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28 pages, Paperback
First published January 1, 1945
"All language is a set of symbols whose use among its speakers assumes a shared past."
Daneri’s real work lay not in the poetry but in his invention of reasons why the poetry should be admired.
“How, then, can I translate into words the limitless Aleph, which my floundering mind can scarcely encompass? Mystics, faced with the same problem, fall back on symbols: to signify the godhead, one Persian speaks of a bird that somehow is all birds; Alanus de Insulis, of a sphere whose center is everywhere and circumference is nowhere; Ezekiel, of a four-faced angel who at one and the same time moves east and west, north and south.”
“Aleph is the first letter of the Hebrew alphabet. Its use for the strange sphere in my story may not be accidental. For the Kabbalah, that letter stands for the En Soph , the pure and boundless godhead; it is also said that it takes the shape of a man pointing to both heaven and earth, in order to show that the lower world is the map and mirror of the higher; for Cantor’s Mengenlehre , it is the symbol of trans- finite numbers, of which any part is as great as the whole.”
“...now that she was dead, I could devote myself to her memory, without hope but also without humiliation.
"So foolish did his ideas seem to me, so pompous and so drawn out his exposition, that I linked them at once to literature and asked him why he didn’t write them down."