the beach front costa rican property they had purchased to build a resort, or to start a rafting business. it was just an interesting parallel that made me feel awful for going to costa rica as a white tourist who didn't know the language or anything about the history or culture of costa rica. so this book definitely inspired a lot of thought in me and i'd recommend it for that reason. sometimes the plot and characters seemed a bit forced in order to get across the historical and political message, but it didn't bother me because i was so interested in the message.

sorry if the review is long and boring, but i just don't want to forget everything i was thinking as i read this book.

[Liz · Rating 2 out of 5]

First things first - I read it because a friend needs help with a paper on this book and I needed to know the details to be able to help. I would have never picked this book up otherwise.

The writing is...difficult. I must admit, I read George R.R. Martin's doorstoppers faster than this one. It is overly descriptive, particularly when it comes to sex, and particularly when descriptions aren't truly needed. It is overly detailed, the author frequently digresses and focusses, I think, on all the wrong things. In the end, the writing left me with a pounding head and immensely annoyed.

There is no plot per se because the book tells the story of a family from the nineteenth century on and into the 90's focussing particularly on the character of Pono, who is apparently capable of magic and has some uber-creepy habits and unhealthy behaviours. But the problem is - neither is there any real character development in the book. Because when I thought it would finally occur the author killed several characters off and everything went back to the same old. Maybe that is some modern or postmodern statement, to me it seemed merely unnecessary.

Lastly, what it is essentially about is Hawaii. Its annexation and the fight of the natives to save their land. It directs the attention of the reader to all the important topics like economy, politics, social constructs and the overall term - exploitation of the natives by...heh, who do you think? I think I don't need to say it. This is great, don't get me wrong. I didn't know about most of it, at least not that it had happened in Hawaii as well, but I guess the colonisers weren't really creative in their cruelty, were they?! So kudos for that.
But frankly, I could have read it in a non-fiction book, would have liked to actually get a detailed non-fiction book instead of this one, and come to the same conclusions.

Recommended if you are interested in Hawaii and its history.

[konami · Rating 4 out of 5]

It was really hard to put this book down once I became engrossed in the description and lives of these powerful women. With the epic backdrop of Pono, Duke, their daughters, and granddaughters, the history of Hawaii is woven into the story-line allowing the reader to get a firsthand glimpse of a paradise lost to commercialism and exploitation of its' native peoples throughout the generations. While the first half of the book is very picturesque and lyrical, the final portion of the book began to drag and take another path. I more so enjoyed reading the history behind each woman and how they arrived in present day with Pono as the powerful matriarch at the helm and trying to instill her girls birthright to their land and history. There's mystery, magic, darkness, and lessons on forgiving all with a Polynesian touch. I found this novel to be both colorful and poignant where characters are brought to life with such creativity and expressive writing.

[Lori · Rating 4 out of 5]

I'm surprised that I'm only listing this book now on GR, because even tho I read it, oh, 20 years ago? it's obviously left it's mark. Now that's a 5 star book. As a matter of fact, I think I'll go restructure my ratings. It's time that tells me when a book is 5-stars, when I still am nostalgic so many years later about this reading experience.

Because this book had everything - deep emotional impact, bitterness at the machine of injustice, Hawaiian history, native politics, and well developed characters that I cared deeply about. It's written by a native. Yeah, I felt, learned, and was provoked into further thought.

[Radhika · Rating 4 out of 5]

This multigenerational narrative masterfully depicts the devastating impact of colonialism on the Hawaiian Islands. It’s a deeply moving story that left my heart unsettled.

[Kiana · Rating 4 out of 5]

So much to say. Full review coming soon.

[Sarah Fountain · Rating 4 out of 5]

If you asked me half way through the book, it would have gotten five stars and a spot on my top ten favorite books ever. Davenport weaves in and out of the personal narrative of the women she writes about and centuries of Hawaiian history. This book is one of the few historical fiction novels where the "historical" element is more than just a backdrop.

The second half fell a little flat. The story of Pono's four granddaughters followed clearly and was still incredibly powerful, but I thought some of the connections Davenport drew were a little...I don't know, easy? Like the fact that Vanya, the woman that hates white people more than anything, ends up with a charismatic Australian man that "puts up" with her "fiery nature" is a little bogus. It fits too neatly into the idea that men are rational and stable characters and even the strongest women are emotionally flawed.

I like to think that the relationship between Vanya, her Australian lover, and Duke are more complex than just "I never knew my Grandfather and this missing male figure has created a gaping hole in my life, and the only way I can let this white man into my life is by seeing the same disease in both of them." I'm not a fan of the idea that a "dead" grandfather could destroy two generations of seemingly strong women. I get that Pono was neglectful, and like to think that the girls' obsession with Duke was more a reflection on themselves than on a missing father figure, but Davenport never really arrived at that conclusion.

On a positive note, I don't think I have ever loved a character more than I loved Run Run. The passages where she defended the girls made me actually smile, and I love the fact that her dialogue was consistently in pidgin. That, combined with Davenport's descriptions of Hawaii, probably saved the second half of the book, and even made me question whether or not everyone has their element of nature that they connect with more than others. Few would object to the idea that Hawaii is a magical place, but she really brought the islands and ocean to life.

[Penny · Rating 5 out of 5]

I don't generally read other reviews but in this case I'm glad I did. In reading the reviews, I wanted to pinpoint why this book spoke to me, in spite of the detailed descriptions and lyrical, lengthy writing style. Times seem more necessary to hear the opinions of others, even if the opinions are about a book written almost ten years ago. This wasn't my intention when I picked the book up. I honestly wanted to escape from current events with something describing the past lives of island women in a mythical manner.

Although I was pulled into reading it; it took me longer than I thought it would. This may be because I didn't want it to end. (Here's a spoiler, the basic theme hasn't ended in real time. The truth behind these events is still happening.) If you're not exposed to the sensuous feelings of island life; historically, culturally or physically, then perhaps that's why the book didn't resonate with some as much as others. It obviously felt necessary to the author. It worked for me.

The universal idea of how women struggle internally to define themselves based on the impressions of others was vividly clear. The granddaughters living fully, trying to accept who they are throughout their lives; connecting to their pasts to define themselves, made for quite a "painful" read. I think, however, everyone should face our own past, present and future with Pono (pono). Mahalo Kiana Davenport for sharing this story.

[Jonathan Spencer · Rating 5 out of 5]

I usually only give five stars to books that I immediately want to reread, but four did not feel sufficient. This immersive book helped this haole understand the deep connection among the land, family, language, and culture in Hawai'i. If you are new to these concepts, like I was, I suggest reading Herb Kane's excellent books Pele or Ancient Hawaii, both of which are short and fun to read.

[Michaela · Rating 5 out of 5]

This book reads like both a legend and modern book. It explores what it means to be human from a Hawaiian background. The beginning of the book and its quick history of colonialism in Hawaii reminded me a lot of James Michener, but the examination of the human implications of this history were what made the book stand out.

[Carrissa · Rating 5 out of 5]

This one didn’t hook me immediately, but I fell in love with the complexity of each of the characters. I would call this one a slow burn. I think the author was very clever in the way that she communicated nuance in the Hawaiian identity.

[Aurora Shele · Rating 3 out of 5]

This book took me ages to finish. Some parts were really interesting. Others hard to get to. But overall a nice story about generations in Hawaii.

[Melissa Fondakowski · Rating 4 out of 5]

A sweeping generational epic

Weaving together personal history, historical fact, and gripping fictional storytelling Davenport delivers a first rate epic of the Native Hawaiian experience. This is a story of not only what happens to a land, but also to its people - in body heart and mind - when they, and their culture are violently colonized, dispersed, and killed.

[Madison ✨ (mad.lyreading) · Rating 2 out of 5]

Jesus pono is such a buzzkill.