The plot of this book is....well, hard to talk about without spoilers (see below). Elena Michaels, Alpha of the American werewolf pack goes on vacation with her mate, Clay and twin eight year olds Kate and Logan one of whom has been acting out lately and causing tension in the family but something is amiss and everything reaches fever pitch when Kate runs off and it becomes apparent that someone might be targeting the two children.
What I liked
Werewolf politics. It was interesting to learn about the other packs, the international relations, it just makes the world feel richer.
Kate: Especially when she is lost in the woods. I've always found the twins a bit much for my taste, NO kids sound like them no matter how smart, but in this book she actually sounded like a little girl.
Malcolm: I' really starting to like this guy (not as someone you'd want within 500 miles of you, but as a character). Maybe it's because he is the only WOTO character who has a distinctive personality (all the characters; male and female, start to sound the same after a while with almost identical morals, motivations, sensibilities and world-views it gets boring). But Malcolm? I mean the guy is patently crazy but his actions have a weird sort of logic, to him anyway, he's the closest thing to a well-rounded villain these books have.
Despite the packs instance, he's NOT merely a "psychopath" this is a guy with a predators aggressive instincts and a frame of reference so outside of anything a rational human being would recognise that it'd be hard to call him objectively evil. And most importantly, he's highly intelligent, he knows what makes the other characters tick, even if it those reasons make no sense to him personally.
What I disliked
Logan: Just come on! He didn't come across as a realistic child. Like at all.
The super-predictable "twist" : Logan and Kate would both be werewolves (It's funny how this was hinted at for years as being only a "possibility" as if anyone would believe that). It was obvious from the moment Kate started showing symptoms that they'd both change by the end of the book.
The plot: In a nutshell; its nonsensical and just seems like a flimsy premise to have all the characters gather together and prove them right, in that order (like I still cannot, for the life of me figure out what the British "traitors" end-game was, yes they were staging a coup against their Alpha but it was just so unbelievably stupid and convoluted, they added in a transatlantic fight, a murderous psychopath and like five extra steps for NO REASON AT ALL except of course to hammer home the point that Elena and the American pack are oh so awesome and above reproach)
The Flat characters: The misogyny of the British pack was simply ridiculous. I mean like no-one talks like that in real life. The entire thread of the conversation was *Elena has idea* *British pack* - Let's not listen she's a woman, prone to hysteria and fits of womanly weakness.
Elena: But what really grated was that for all the straw woman-hater characters harping on about Elena being a "hysterical woman" to highlight what backwards assholes they were, well, I'm sorry but she DID act like a hysterical woman.
Her daughter, a super-intelligent werewolf child wanders off into the woods for a few hours in a huff and she FREAKS OUT (at this point there is ZERO indication that there is ANY machinations against the pack) she panics, she appears to be on the point of hyperventilating if her internal monologue is anything to go by, she mobilises the troops and calls in the whole werewolf pack; to find a kid who is probably an hour away from home at most it's just so unbelievably excessive if there hadn’t been a convenient plot against her kids it would have come across as paranoid and smothering.
I've read nearly all the otherworld books and short stories and Elena is a terrible mother, and not just because she has raised two spoiled brats with no boundaries and she believes that disrespect and talking back to adults is a sign of their "preciousness" rather than just shitty parenting; she's needy, possessive and over-protective to a ridiculous degree, she frets and worries over every little thing and not in a healthy way, if ANYTHING at all goes wrong to disrupt the balance in her perfect little life; her kid falls and scrapes her knee, the kids get the flu it's just endless rounds of pointless hysteria and self-flagellation and it's painful.
Yes, the other pack is wrong for assuming that all women are hysterical, they are not however wrong about Elena, unfortunately. It's painful when a feminist message gets garbled by the fact that the "strong" woman actually conforms to the strawman stereotypes
Another thing I've noticed about Elena's character over the years of reading these books and short stories; she REALLY hates being a woman.
Every negative stereotype, every nasty belief about women, about blondes, about blue eyes she internalises and seems to believe far more than anyone around her except for the ridiculous cardboard cut-outs like the British pack whose sole existence is so that Elena can have a "you go girl!" moment.
She believes she has to punch a guy to death to prove she's "strong" because that's the ONLY kind of strength, constantly references how she is good at stuff "for a woman" or how men don't expect her to be able to do X "because I'm a woman".
I've lost count the number of times Elena has referenced her blonde-ness in a negative way, being blonde is NOT a character flaw, and to be honest in the heteronormative Anglosphere that Armstrong's characters populate its defiantly a bonus. She plays up to the dumb blonde and hysterical woman archetypes when around humans or trying to weasel out of trouble and for someone who is trying to prove that women are just as speshial as men she is really insulting her own gender by playing up to lazy stereotypes, the fact that she views these antics; crying, weeping, playing dumb, not being able to walk and chew gum at the same time as "normal" woman behaviour pretty much tells us all we need to know about Elena's views on women.