What a delicious book hangover...
There are a plethora of WWII-themed historical fiction titles these days. "Secrets of a Charmed Life" anticipated this trend, b/c it is from 2015, in the back catalogue of an author I've decided I really like, Susan Meissner. I have now read "A Fall of Marigolds," "As Bright as Heaven," and "Secrets of a Charmed Life." I have "The Last Year of the War" on my Kindle.
What is that I like about Meissner? 1) Her writing can be lovely, w/o being overly descriptive; 2) Her plotlines are achingly bittersweet; and 3) I like the back-and-forth between the present and the past, or at least I do most of the time. Meissner has perfected this writing technique, as evidenced in the above titles, which all employ this type of writing.
In this book, Kendra is interviewing 93-year-old Isabel McFarland about her memories of the London Blitz. Kendra is an American history major at Oxford trying to a win a spot for her paper in an English newspaper. As Isabel begins to talk to Kendra, the present falls away and we enter the chapters of the past, learning about 15-year-old Emmy desperately wanting to design wedding dresses while left in charge of her seven-year-old sister while her mum is away at work - or wherever. Emmy's mum appears to live a scandalous life for 1940 - getting a mysterious job as a kitchen maid and having two different fathers for her daughters, neither of whom she married. Hmmm. Emmy resents being left in charge of Julia all the time, especially after she obtains a job in a bridal shop, where she hopes to learn to sew in order to make the dresses she designs. She has her designs in a box - the brides box, the sisters call it. The war in 1940 is "the phony war" to the Brits b/c not much is happening for the Brits; it's all going on in France. But once France falls in June, 1940, Britain knows it stands alone against the Nazis and will face their fierce wrath. Therefore, just as Emmy gets her job at a bridal shop, her mum receives a notice that this time (unlike before), she is being forced to evacuate her daughters to the countryside. At 15, Emmy rages that she is too old to be sent away, but mum insists that Emmy accompany Julia, who is too young to travel alone. Emmy's dreams are thwarted and she is sent to Gloucestershire w/ Julia. They are extremely fortunate in their foster mother, Charlotte, who has a lovely home in Stow-on-the-Wold, and treats them like members of her family. However, Emmy has a chance to show her designs to an actual designer so in a very fateful decision, makes an appointment in London w/ the designer. Julia finds out and basically blackmails Emmy to take her to London w/ her so she can be reunited w/ mum. Emmy has no choice but to give in. She and Julia run away to London, but mum isn't home when they get to their flat. Emmy tells Julia to stay there, not to leave no matter what until Mum gets home. She goes to her appointment -- and her brides box contains not her sketches, but Julia's fairytale book. Emmy's chagrin and disappointment are palpable. As Emmy heads back to the flat, air-raid sirens go off. It is Sept. 8, 1940 - the first night of the horrific Blitz of London. Emmy is knocked unconscious and awakes a day later. When she returns to what is left of her apartment building, there is no mum and disastrously, no Julia. Where is Julia? WHERE IS JULIA?
Emmy has to survive and takes steps to do so. She does find out what happened to her mum, but doesn't find her sister. She adopts an alias b/c as Emmy she would still be under sixteen and sent out of London. In her alias as Isabel, she can continue to look for her sister. There are quite a few unexpected plot twists, which made this an enjoyable story. It could have been told as a straight narrative, but the twists really made the plot feel real.
Does Emmy find love and happiness as Isabel, or is she forever haunted by losing Julia b/c of her own lost dreams? Or both? Does she ever find Julia? How much do our choices affect the lives of all those around us? Why are mother-daughter relationships so fraught?
There are a lot of really large themes addressed in this enjoyable book. I will mention that I found the last 20% of the book rather jarring, b/c it is all written as journal entries from a different character than Emmy. We haven't seen the plot through anyone else's eyes except Emmy's before this. It would have decreased the mystery to have brought up this person's voice beforehand, though. Therefore, I'll give the book 4.8 stars rounding up to an enjoyable 5 stars.