Notes on the Cultural Life of the Democratic Republic of Vietnam

by Peter Weiss

By means of extensive historical information, Peter Weiss shows how totally the intellectual and cultural life of this nation is interwoven with its political and military struggle. Actual excerpts from Vietnamese stories, descriptions of their posters, slogans, festivals, plays written by workers, give a unique insight into the day-t-day cultural life of this war-torn nation.

Genres: History

180 pages, Hardcover

First published January 1, 1968

About the author

Peter Ulrich Weiss was a German writer, painter, and artist of adopted Swedish nationality. He is particularly known for his play Marat/Sade and his novel The Aesthetics of Resistance.

Weiss' first art exhibition took place in 1936. His first produced play was Der Turm in 1950. In 1952 he joined the Swedish Experimental Film Studio, where he made films for several years. During this period, he also taught painting at Stockholm's People's University, and illustrated a Swedish edition of The Book of One Thousand and One Nights. Until the early 1960s, Weiss also wrote prose. His work consists of short and intense novels with Kafkaesque details and feelings, often with autobiographical background. One of the most known films made by Peter Weiss is an experimental one, The Mirage (1959) and the second one - it is very seldom mentioned - is a film Weiss directed in Paris 1960 together with Barbro Boman, titled Play Girls or The Flamboyant Sex (Schwedische Mädchen in Paris or Verlockung in German). Among the short films by Weiss, The Studio of Doctor Faust (1956) shows the extremely strong link of Weiss to a German cultural background.

Weiss' best-known work is the play Marat/Sade (1963), first performed in West Berlin in 1964, which brought him widespread international attention. The following year, legendary director Peter Brook staged a famous production in New York City. It studies the power in society through two extreme and extremely different historical persons, Jean-Paul Marat, a brutal hero of the French Revolution, and the Marquis de Sade, for whom sadism was named. In Marat/Sade, Weiss uses a technique which, to quote from the play itself, speaks of the play within a play within itself: "Our play's chief aim has been to take to bits great propositions and their opposites, see how they work, and let them fight it out." The play is considered a classic, and is still performed, although less regularly.

Weiss was honored with the Charles Veillon Award, 1963; the Lessing Prize, 1965; the Heinrich Mann Prize, 1966; the Carl Albert Anderson Prize, 1967; the Thomas Dehler Prize, 1978; the Cologne Literature Prize, 1981; the Bremen Literature Prize, 1982; the De Nios Prize, 1982; the Swedish Theatre Critics Prize, 1982; and the Georg Büchner Prize, 1982.

A translation of Weiss' L'instruction (Die Ermittlung) was performed at London's Young Vic theater by a Rwandan company in November 2007. The production presented a dramatic contrast between the play's view on the Holocaust and the Rwandan actors' own experience with their nation's genocide.




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Reviews

[Karlo Mikhail · Rating 4 out of 5]

An informative survey of the way different art and literary forms as well as quotidian practices of the everyday in the Democratic Republic of Vietnam served the war of national liberation against US imperialist aggression. One insight I can glean from the book is how the Vietnamese militancy during the Vietnam War have also been steeled by a long history of anti-colonial resistance against a millennia of Chinese invasions and sporadic anti-feudal peasant revolts. Highly recommended.

[Zacharias · Rating 5 out of 5]

SÅNGEN SKALL ÖVERRÖSTA BOMBERNA.

[Bren · Rating 4 out of 5]

he was about this shit fr