In 1992, legendary writer and artist Todd McFarlane unleashed his iconic antihero, Spawn, on the world. In so doing, he launched the most successful independent comic book in history - and the world would never be the same. Spawn: Origins Volume 18 features the stories and artwork that helped cement the Spawn legacy. Relive the excitement of this groundbreaking series, collected in this accessibly priced format with exclusive bonus content, including cover galleries, b/w art, classic quotes, and an exclusive digitally painted cover by Clayton Crain. Collects issues #105-110 of the Spawn series.
American writer who writes comics, novels and animation. Some of his works include "Aria", "Savior," "Spawn" "The Dark Crystal: Creation Myths," "Godslayer" and "Kiss: Psycho Circus".
(B) 73% | More than Satisfactory Notes: The artwork sucks (it's clear as muck), a needless story strain: not that plot's so great or taut, just art's a mental drain.
This is getting interesting: hints of consequences to Spawn taking over a part of Hell, a new enemy, Sam and Twitch have some family drama, and it's all pulling together quite nicely. Looking forward to volume 19.
Mainly the thing that's keeping me here mostly I'd say.
It's back to repetition Volume 18. As much as I love Spawn, and thank the Gods, the whole boo-hoo-I-Want-my-wife-back and I-wanna-be-normal-again crap are over from Spawn-- (yay only after 100 issues :D isn't that great? :D ) --even without all of that, we still get some crappy villains, psychopaths and monsters-vampires whatever, that they all are one-dimensional characters with no personalities and no interesting things to say or do whatsoever.
And still, here I am, still reading like the happiest fucker on earth. Oh well.
At least Spawn ain't weeping after his wife no more, but I'm not too sure about this new way of his either. There were some good moments but basicly Spawn has turned to be everyday superhero with big flashes coming out of his hands. And all this with art that is messy.
Oof! Greg Capullo leaves the book and it instantly turns to shit. Angel Medina's art is so freaking bad. I can't tell what is happening half the time. The humans are all outlandish and cartoonish. Just the total antithesis of the type of artist that should be on the book. The stories are all boring too. A weak two part story dealing with Jason Wynn and then a story about vampires that ends mid-story because of the insistence to only include 6 issues in every trade.
The artwork has become unnecessarily confusing. The shapes are exaggerated, the angles are nauseating, the zoom level shifts erratically. I like Capullo's artwork a lot more. Medina is part of the reason I stopped reading Spawn years before. Let's see if now I can stand him for 40 long issues...
I miss the earlier Spawn. The Spawn that was wrapped in mystery and constant reminders that something bigger is going on here. Not so much anymore. There still is some mystery, but nothing like earlier in the series. At least the artwork is consistently pretty awesome.