Over Yonder is the eighth novel, written and narrated by American journalist, podcaster and author, Sean Dietrich. At fifty-seven, Melinda Boyer is on her deathbed in a Knoxville Medical Centre with pancreatic cancer when she puts out a call for the two people she wants to see before she dies. Her seventeen-year-old daughter, the child who spent most of her life so far in and out of foster care, is offered the key to buried treasure. Caroline is both sceptical and feels it’s too little, too late.
The man Melinda was married to for eleven years, (formerly Rev.) Woodrow Barker, just three months out of a ten-year stretch for manslaughter in Wallace Correctional, is expected, despite being laicised, to perform Melinda’s last rites. And he has learned in the phone call that summoned him from Alabama, that Caroline is his daughter. Woody is stunned, almost speechless, but his father Amos is eager to connect with this surprise granddaughter who, it turns out, is eight months pregnant.
Caroline Boyer, half-blind and with other health issues, has baggage, mental and physical, in the form of a redneck boyfriend (Tater), and has acquired a dangerous and determined pursuer who is convinced she holds something of his. When a drunken Tater Bunson takes one violent step too far, she packs up her support goldfish, Gary, and her blind kitten, and presents herself to Amos and Woody for respite.
Meanwhile, back in Alabama, Woody’s second (ex-)wife, Elizabeth, who spent ten years tirelessly advocating for him, visiting, sending care packages, and getting him medical care, is about to marry another man. Regardless, she wants Woody to get to know their nine-year-old daughter, Rachel. But Woody’s poor health is deteriorating critically, and all these assorted stresses aren’t helping.
Dietrich gives the reader a tale with plenty of action in the form of car chases, taserings, kidnappings (and clever escapes therefrom), hijackings, a car bomb, and a roadside birth. There’s a small terrorist group pursued by the FBI, a man forced to dig his own grave, and Dietrich even makes one character describe the plot as that of a poorly-written novel (which this definitely isn’t.) The humour is mostly dry and often quite black, and the dialogue is very entertaining.
His descriptive prose is brilliantly original and imaginative: “The room TV was blaring Divorce Court at a volume loud enough to change the migratory patterns of waterfowl” and “She started shouting in a voice capable of giving headaches to the recently deceased” and “Caroline was impressed at the man’s driving ability. Although he was large and gangly, he had the reflexes of a caffeinated squirrel” are a few examples.
His characters offer wisdom and insight: “One of the most jarring things about leaving prison was all the advertisements. Ads on every flat surface, digital platform, and billboard. Product names plastered on people’s clothing. On their shoes. On the bands of their underpants. And ads kept multiplying exponentially as though they were having wild billboard sex every night when the world was asleep and making new ad babies” and “You could add ten years to your life if you gave up smoking.” He looked at the cigar wistfully. “But that decade would have no smoking in it.”
Incredibly moving, thought-provoking, insightful, and often blackly funny, Sean Dietrich’s latest is highly recommended.
This unbiased review is from an audio copy provided by NetGalley and Thomas Nelson and Zondervan Fiction audio.