As Batman continues to clean up the mess left after the Arkham City incident, Bruce Wayne meets with Gotham's wealthiest and most influential citizens to chart a course for the future of their city. But when the Joker's body goes missing and chaos erupts once more, the Dark Knight is faced with a deadly challenge.
Peter J. Tomasi is an American comic book writer, best known for his work for DC Comics, such as Batman And Robin; Superman; Super Sons; Batman: Detective Comics; Green Lantern Corps; and Superman/Wonder Woman; as well as Batman: Arkham Knight; Brightest Day; Green Lantern: Emerald Warriors; Nightwing; Black Adam, and many more.
In the course of his staff career at DC Comics, Tomasi served as a group editor and ushered in new eras for Batman, Green Lantern, and the JSA, along with a host of special projects like Kingdom Come.
He is also the author of the creator-owned titles House Of Penance with artist Ian Bertram; Light Brigade with artist Peter Snejbjerg; The Mighty with Keith Champagne and Chris Samnee; and the critically acclaimed epic graphic novel The Bridge: How The Roeblings Connected Brooklyn To New York, illustrated by Sara DuVall and published by Abrams ComicArts.
In 2018 New York Times best-selling author Tomasi received the Inkpot Award for achievement in comics.
Overstating it I will do to say the comic's prose is poetically done and demonstrated well, the story. Appealing to the eye is this comic. This sort of comic story-telling is completely new to me. My focus has been put to literature, the classics mostly. So I bring a perspective to the reading of the comic based on my exposure to excellence in reading texts very much as is the writing this comic demonstrates. Excellence in every aspect of both craftsmanship and creativity this comic makes apparently entertaining without being high-brow about it though demonstrating high-quality art and writing. Conveyance of character is achieved artfully. At times are there unique brilliance put on display. Many of you might criticize my critique of these series of comics and I don't care. I mean nothing more than what is here written. I believe I give expression to correct observations about what good art is. I trust my sharp instincts. I report facts about what I see and hear. This comic is poetic prose to be experienced. Achievement of poetic is read the level of character conveyance. A demonstration of sophisticated storytelling is apparently there by its design. This story is about serious stuff -- dark and mysterious. Wickedness is illustrated. Deep storytelling reports of human capacity for evil, told simply, concise and fast moving. Multi dimensions of emotion are captured visually. Character's painted face are multi dimensional by their apparent look. This is significantly serious art that deserves not to be ignored by a broad audience. Everyone ought to indulge him or her self in this appealing art form: comics, this series in particular. It's fun, if anything, it is fun and should be enough, that it is fun and done well; that's enough.