In the late 2010s and early 2020s there has been a robust trend for short story collections by young women which explore issues relevant to modern life (particularly modern life as it is for women and girls) through a mixture of realist, speculative and horror fiction. I can list a number of them offhand: "You Will Never Be Forgotten," "Bliss Montage," "You Know You Want This," "Out There," "Life Ceremony," "Cursed Bunny." "She’s Always Hungry," by Eliza Clark, slots comfortably into this trend. The opening story is about eating disorders. There is body horror and light-touch speculative fiction. There are stories about bad relationships and sexual trauma. There is a story written in an unconventional format: this, "The Shadow Over Little Chitaly," written as a series of online restaurant reviews, is the best thing in the book by a country mile.
Although none of the stories are actually about life online, this, like Honor Levy’s "My First Book," is a book shaped by the Internet. Tumblr/Twitter-type Millennial humor and cultural references run all the way through it, and it feels like one needs to be somewhat "online" to understand some of it. The stories are hampered by what feels like a need to make them superficially edgy yet, in essence, deeply conformist. You can see the cogs turning in some of the stories (here’s a story about disordered eating, a subject so many Millennial and Generation Z women will relate to. But the narrator must emphasize her body positivity - because God forbid a character obsessed with losing weight might seem fatphobic!) And I am not against trigger warnings, but when a book comes with an exhaustive list of them, which includes such benign things as "extensive descriptions of food," it gives you a certain picture of the intended audience.
Lest these criticisms make me sound like an unhinged anti-woke Boomer, there are other problems. The sci-fi stories contain some truly terrible expositionary dialogue. "The Problem Solver" feels like a failed attempt to write a story that riffs on Roupenian’s "Cat Person." Once you figure out the premise of a story, it almost always plays out predictably. In "Build A Body Like Mine" for example the story cannot be building to anything *other* than a reveal of something weird. So when the reveal comes, there is no moment of shock or horror. Similarly, "She’s Always Hungry," the story, is precisely what you would expect from a story called "She’s Always Hungry" by a young female writer.
"She’s Always Hungry" seems designed to be read by teenagers making their first steps into adult fiction. I don't think that is a bad thing (better they read this than yet another toxic "spicy" romance), I’m sure it will sell well and be popular on "Booktok," but it doesn’t feel like a serious collection and represents a step backward in terms of quality. I think the author is very talented, and I loved her début "Boy Parts" which I thought was an excellent first novel showing a lot of promise, but I also think the unexpected success of "Boy Parts" has not been a good thing for her craft. This collection feels as though it has been rushed to publication before it was really ready. I feel for her - becoming a hot commodity in publishing at a young age must create a hell of a lot of pressure. As with many weak books I blame those involved in the editorial process - I think some editor should have had the guts to tell her this wasn’t good enough. I hope Clark can get out of this niche she’s written herself into and start working in some influences other than "I was on Tumblr in 2014," which can only engage a certain audience, and then only for so long.