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The Elric Saga #5-6
Olujnik, 1. deo
Iz pera jednog od najznačajnijih majstora fantastike, Majkla Murkoka, dolazi prvi i najveći antijunak ž Elrik od Melnibonea!
Treći tom Sage o Elriku okuplja peti i šesti roman u hronološkom nizu Elrikovih avantura.
U Kuli koja nestaje Elrik, bivši vladar skršenog carstva, luta svetom u potrazi za Telebom K’arnom ne bi li mu se osvetio. Njegova sudbina je ipak veća nego što i sam sluti, a potraga beznadežna sve dok ne bude nabasao na Mišelu, Kraljicu Zore...
Osveta ruže vodi poludelog albina u rodni grad, u čijim katakombama čuje napaćeno zapomaganje svog mrtvog oca. Ne bi li spasao njegovu dušu, Elrik će morati da se uhvati ukoštac sa samim gospodarima pakla – i da svoju sudbinu stavi u ruke jedne sasvim neobične žene...
Saga o Elriku najpoznatiji je serijal Majkla Murkoka, pisca koji je stvorio neke od najistrajnijih arhetipova žanra, uključujući i samog Belog Vuka, antiheroja koji je poslužio kao inspiracija za mnoge kultne likove epske fantastike, od Anomandera Rejka do Geralta od Rivije.
„Murkok se kreće kroz žanrove, krši pravila i izigrava iščekivanja kako samo majstorski pripovedači umeju.” – Library Journal
„Murkok postiže zaprepašćujuće moćne efekte mešajući sofisticiranu, savremenu prozu sa surovom, mračnom maštom epske fantastike. Gigant u svakom smislu te reči.” – Time Magazine
Treći tom Sage o Elriku okuplja peti i šesti roman u hronološkom nizu Elrikovih avantura.
U Kuli koja nestaje Elrik, bivši vladar skršenog carstva, luta svetom u potrazi za Telebom K’arnom ne bi li mu se osvetio. Njegova sudbina je ipak veća nego što i sam sluti, a potraga beznadežna sve dok ne bude nabasao na Mišelu, Kraljicu Zore...
Osveta ruže vodi poludelog albina u rodni grad, u čijim katakombama čuje napaćeno zapomaganje svog mrtvog oca. Ne bi li spasao njegovu dušu, Elrik će morati da se uhvati ukoštac sa samim gospodarima pakla – i da svoju sudbinu stavi u ruke jedne sasvim neobične žene...
Saga o Elriku najpoznatiji je serijal Majkla Murkoka, pisca koji je stvorio neke od najistrajnijih arhetipova žanra, uključujući i samog Belog Vuka, antiheroja koji je poslužio kao inspiracija za mnoge kultne likove epske fantastike, od Anomandera Rejka do Geralta od Rivije.
„Murkok se kreće kroz žanrove, krši pravila i izigrava iščekivanja kako samo majstorski pripovedači umeju.” – Library Journal
„Murkok postiže zaprepašćujuće moćne efekte mešajući sofisticiranu, savremenu prozu sa surovom, mračnom maštom epske fantastike. Gigant u svakom smislu te reči.” – Time Magazine
416 pages, Paperback
Published June 14, 2024
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9 people want to read
About the author
Michael Moorcock
1,210 books3,769 followersMichael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels.
Moorcock has mentioned The Gods of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw and The Constable of St. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in 1956, at the age of sixteen, and later moved on to edit Sexton Blake Library. As editor of the controversial British science fiction magazine New Worlds, from May 1964 until March 1971 and then again from 1976 to 1996, Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States. His serialization of Norman Spinrad's Bug Jack Barron was notorious for causing British MPs to condemn in Parliament the Arts Council's funding of the magazine.
During this time, he occasionally wrote under the pseudonym of "James Colvin," a "house pseudonym" used by other critics on New Worlds. A spoof obituary of Colvin appeared in New Worlds #197 (January 1970), written by "William Barclay" (another Moorcock pseudonym). Moorcock, indeed, makes much use of the initials "JC", and not entirely coincidentally these are also the initials of Jesus Christ, the subject of his 1967 Nebula award-winning novella Behold the Man, which tells the story of Karl Glogauer, a time-traveller who takes on the role of Christ. They are also the initials of various "Eternal Champion" Moorcock characters such as Jerry Cornelius, Jerry Cornell and Jherek Carnelian. In more recent years, Moorcock has taken to using "Warwick Colvin, Jr." as yet another pseudonym, particularly in his Second Ether fiction.
Moorcock has mentioned The Gods of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw and The Constable of St. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in 1956, at the age of sixteen, and later moved on to edit Sexton Blake Library. As editor of the controversial British science fiction magazine New Worlds, from May 1964 until March 1971 and then again from 1976 to 1996, Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States. His serialization of Norman Spinrad's Bug Jack Barron was notorious for causing British MPs to condemn in Parliament the Arts Council's funding of the magazine.
During this time, he occasionally wrote under the pseudonym of "James Colvin," a "house pseudonym" used by other critics on New Worlds. A spoof obituary of Colvin appeared in New Worlds #197 (January 1970), written by "William Barclay" (another Moorcock pseudonym). Moorcock, indeed, makes much use of the initials "JC", and not entirely coincidentally these are also the initials of Jesus Christ, the subject of his 1967 Nebula award-winning novella Behold the Man, which tells the story of Karl Glogauer, a time-traveller who takes on the role of Christ. They are also the initials of various "Eternal Champion" Moorcock characters such as Jerry Cornelius, Jerry Cornell and Jherek Carnelian. In more recent years, Moorcock has taken to using "Warwick Colvin, Jr." as yet another pseudonym, particularly in his Second Ether fiction.
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June 14, 2024
Ove dve priče su sjajne, dopale su mi se daleko više nego prethodna tri dela.
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