Strong story but distant POV
First off, a huge thank you to the author and BookSirens for the ARC copy of Runnin’ from Guilt. I always appreciate the chance to dive into a new interracial & multicultural romance early.
I’m settling on a solid 3 stars for this one. I really wanted to rate it higher because the plot has a real page-turner vibe. It starts right in the middle of the action, with Jola immediately losing her memories. I was curious where it was going, who each person was, and what the deal was with the side characters. I think that has to do with book #1.
There are things this book does well. The story makes the stakes clear early on, and it does not hold back on heavy themes like trauma, memory loss, fear, and protectiveness. The romance also leans hard into admiration and devotion, especially when Ben thinks about Jola. I also appreciated the setting and cultural specificity. The Newcastle and London grounding felt real, and details like Jola’s Yoruba and British blend in her accent add a nice detail to the story.
However, I hit a wall with the writing style, especially the POV, and it created a distance between me and Jola and Ben that I could not bridge.
The book is written in third-person limited, and that can absolutely work in romance. For me, though, it often felt like I was standing a step back, watching the story instead of living inside it. I wanted to experience their pain, love, and fear in a more immediate way.
A big part of that was the narration occasionally drifting out of the character’s moment and into a broader narrator voice. For example, there are places where the narration makes big, definitive judgments about a character instead of letting that impression form through scene and behavior, like when Ben is described in a “top ten gentleman” kind of way. Moments like that pulled me out because it felt less like Ben’s lived perspective and more like the narrator stepping in to summarize.
I also struggled with the balance of telling versus showing. There are strong scenes where the emotion comes through clearly, like Jola’s confusion and panic after the accident, and I wanted more of that rawness throughout-albeit repetive. Sometimes, though, instead of letting guilt or grief unfold through messy reactions, dialogue, and action, the narration explains the emotion more directly. That made it harder for me to
feel deeply connected to the characters.
Lastly, I felt some of the attraction descriptions ran long in the same emotional lane. The writing is vivid, but repeating the same beat in several lines/paragraphs, which unfortunately softened the impact instead of sharpening it.
Overall, I think readers who enjoy high-stakes romance that leans into devotion and protectiveness may really enjoy this. If you prefer a very intimate, deep POV where you feel there is no filter between you and the characters, you might experience the same distance I did.