I fucking love this book.
I FUCKING LOVE THIS BOOK.
Some of the reasons why I love this book:
This book is amazingly colourblind. I think perhaps two or three characters have their racial phenotype referred to. Otherwise, it's a perfect example of being able to read the characters as whatever way you think of these people, with hints based on their names. Interestingly, I think to write this book in an American context wouldn't allow the author to do this. Racial identity in the UK is hardly a non-issue (thanks, UKIP, really appreciate your efforts to bring back bigoted facistism), but the school where no one is really paying attention to their peer's races, or even cultural identity doesn't seem like a stretch from my North-East London point of view.
This is a really sex positive story, for one about teenage pregnancy. There's a misinterpretation of a scene of being forced, which gets resolved into something's that is both sex positive, about enthusiastic consent, and champions boys who call peers on bad behaviour. Yes, there's examples of perfectly teenage behaviour, with lying about conquests and such, but that doesn't diminish the sex positivity.
Most importantly, for a story with a pregnant 15-yr-old, no adult ever shames her for having had sex, or getting pregnant, even if they judge her for choosing to have the baby. There's a culture of slut shaming from some of the douchebag teenage characters, but it is not universal, and Aaron (the male lead) calls them on it, if not out loud, then in his head/narration.
And there ISN'T A ROMANCE, because Hannah has bigger things going on, you know. There are characters in relationships, there are 'in love with you' moments, there is deep love between characters, but there is never any moments where a romantic choice becomes greater or more meaningful than a platonic love. This is really about families of birth, families of choice, and the adaptation of characters to new situations. There are step families, and half siblings, and absent parents, and nuclear families. And these are all as valid as who chooses you, if you choose them.
Most of the families give SO MUCH SHIT about their offspring. This is possibly just my own bias, because I end up reading a lot of isolated child/teen characters, but these families are in love with their kids. They will move their own lives, they will make bad calls and then apologise for them, they will decide where their loyalties lie and follow through on it. Bad parents are allowed to be dropped, they don't have to remain as an influencing figure - these kids have agency to choose their story, and their parents have agency and mostly choose to do positive things.
On the sex positivity, it's not only teenagers who are sexual, sexually active, or horny and anything. There are extremely awesome elderly characters who are friends, and confidants, and still allowed to be sexual, to have pasts which aren't romanticised, and be interested in now, and not be examples of 'in my day,' as a contrast with modern sexual or social mores being pulled into play by grandparental figures. Sex was sex in the past, as it is now, and teenagers do it.
The elderly characters not only have agency, and the trust of the teen characters, and pasts, but they are friends, not mentors. That is something which I found completely awesome about Trouble. They are allowed to still be awesome in their own right. They're not just foils for the younger characters to learn. They are active, opinionated, sassy characters in their own right.
The main villain, if she could be called such, is nuanced. She is reactive, and manipulative, and the realisations of Hannah about her feed into a detailed and sensible way to think about the classic teenage bitch stereotype. She is not a stereotype, even as she ticks all the boxes. She is needy and insecure, and gets just enough flashback time in order to follow this through and for her to make sense, even in her villainy.
In conclusion: THIS BOOK IS FUCKING AWESOME.