From New York Times bestselling author Gale Galligan comes a funny and vibrant semi-autobiographical middle-grade graphic novel about friendship and belonging.
Ollie Herisson's dad is a diplomat, which means her family moves around a lot. She has already lived in Singapore, Korea, France, and the United States. When Ollie starts at a new school, she doesn't worry about making a good impression because she knows that when her family inevitably moves again, she'll get a fresh start somewhere else. A complete reset. It doesn't matter if her classmates think she's weird for pretending that she lives in the world of an imagined anime, or if she makes an enemy out of the most popular girl in her class, or if she just does something hugely embarrassing! And it definitely doesn't matter that all her mom wants is for Ollie to be more of a proper Thai daughter.
But after moving from Germany to Virginia and having a mortifying first day at her new school, Ollie is shocked to learn that her parents are going to buy a house so that Ollie and her sister, Cat, can finish grade school in one place. Can Ollie figure out how to both be herself and make real friends when she can't run away from her life?
Gale Galligan is a New York Times bestselling cartoonist and shrimp chip enthusiast. They’re known for their four BABY-SITTERS CLUB graphic novel adaptations. You can also spot them in The Claudia Kishi Club, a wonderful short documentary on Netflix.
Gale holds an MFA in Sequential Art from the Savannah College of Art and Design. When they aren’t making comics, Gale enjoys knitting, reading, and spending time with their roomies: Lemon the leopard gecko, rabbits Dipper and Penny, Patrick the husband, and Robin the child. They live in Rockland County, New York.
This took me a little longer to finish than usual BUT I did enjoy it. Fresh Start is definitely one of those titles that is for the middle school reader that is a fan of books like Smile and BSC graphic novels. Though it doesn’t necessarily do everything new thematically (we see a lot of common themes in other middle grade graphic novels), I think that Galligan provides insight to Thai culture as well as their experience moving around from place to place, constantly having to start over and make new friends. For someone who has never experienced that, it is eye opening to see how impactful it can be in how a child views themself and others around them. The story was engaging and the illustrations were immaculate as always. I’m looking forward to picking up more by Galligan soon.
I miss when my kids had me read comics to them all the time. We had this whole routine where at bedtime we’d alternate between a novel one night and a graphic novel the next. This method meant that we went through a LOT of comics for kids. I always had a pile by the bed, and when we finished one I’d spread out all the possibilities and they’d select the next one that interested them. But while graphic novels for kids retain their popularity, even as other types of literature wax and wane, children grow up. They seek out older fare. And here I am, a librarian with a specialty in children’s books, now watching the hoards of unread kids comics pile up, pile up, pile up on my To be Read shelf. It’s intimidating. In a sea of comics, how do you know which ones to read first? One technique is to find someone tried and true. Someone with a keen sense of humor, an eclectic drawing style, and who does plots in their books that no one else does. Someone who is, essentially, Gale Galligan. They’re the kind of creator who makes comics that fool you into thinking they’re like everybody else, then hit you with key, fantastic, differences. Their latest? The best of the lot. Hands down.
Ollie has it all figured out. Because of her dad’s job as a diplomat, the family is constantly moving around the world. Never settling in one place too long. Never putting down roots. And Ozzie? Ozzie LOVES it. Because when you’re never in one place for all that long, you can escape embarrassment and shameful moments easily. So imagine her surprise when Ollie and fam plop down in Chestnut Falls, Virginia and she is immediately told that they’re here to stay. Potential catastrophe! After all, Ozzie’s an incredibly outgoing and enthusiastic person, but she doesn’t know these kids. When she meets a group of kids that share her love of imagination and comics she realizes she may have found her group. But when something terrible and embarrassing happens, what then?
Like many people I first became aware of the work of Gale Galligan when they took over illustrating the Baby-sitters Club comics after Raina Telgemeier (and how interesting is it that both Gale and Raina have GNs out this year about groups of kids making comics?). Galligan’s style probably has an official term amongst comic academics that I just don’t know. It’s sort of manga-inspired with a lot of the visual tropes in place, yet it is undeniably American to its core. As part of the Scholastic Graphix line, it’s not supposed to surprise you with shifting its style. Yet Galligan, to my surprise, got much more creative with her art here. At certain key points in the narrative, Ollie draws her own comic series, so we need to see a kid-version of what a comic might look like. But even more than that, there’s this level of sophistication to each and every page. Galligan’s manga influences are worked seamlessly into the images, sometimes going almost chibi, often utilizing a fair number of visual motifs and cues. Turn to any two-page spread in this book and just marvel at the way Galligan lays out her panels. We see so many comics published these days (such a start contrast from when I first started working as a children’s librarian) but it isn’t until you read a book like Fresh Start that you begin to appreciate true skill in the medium.
I love a graphic novel for kids that looks all light and fluffy and then hits you with some serious content when you’re not expecting it. Ollie’s struggles with being bi-racial, her feeling that she’s not Thai enough, and her friend drama… those are topics I’ve seen done. They're important, and I'm very glad to see them here too, but I wouldn't say they're singular. Then there are the elements of the book that were a little different. The one that I was particularly interested in was the difference between Ollie’s relationship to her parents and her younger sister’s relationship. Do you know how difficult it is for the favored child in a family to realize that they’re really and truly their parents' favorite? Particularly if they’re the older sibling? Cat and Ollie get along, but their parents hold Cat to standards that are entirely different than Ollie's. As a result, there is a moment at the end of the book where Ollie decides to take the initiative and change things in her family that just struck me as incredible (and a helluva way to end a book too). It’s not that their parents are bad people, but they are uniquely flawed. Their mom, for example, has a tendency to use the silent treatment against them in a particularly immature and damaging way. It’s incredible to see.
Oh. And it’s funny. Galligan is also funny in real life, as it turns out. I’d never seen them in person until this year, when I watched them present in front of a room of 200-300 local educators from the Chicago area. Humor on demand is draining, yet Galligan seemed just buoyed with energy. That translates to the page, and just as the range of art styles is impressive, so too is the range of different ways of being funny. There’s just straight up jokes, of course. Situational humor. And then there’s visual humor, but that’s sort of a blanket term for the myriad ways to do humor visually. Aside from the serious moments in the book (and yes, it has some) the jokes fly fast and furious on almost every single page. I’m the kind of person who thinks that it would probably be fun to chart and graph each joke, noting what kind it is, how it was told, whether it’s visual or verbal, etc. Oh. You can talk about this all SORTS of ways.
Hot Take: Bullies are cheap ways to build emotion into your children’s book plots. They’re easy antagonists. You don’t have to give them justifications or backstories if you don’t want to, and if you do want to then you can feel good about being a writer capable of nuance. But me? I don’t like ‘em. I don’t like reading about them or getting to know them or anything. So when I see a book like Fresh Start I feel like its very existence justifies my anti-bully books stance. This book is bully bereft. Ollie doesn’t come to this new school and then have that classic encounter-the-bully-right-off-the-bat obligatory scene. And really, why insert a bully when the main character is so good at bullying herself instead?
Oh. And there are lots of facts about hedgehogs too. I was really trying to find a way to work that fact in, but couldn’t really slide it into any of these other paragraphs. Hence the teeny tiny paragraph here. Hedgehogs. They’re cool. And the one that Ollie gets as a pet is always rendered incredibly realistically, which makes sense in context, but was clearly a very conscious choice on Galligan’s part.
It's just such a relief to encounter a graphic novel quite as good as this one. It really does strike me as a perfect melding of all the ideal parts of a comic. It’s funny, but handles the serious subject matter (how to take care of a hedgehog, feelings of shame, what to do when you hurt someone, parental drama) with a steady hand. The art is accessible and fun, but also is just as ready to draw its characters in the style of Animal Crossing avatars or as mock manga. And the plot is juggling about seven different themes all at once without ever dropping a single solitary ball. Look, it’s dangerous to go about saying one book or another is perfect, and I’m sure this title has some flaws in it. I just have no possible clue what they might be. It’s the gold standard for contemporary comics for kids. More of this, please. More of this.
Seventh grade Ollie's father is a diplomat so her family moves every couple of years. She's already been at international schools in Singapore, Korea, France, and Germany but now the family is moving to the US. These moves have given Ollie a sense of impermanence in her friendships and relationship to navigating new schools. But Ollie's parents shock her with a new development: this move to Virginia for a long term! Now Ollie has to be a lot more careful with how she treats her new classmates, especially a tight group of anime nerds who welcome her in. One of Ollie's new friends is also Thai-American, and they are thrown together by their mothers into language and dance lessons. This is such a delightful and charming new middle grade story from Gale Galligan, whose previous book Freestyle I also loved. Gale has a real talent for balancing multiple story lines among friend groups and siblings, writing parents who are human and fallible while still being overall supportive, and young people finding their passion and groove in life. Also, as a fellow nonbinary millennial who grew up reading manga and fantasy, I love to see how Gale writes fandom into their character's lives! Highly recommend :)
Based on Gale Galligan's own life, young graphic novel fans who enjoy school stories, cosplay, manga/anime or any story that features young artists will want to give this a try. This is a story about how Ollie and her sister Cat adjust to a new school in Virginia after years of moving around from one international school to another. Even though Ollie is not a girly girl and may come across as 'different' to some, she finds herself making friends with other girls at her new school. Will the friendships last? What happens when you know no longer can forget your past by starting over at a new school again? And what about her sister Cat who despite being two years younger acts more like a teen than Ollie? Will the two sisters be able to find anything to bond about?
A new MG graphic novel by @robochai partially based their childhood. 🎨 Ollie is used to moving around the world with her family. She’s lived in Singapore, Korea, France, the U.S. and now Germany, but when her dad announces they are moving to Virginia, this time permanently, Ollie must learn to adapt to American culture and what friendship means. As she deals with her gift for drawing manga, new friendships, her religion, culture and identity, it causes her to miss what her little sister, Cat, is going through. Can Ollie figure out how to survive the last fresh start? 🦸🏻♀️ I’m obsessed with this book from @graphixbooks Gale’s artwork is probably some of my favorite of all the graphic novels I read and this story! Setting this novel in a more modern time will help readers connect to it even more. I definitely teared up at the end and can see so many kids connecting with this one when it releases 1/7!
I thought the story was okay. Typical middle school drama about finding friends and having a passion for fandom/anime/manga, but it took way too long to get to the “ah ha” moment. It definitely did not need to be over 200 pages. I did like the illustrations, but I would have liked to know more about the Thai culture.
I love this book especially because it’s set in my home state Va!😆 This book has great art + I love The author’s other books. I would definitely recommend all the books this author has written!❤️ - Romy age 8
Okay I really like this book, but the parents pissed me off to no end. I love the lesson behind this book and I do think the parents improved a little towards the end of the book. But the parents truly made me rage at work.
Gale Galligan has always been an amazing illustrator, and her first graphic novel, Freestyle was so much fun. Fresh Start continues to showcase Galligan's talent. Not only was this a lot of fun and goes into art and friendship, this also depicts kids, who have to move every few years. Ollie appears to be cool about these moves and can go with the flow. Her close relationship with her sister also starts to have growing pains. But, when Ollie realizes that the rough start to school won't soon turn into a fresh start at a new school, is where this starts to shine. She has to make her way through and find her way. Galligan is a force and I can't wait to see wait to see what she does next.
I received an arc from the publisher but all opinions are my own.
I loved this book. The day to day life, with the added conventions, and making comics/stories with friends. The heart ache that comes with miscommunications, and trying to live up to your parents expectations. And then realizing that sometimes you need to be the bigger person and reach out. It was wonderful.
Ollie and her family move every two years, so she had a lot of experience saying goodbye to her old life and having a fresh start somewhere new. This time, her family is leaving Germany and heading to Virginia. Ollie is starting 7th grade at a regular American middle school instead of an international school.
Super cute graphic novel. It’s fun to see Ollie make friends, and make mistakes and learn from them. She also explores her Thai roots which is interesting to see. Highly recommend! (and make sure you read through to epilogue 2!)
Ollie is a seventh grader who has to make a fresh start whenever moving to a different place because of her dad’s job. She has decided she doesn’t need to try because she’ll be moving anyway. Then she finds out they may actually stay this time. This is a graphic novel about belonging, finding your people, mother-daughter relationships and embracing cultural traditions.
I found the pacing to be a little too frenetic, but there is a lot to like here. I really liked the dynamic between the two sisters and kids who like anime will eat this up.
New fictionalized graphic novel memoir perfect for middle grade readers. Lots to unpack and discuss: friendships, moving, fresh starts, family dynamics, persevering through difficult situations.
Kids in grades 4-6 are likely to rate this one with 4 or 5 stars but I preferred Galligan’s Freestyle and her Babysitter’s Club adaptations. The themes of finding friends, adjusting to change, and making things right when mistakes are made are solid, Galligan’s illustrations are spot on as always, but the kids will likely enjoy all the references to anime and manga and the main characters’ work on zines of their own more than this old, retired librarian!
Ollie, her parents and younger sister have moved often and to places all over the world due to the father’s diplomatic position and Ollie has always found the moves a great way to “reset” and leave mistakes and embarrassing moments behind when starting over in a new place. But she, unlike her sister Cat, has also never tried too hard to develop close friendships. Leaving Germany and a broken friendship behind, the whole family is moving to Virginia and this time, dad’s job will allow the family to stay in one place for a while meaning Ollie is going to have to figure out how to find and keep friends who appreciate the same things he does, namely art, comics, and everything anime and manga…plus his new pet hedgehog. Ollie does meet some like-minded classmates, finds joy in art class and begins to see Chestnut Falls as home, however, this time when he makes a big mistake with a classmate, he needs to figure out how to make things right.
Along with the main threads of friendship and a new home, Ollie finds new ways to explore her Thai heritage, realizes how important her sister is to her and helps their parents begin to communicate with them both a bit better. Excellent examples of conflict resolution are included in an unforced way that stems smoothly from the primary plot and may give readers some ideas of how to solve a few problems of their own.
Text is free of profanity, sexual content and violence. Representation: Ollie and Cat are Thai-American as is Ollie’s friend Nina, several Thai festivals are featured as is the food, language and traditional dress of Thailand, and kids throughout are encouraged to be, dress and express themselves in their own unique ways, Ollie may/may not be non-binary, the text is not specific. Note for parents and librarians, Ollie does experience menstruation for the first time and has a bit of embarrassment that mom helps her through.
Thanks for the autographed copy, Gale Galligan and Scholastic, and for providing one to librarians at the 2025 Texas Library Association annual conference.
Thank you so much to Scholastic for an ARC of Fresh Start in exchange for an honest review! I have loved Gale Galligan's work since I started reading their editions of The Baby-Sitters Club and so I knew I was going to enjoy this book but I didn't expect to love it as much as I did! Fresh Start has everything and more. The first element I noticed were the strong characters with wonderful character development. I loved seeing Ollie's growth as she starts a new life in Virginia. I enjoyed reading about the friendships that Ollie builds which give young readers valuable lessons about friends, boundaries, trust, and love. I appreciated seeing Ollie's family dynamics and the relationships between Ollie and her mom, her dad, and Ollie's sister Cat. I also loved learning about Thai culture, food, and seeing Ollie's feelings of diaspora and some distance from her peers, especially living in a predominantly white community. Gale even touches on the dangers of social media for middle schoolers. While this is a middle grade graphic novel, I think that anyone of any age will find joy in Gale Galligan's wonderful, heartfelt, and inspiring story. Plus the art/illustrations are fantastic! Be sure to pick this up when it releases on January 7th!
As the beloved creator of the graphic novel adaptions of the Babysitter's Club stories, Gale Galligan will already be popular with many elementary readers, and this original work will cement their popularity. Fresh Start is a huge hit with my students, especially military kids who will immediately relate to the experiences of frequent lives, making new friends, and the unexpected benefits of so many "fresh starts".
Unexpected bonus of representation of Thai language, culture, and traditions, and more relatable content for first generation immigrant kids straddling two cultures and languages.
Recommended for elementary and middle school library collections.
The art and facial expressions is AMAZING. The amount of screenshots I took to send to my friends is ridiculous. Also, the hedgie is so cuteeeee. P.S. Love the scene when Quilly ate banana it’s very silly and cutesy.
What a lovely all ages graphic novel! A great book about fitting in, becoming your own. Wonderful growth done with characters - both kids and adults. Really loved this one.
So cute! Loved learning about Thai culture. A great addition to my school library. I especially enjoyed learning about the author in the back and reading the acknowledgments.
Rising seventh grader Ollie is just as glad to be leaving her international school in Frankfurt, Germany, especially after embarassing herself at a year end assembly, and falling out with best friend Rebecca. She and her sister, Cat, who is two years younger, are excited to be moving to Chestnut Falls, Virginia, with their father, who is a diplomat from the US, and their mother, who is originally from Thailand. The two siblings have an imaginary world that figures largely in their play, and Ollie is obsessed with the Quilly anime, and this sometimes causes Ollie to daydream and embarass herself. There are some things that are different in a US school, including the Pledge of Allegiance, state maps, and the English measuring system, and Ollie is on the lookout for possible friends, even drawing a "friend index" and making comments about the likelihood of making friends with various people. Nina is obviously too popular, so Ollie declines her invitation to eat lunch with her friends. Eventually, Zoe Kwon, who wears a lot of cosplay outfits to school, reaches out, and the two hang out together. Zoe's friends are willing to befriend Ollie, even though she thought that they wouldn't want to hang out with her. This includes Nina, whom Ollie discovers (at a sleepover at Zoe's) is part Thai. Their mother's bond, and soon Ollie is taking Thai language classes. After Ollie asks to be allowed to go to Anianicon to meet the group's idol, Sugar Rose, Ollie also finds herself roped into dance classes as well. There is growing tension between the parents and Cat, especially after Ollie is allowed to adopt a hedgehog. The parents don't ask Cat is she would like a pet as well. Ollie also gets a phone, and Ollie starts to feel that her parents aren't treating Cat fairly. The family is planning on staying in Virginia, and are able to visit the father's parents sometimes, but when Ollie makes Nine angry by giving her anime character a backstory different from the one Nina herself envisioned, Ollie starts to wish that she could move again and get another "fresh start". When Cat gets into a situation where her "friends" have created a fake social media account in her name, Ollie is able to see past her own problems to help her sister figure out what to do, and show her parents how they are not treating her sister fairly. Strengths: This is a fictionalized account of the author's own life, but brought into a more modern time. There are a not too many books about students who attend international schools (MacLeod's Continental Drifter and Matula's The No-So-Uniform Life of Holly Mei are the only two I can think of) and it's something I wish would see more of, along with characters who move a lot because of parents in the military. Ollie's obsession with anime, and her dislike of parental enforced activities, are both absolutely true to life. The typical tween concerns, like art club, sleepovers, and friend drama, have not changed all that much since the 1990s; I'm adding Galligan to the list of authors who could have been my students. (To be fair, the first students I taught are now 48 years old...) Weaknesses: I shouldn't find the anime style star eyes and over the top emotions as annoying as I do, but Ollie's reactions to rival Misako's in the Bounce Back series. This is something that will probably not irritate actual tweens who are into anime. What I really think: This is a great choice for fans of this author (Freestyle, The Baby-Sitters Club graphic novels), or of graphic novel style fictionalized memoirs like Bermudez's Big Apple Diaries, Cook's Puzzled, Hale's Real Friends, Krosoczka's Sunshine, Martin's MexiKid, Mercado's Chunky, Ogle's Four Eyes. Rodriguez and Bell's Doodles From the Boogie Down, Russo's Why Is Everybody Yelling, Santat's A First Time for Everything, Soontornvat's The Tryout, Todd's Timid, Xu's Alterations, and Yu's Lost & Found.
I was really excited when this book first came out, a middle grade graphic novel about a child of diplomats was what my eight-year-old diplobrat self always wanted. The story was okay, a pretty standard middle grade coming-of-age story. My issues, however, came from how growing up with parents in the Foreign Service was represented. It felt like a lot of details were written out or edited for the sake of the narrative. I can kind of understand this, as most people do not have diplomat parents, but any media representation is either non-existent or not good. I wanted a book about a kid like me SO BAD growing up, and this would not have been it.
The inaccuracies:
There are so few diplomat positions where you would move so often and never return to the US for language or job training. It's unlikely someone would have never lived in America.
I know this is nit-picky but bear with me, the embassy hires people to pack you out due to weight limits in shipping. Your shipments also arrive in two parts, the UAB (unaccompanied air baggage) and the HHE (household effects).
I can't honestly believe that nobody referred to the move as a PCS (permanent change of station). This is SUCH a common term.
The whole "what's the imperial system" thing. Most international schools teach the imperial system except in science, which is universally metric.
Ollie's dad "getting a job offer." You don't get job offers, you bid posts. Especially at his level.
Accuracies and details I did appreciate:
The school bus being a small van. This is such a universal experience at international schools.
How Ollie and Cat's third-culture identities are handled. I myself am Croatian-Jamaican-American, and this combined with moving all the time has definitely influenced my cultural identity. In what little media about diplobrats available, this is almost never touched on.
Things I would have added had this been my book:
The dreaded "Where are you from?" This was asked in the book, but it was asked by a character trying to figure out what race Ollie is. Not knowing how to answer "where are you from?" is another very universal, almost stereotypical experience among TCKs. If I had a dime for every time I wasn't sure what to say, or a dime for any time someone said "Don't you mean... Siberia?" (no, Serbia is in fact a place), or "Wow! China!?" I would be very rich.
More terminology that is then explained to non-diplobrats. Like I said above, there are no uses of the extremely common Foreign Service acronyms.
More mentions of diplobrat culture. Hello-Goodbye parties, community holiday events, FSYF contests, KidVids, and the FSYF welcome home events. All these things were very important and familiar to me growing up.
TL;DR I found the story okay but pretty standard. I appreciated the anime fan activities. I wish this book had been more accurate to the experiences of growing up with diplomat parents since there is so little media about this anyways, so it would have served the dual purpose of educating non-diplobrats and representing diplobrats.
As the child of a diplomat, Ollie is used to moving every couple of years, and with each new International School comes a brand new set of friends. This relatively nomadic lifestyle works for Ollie because she can start with a clean slate with frequency in places where nobody remembers mistakes she has made in the past. So, when Ollie’s parents announce that the family will be buying a house in Virginia, Ollie is uncomfortable with the idea of settling in one location for longer than she ever has before. Luckily, shared interests and positive intent help Ollie find a way to plant deeper roots, and her promise to keep her feet planted encourages Ollie to overcome some of the interpersonal challenges she has faced throughout her life.
This coming of age graphic novel is centered around Ollie, a character who presents as non-binary despite being referred to with female pronouns. Throughout the story, Ollie experiences many of the same challenges as other middle school girls, including getting her period at an inopportune time and not having the most positive relationship with her mother. But through it all, Ollie’s interest in Anime, hedgehogs, and art help to propel her past the discomfort and into a place where she begins to feel both comfortable and accepted. As she embraces her Thai heritage in her new American home, Ollie encounters the difficulties of being a “third culture kit” as she adjusts to the many changes that come from residing in one stable location for an extended period of time.
Fans of graphic novels and Anime will appreciate the design and the tone of this book, especially because the illustrations mirror many Anime expressions. Word bubbles, asides, and images work together to recount the narrative in a dynamic way, and even though the font is small, it is clear enough for most readers. In addition to English, Thai language is used with some frequency throughout the book, and German words appear from time to time, as well. This language diversity enhances the depiction of Ollie and her family as a multicultural blend of humans that has lived in many locales around the world. Endearing and accessible, this is an enjoyable coming of age graphic novel that will be particularly appealing to middle grade readers.
How? Think mom got this for the kid, possibly because the illustrator/author did some of the Baby Sitters Club graphic novels we've been hoovering up.
What? Ollie is a manga/anime obsessed teen/tween, with a Thai mom and white dad whose work keeps taking them around the world. After an embarrassing graduation in Germany, Ollie is glad to make a fresh start in VA, and even then is looking forward to her next fresh start -- only this time, Mom and Dad have decided to buy a house and stay. Can Ollie find friends? Does she even want to? And is her little sister becoming too cool and American?
I think that covers the premise enough, and I started to write out a scene-by-scene description, but basically that's what it boils down to: this is not a two-hander, where we switch between the sisters' POVs -- this is firmly Ollie's story, but her sister's story puts her story in relief: will either of them fit in? Make friends? Make connections?
Yeah, so? On bsky, I had to tell Galligan that the kiddo and I loved the book -- and in fact, after he finished it one night with mom, I made sure to read the ending before returning it. It is so deeply interesting to me how Ollie is portrayed -- is she potentially queer, neurodivergent, or what? Who knows, all we know is that she's different, she feels what she feels, and we are in that world and in her feelings with her. It is both deeply personal (and Galligan's afterword makes it clear how personal the story is) and, I think, an opportunity for kids to see someone who might be like and unlike them, and to feel empathy for that character.
And also, just to be clear, a person who keeps making mistakes and learns from them, who figures out that the other people around her have their own feelings and thoughts. That is: Ollie is on the same journey as I hope the readers are.