August 26, 2022
3rd Review
- August 2022
I read Frankenstein for a sixth time this week. Although it is one of my favourite novels, and in my opinion one of the finest pieces of fiction ever written, I find myself with a new appreciation of the text every time I come to it.
A large proportion of one of my PhD chapters is about this novel. I'm discussing the idea of the vegetable diet along with purity and becoming our natural selves. And I'm also considering notions of animal rights, of the idea that man is very much an animal too and he has lost this sense of original self. Frankenstein at its very core is a novel about duality, of our capability to be both good and evil and to be both human and animal.
There is so much to take from this book and there's so much that be taken apart, scrutinised and then put back together again. What's truly striking about the work is how much is reflects the anxieties of the age. It's full of insecurities about nature, god, science and our place in the world. Ultimately, it is a novel that creates a sense of unease because it highlights so much about the inauthentic nature of the lives many of us live. Running through the novel is a craving for freedom: a craving to to simply exist in a natural way.
2nd Review
- January 2020
Some books teach you something new each time you revisit them.
I picked up the tragically wonderful Frankenstein for a fifth time this week, and I was totally mesmerised by the descriptive language used to describe the natural world.
In all my previous readings, I focused on all the classic tropes of man and monster though I never considered the importance of the serene beauty that surrounds the story. The natural world dominates the background of the novel. It’s there, like a pervading monster that lingers in the darkest reaches of the mind.
What struck me most about it was the fact that both Victor and his creation long for a real life, a life where one is truly alive. And they both ponder what this means at length, reaching the same conclusion: to go completely nomad. They both wish to live a life free of burden and complications, no money, no commitments and no responsibility. They just want to be totally free in the wilderness with the ultimate goal of finding happiness by looking after their most immediate and natural desires.
And for me this says a great deal about society, not just the society in which this was written, but society in general: how many of us feel truly alive?
Original Review
- 2016
Let’s have a party Victor. Let’s get together and celebrate all things Gothic, and dark, and wonderful. Let’s have it in an attic in an old house in the middle of a thunderstorm, and then afterwards let’s go to the graveyard with our shovels and our body bags. Sounds good doesn’t it Victor? We could then create our own doppelgängers from the corpses of criminals and geniuses. Then we can abandon our marvellous creation to fend for itself with his childlike innocence, and then wonder why it goes so horribly wrong and blows up in our faces.
Ahh..Victor you silly, brilliant, man. On second thought we probably shouldn’t have that party.
Because if we did it would end in blood
Yes, lots of blood: the blood of everyone you love, the blood of all your family Victor. You blame the monster, but you are his creator. You should have taught him the ways of the world and guided his first steps. The things you two could have accomplished together. So I ask you this Victor, who is the real monster? Is it the creature that has gone on a murderous rampage or it you? You are the man who played at god and was horrified at the consequence. You judged your creation by his physical appearance, which was more a reflection of your vain soul. Ahh..Victor you silly, brilliant, man. Surely you don’t wonder why the monster revenged himself upon you?
“I ought to be thy Adam, but I am rather the fallen angel...”
Indeed, the real monster of this novel is Victor Frankenstein, and not his monstrous creation. The creature is a monster on the outside but Victor is on the inside, which is a form much worse. By abandoning the creature he has taught him to become what his appearance is. The first human experience he receives is rejection based upon his physicality. His own creator recoils in disgust from him. He cannot be blamed for his actions if all he has been taught is negative emotion, he will only respond in one way. He is innocent and childlike but also a savage brute. These are two things that should never be put together. Woe to Victor Frankenstein’s family.
“There is love in me the likes of which you've never seen. There is rage in me the likes of which should never escape. If I am not satisfied in the one, I will indulge the other.”

Mary Shelley raises questions of the danger of knowledge, and shows a probable consequence of trying to play god; the novel portrays nineteen century fears for the rising field of science and knowledge and questions how far it could go. Indeed, in this case Victor takes on the role of a God by creating new life. She also shows us what can happen to a man if he so driven by this thirst for knowledge and how it will ultimately lead to a fall. Victor reminds me somewhat of Doctor Faustus (The Tragical History of the Life and Death of Doctor Faustus) in this regard. Faustus is a man who sold his soul to Lucifer for unlimited knowledge in the form of arcane magic. Victor, like Faustus, has stopped at nothing to gain his goal, but in the end is ultimately dissatisfied with the result.
Suffice to say, I simply adore this book as you may have gathered from my ramblings. I think this, alongside Dracula, are amongst the strongest representations of Gothic literature. Furthermore, I have a real soft spot for epistolary means of storytelling. I’m not sure why, perhaps it’s the stronger sense of intimacy you fell with the characters as you see their words on the page rather than an impartial narrators. You see inside their heads more and understand their motifs and feelings.
My favourite quote:
"This was then the reward of my benevolence! I had saved a human being from destruction, and as a recompense I now writhed under the miserable pain of a wound which shattered the flesh and bone. The feelings of kindness and gentleness which I had entertained but a few moments before gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind.
Listen to the passion, to the intellect and witness such a wasted opportunity. Victor, you’re a silly, silly, man.
___________________________________
You can connect with me on social media via My Linktree.
__________________________________
- August 2022
I read Frankenstein for a sixth time this week. Although it is one of my favourite novels, and in my opinion one of the finest pieces of fiction ever written, I find myself with a new appreciation of the text every time I come to it.
A large proportion of one of my PhD chapters is about this novel. I'm discussing the idea of the vegetable diet along with purity and becoming our natural selves. And I'm also considering notions of animal rights, of the idea that man is very much an animal too and he has lost this sense of original self. Frankenstein at its very core is a novel about duality, of our capability to be both good and evil and to be both human and animal.
There is so much to take from this book and there's so much that be taken apart, scrutinised and then put back together again. What's truly striking about the work is how much is reflects the anxieties of the age. It's full of insecurities about nature, god, science and our place in the world. Ultimately, it is a novel that creates a sense of unease because it highlights so much about the inauthentic nature of the lives many of us live. Running through the novel is a craving for freedom: a craving to to simply exist in a natural way.
2nd Review
- January 2020
Some books teach you something new each time you revisit them.
I picked up the tragically wonderful Frankenstein for a fifth time this week, and I was totally mesmerised by the descriptive language used to describe the natural world.
In all my previous readings, I focused on all the classic tropes of man and monster though I never considered the importance of the serene beauty that surrounds the story. The natural world dominates the background of the novel. It’s there, like a pervading monster that lingers in the darkest reaches of the mind.
What struck me most about it was the fact that both Victor and his creation long for a real life, a life where one is truly alive. And they both ponder what this means at length, reaching the same conclusion: to go completely nomad. They both wish to live a life free of burden and complications, no money, no commitments and no responsibility. They just want to be totally free in the wilderness with the ultimate goal of finding happiness by looking after their most immediate and natural desires.
And for me this says a great deal about society, not just the society in which this was written, but society in general: how many of us feel truly alive?
Original Review
- 2016
Let’s have a party Victor. Let’s get together and celebrate all things Gothic, and dark, and wonderful. Let’s have it in an attic in an old house in the middle of a thunderstorm, and then afterwards let’s go to the graveyard with our shovels and our body bags. Sounds good doesn’t it Victor? We could then create our own doppelgängers from the corpses of criminals and geniuses. Then we can abandon our marvellous creation to fend for itself with his childlike innocence, and then wonder why it goes so horribly wrong and blows up in our faces.
Ahh..Victor you silly, brilliant, man. On second thought we probably shouldn’t have that party.
Because if we did it would end in blood

Yes, lots of blood: the blood of everyone you love, the blood of all your family Victor. You blame the monster, but you are his creator. You should have taught him the ways of the world and guided his first steps. The things you two could have accomplished together. So I ask you this Victor, who is the real monster? Is it the creature that has gone on a murderous rampage or it you? You are the man who played at god and was horrified at the consequence. You judged your creation by his physical appearance, which was more a reflection of your vain soul. Ahh..Victor you silly, brilliant, man. Surely you don’t wonder why the monster revenged himself upon you?
“I ought to be thy Adam, but I am rather the fallen angel...”
Indeed, the real monster of this novel is Victor Frankenstein, and not his monstrous creation. The creature is a monster on the outside but Victor is on the inside, which is a form much worse. By abandoning the creature he has taught him to become what his appearance is. The first human experience he receives is rejection based upon his physicality. His own creator recoils in disgust from him. He cannot be blamed for his actions if all he has been taught is negative emotion, he will only respond in one way. He is innocent and childlike but also a savage brute. These are two things that should never be put together. Woe to Victor Frankenstein’s family.
“There is love in me the likes of which you've never seen. There is rage in me the likes of which should never escape. If I am not satisfied in the one, I will indulge the other.”

Mary Shelley raises questions of the danger of knowledge, and shows a probable consequence of trying to play god; the novel portrays nineteen century fears for the rising field of science and knowledge and questions how far it could go. Indeed, in this case Victor takes on the role of a God by creating new life. She also shows us what can happen to a man if he so driven by this thirst for knowledge and how it will ultimately lead to a fall. Victor reminds me somewhat of Doctor Faustus (The Tragical History of the Life and Death of Doctor Faustus) in this regard. Faustus is a man who sold his soul to Lucifer for unlimited knowledge in the form of arcane magic. Victor, like Faustus, has stopped at nothing to gain his goal, but in the end is ultimately dissatisfied with the result.
Suffice to say, I simply adore this book as you may have gathered from my ramblings. I think this, alongside Dracula, are amongst the strongest representations of Gothic literature. Furthermore, I have a real soft spot for epistolary means of storytelling. I’m not sure why, perhaps it’s the stronger sense of intimacy you fell with the characters as you see their words on the page rather than an impartial narrators. You see inside their heads more and understand their motifs and feelings.
My favourite quote:
"This was then the reward of my benevolence! I had saved a human being from destruction, and as a recompense I now writhed under the miserable pain of a wound which shattered the flesh and bone. The feelings of kindness and gentleness which I had entertained but a few moments before gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind.
Listen to the passion, to the intellect and witness such a wasted opportunity. Victor, you’re a silly, silly, man.
___________________________________
You can connect with me on social media via My Linktree.
__________________________________