Fighting for Nature and Finding Family
Self-discovery is a struggle that many individuals deal with. This proved to be the case for the main character of Solar Storms by Linda Hogan. Growing up in the system, Angel bounced from home to home, longing for a deeper connection to her family. She relentlessly searched for her biological mother, Hannah Wing. What her search procured was more than she could have hoped for; she found three loving grandmothers, a supportive community, a land of natural wonder, and a sense of belonging like she had never known.
Without a family or a known past, Angel spent her time trying to track down her mother and searching for a connection to something meaningful in life. Meeting Agnes Iron, Dora-Rouge, and Bush, her grandmothers, and experiencing life at Adam’s Rib and Fur Island, Angel recognized that she had found what she had spent her life searching for, “this older world…only [her] body remembered” (Hogan 79). She had always felt a connection to the land of her people, but she did not understand what it meant until she entered the world of her grandmothers. As the land that she and her matriarchal family fought to save continued to be ripped apart by the western world, Angel was able to piece herself together. The more time spent with her people, the more Angel felt accepted as she learned of her plant-dreaming abilities and began to embrace her soul-deep connection to the land. Throughout the journey, readers witness Angel develop into a young woman with an unshakeable sense of belonging in this matriarchal world of origin.
The story is told in a first-person point of view with Angel as the main character and narrator. The point of view allows for a more intimate look into Angel’s self-discovery journey. As the reader is introduced to this new world, so is the narrator. This allows the story to be authentic and inviting, which makes readers more invested in the lives of the characters. The first-hand account of the story also allows for a better understanding of how Angel develops and matures.
The setting in Solar Storms is a driving force for Hogan’s storyline. What better way to advocate for environmental conservation than to write an entire book that revolves around it. Land and nature were pivotal parts of the people’s lives. This was most evident when Dora-Rouge returned to her home land and witnessed the despair and lifelessness of the land and the Fat-Eaters. Because the people lived in harmony with the land, they suffered when the land suffered. The land, however, was not easily destroyed. It downed the developers’ precious light poles, swallowed the structures that defiled its surface, and melted the road that threatened to suffocate it. As Angel said, it was a native survivor, like herself and her community (Hogan 224). Throughout the course of the book, the humans’ lives reflected the seasons and the state of the land. Autumn was busy with preparation, winter was frozen still, spring was buzzing with wild excitement, and as the land itself became beaten down, so did its inhabitants.
An over-powering theme in Solar Storms is that humans possess a special connection to nature. This theme is heavily tied to the story’s setting, which is why at times it seems that the story is more about the land than it is about the women. Nonetheless, without this strong family of women, the story and theme would not be able to hold its own. This unexplainable connection to nature was the reason that the women decided to embark upon their journey, and at the end of the journey, Angel realized that “something beautiful lives inside us” (Hogan 351). This beautiful, or special, thing that she uncovered was her soul-connection to the life-force of nature.
Like the land itself, the people relied on and respected the creatures of the land. According to the elders in the community, beavers were the creators of the land, continuing to shape the land by changing the course of water with their dams. Hogan includes beavers again when the women sell beaver pelts for money to procure supplies for their canoe trip. Beavers are a motif because in the same way the elders believed they created, shaped, and cared for the land, beavers also provided for Bush, Agnes, Dora-Rouge, and Angel on their trip to save the same land that the beavers had made. Wolves are also a motif because they were present at important moments in the book, such as surrounding the place where the beaver pelts were kept, which foreshadowed the importance of the beaver pelts, and Angel hearing their howls at the introduction of electricity, when Tulik’s house began being used as a headquarters. Wolves are also representative of the people because they thrive in packs, like the community, yet a lone wolf was taken down by a soldier, just as the Native Americans would have been if they did not stick together (Hogan 328).
Two impactful motifs are water and the book’s namesake, solar storms. Water is symbolic of rebirth. This rebirth symbolism was present when Agnes said that Angel is “water going back to itself” by coming back to Adam’s Rib, and Angel acknowledged this when she called her grandmothers the lake that she was falling back into (Hogan 55). After piecing information together, I came to understand that solar storms refer to the northern lights, as explained in a passage from the book, “I heard the sound of the northern lights…the shimmering of ice crystals, charged by solar storms” (Hogan 119). The northern lights brilliantly reflect the theme because Angel explained that many things in nature seem to twist, in the same way a double helix of human DNA twists, and “the northern lights were part of this” (Hogan 129). The title reveals that the lives and love of the individuals that live on the land below are as intricate and mesmerizing as the solar storms above.