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315 pages, Kindle Edition
Expected publication February 26, 2026
I really enjoyed Hester Musson’s debut The Beholders, so my expectations here were high.
The Night Hag delivers much of what I hoped for. Musson writes with confidence and intelligence, and her command of atmosphere is excellent. The Scottish Highlands feel brooding, isolated, and saturated with history. The novel’s engagement with archaeology, folklore, and Victorian spiritualism is clearly well researched and thoughtfully handled.
The slow unravelling works particularly well. Backstory emerges gradually, often through letters, which deepens the gothic unease and keeps the tension simmering. The novel constantly interrogates belief versus scepticism, science versus superstition, truth versus performance.
“She knew she could dig up every last scrap of bone, scrutinise every remnant of pot and still know close to nothing about the people who had built the barrow.”
Musson is especially sharp when examining power and gender, and the way women are dismissed, mistrusted, or pathologised.
“A woman behaving erratically, driven to impropriety by the phantoms in her mind.”
The critique of spiritualism is biting and often deeply uncomfortable.
“She loathed them all, the boneless dupes, who swallowed every stupefyingly obvious piece of fakery they were fed.”
Where the book faltered for me was character. I found every single character unlikeable. Not troubling in a morally complex way, but emotionally distancing. Because I did not care about them, I never fully invested in what happened, no matter how compelling the ideas or atmosphere.
There is also simply too much going on. Folklore, archaeology, spiritualism, family trauma, gender politics, superstition, psychological collapse. Many of these threads are fascinating on their own, but together they sometimes feel disjointed. Several plot elements are introduced and never fully followed through.
Still, this remains a solid gothic novel. The prose is strong, the research impressive, and the atmosphere richly sustained, even if the story never fully coalesced into something emotionally gripping for me.
And the cover deserves a mention. It is absolutely gorgeous.
3 out of 5.
A thoughtful, atmospheric gothic tale that will appeal to readers who enjoy slow burns, historical folklore, and the uneasy boundary between belief and reason.
With thanks to 4th Estate and William Collins | Fourth Estate for the ARC.