CWs and CNs at the end.
It is finally time for the last Rank Rake to get his story, and oh, what a deliciously satisfying story it was! The last book in Lloyd’s Rake Chronicles gives us Leith’s happily ever after, and we get to see the notorious “I only keep mistresses, and for no more than two weeks” marquess get his, shall we say, comeuppance when faced with the determined Beatrice. Every single thing about Leith’s arc had me cackling and laughing.
Leith has been the most mysterious and closed-off of the four friends throughout the series, and after the events of the previous book, I was curious to see how we would understand him better and get a closer glimpse of his motivations. On the one hand, seeing the way bodies and sex and masculinity are discussed, even in playful and well-meaning ways amongst his friends, and how it shapes his understandings over what is expected, had me wanting to hug him. The novel quietly makes a resonant point about how notions of what is “normal” can deeply impact people even if they appear confident in every other way. On the other hand, I loved seeing Leith truly meet his match in Beatrice. Quite used to women seeing him as eligible, and even somewhat powerful and mysterious, Leith is nonplussed by this young woman, who, not only calmly proposes being his mistress herself, but clearly is more experienced in some ways than him, and is surprising him at every turn. The twist on the typical kissing lessons trope was done so well in this novel, and Lloyd adds so much substance that tells us more about each character through every exchange they have–yes, even the many intimate scenes. It was immensely fun to see Leith, who I was reading as somewhat neurodivergent coded, having to reexamine assumptions he had made about himself, about women, and about Beatrice herself, and in doing so, find a version of himself that brings him more peace and contentment.
I also adore Beatrice and might actually go to war for her. The circumstances under which she finds herself in this situation with Leith invoke so much sympathy, but I also couldn’t help but admire her practicality, her ability to make the best out of not-so-great situations, and her loyalty to the people she loves. Her family was a joy to see, and I loved their interactions and the closeness we see between them. I also enjoyed how Lloyd continues to give us the kind of heroines modern-day readers appreciate, and one who is likely closer in reality to a woman of Beatrice’s class and status. The novel comments on the very real financial problems many families outside of the ruling classes faced, all while infusing it with so much heart, laughter and growing tenderness between two beautifully imperfect characters. While Beatrice is spunky, capable and deeply independent, she also has to learn to lean on people and realise asking for help is not a weakness.
This was such a fun way to wrap up the series, and I really am going to miss these characters. Like the other novels in the series, I loved how much the four men and their long friendship played a role in each of the books, as well as across all four books. Their relationships, the way they show up for each other, even how they fight and disagree and make up, made up such an important part of each arc, and I appreciate how that brotherhood did not play second fiddle to the romances, but enhanced the characters’ narratives.
A truly wonderful series and, now that it is all complete, one I cannot recommend more. Congratulations to Lloyd on her debut series, and I can’t wait to see what comes next!
CWs: Brief mentions of the death of a parent; brief mention of suicide
CNs: This is a historical romance set in London during the early 19th century. Tropes include kissing lessons, courtesan to lovers, and class issues. This novel is also high-heat and contains several on-page sex scenes, including some light BDSM.