2.25 stars
I love an apocalyptic ending that delivers on promises previously made. But Doctor Who only manages those on rare occasions. Key to Time should have had one, and doesn’t, quite. Novelizations can’t really rescue that without fundamentally changing the outcome of a given televised story, but Mindwarp is a recent attempt.
I really like how much this story feels like The Prisoner, (down to perhaps using a very similar set design as A, B, and C). There are symbols and portents, and indeed a grand revelation. Maybe the Matrix should have been the setting for the first instance of that revelation, instead of via Big Giant Head: the Master. There are parallels to a better-contained story in the Deadly Assassin, but the story doesn’t suffer too much by that comparison. But anyway none of that is really what is special about the novelization.
The book automatically loses two stars by its author never knowing how to write like a normal person reads. Takes one to know one! You’re not Vonnegut! What would be very cool is if the “florid” prose we’ve experienced by this author for this Trial so far was revealed to be on purpose. Perhaps it could be The Valeyard himself as the author, and the “normal” narration could return at the end as Mel is recounting these adventures. Maybe back in Pease Pottage, trying to sort through how she met The Doctor in the first place, how she left, and how they’ll reunite? Again, shoulda, woulda, let’s focus on the book as written…
The actual extra epilogue we get ties up a loose end that, while logically satisfying, denies a more creative “way out” - you’re already adding to what was televised, why not go out on a limb? The single paragraph summarizing the Gallifrey In Disarray throwaway narrative fails similarly. If The Keeper, who delivers this news, isn’t who he says he is, do we even care? Could the truth be more interesting or satisfying? This was only two episodes, you had plenty of page count to elaborate. Instead we get the thesaurus thrown at us, echoing clearer narrative already revealed or implied by dialog. The book doesn’t need to go above and beyond, but it didn’t even really try.
In terms of the meta-context of this overarching Trial deciding the fate of the series, it makes little to no sense. Vengeance on Varos is a far better version of this idea, and the Doctor’s lives weren’t really at stake there. Something interesting, weird, and wild could have stood in this story’s place, even as an aside _during_ it, to contextualize that struggle to survive. Future novels during the _actual_ lack of television series do manage this quite well. Instead, we get this runaround that only hints at something meaningful, something that takes that Trial seriously.
Instead, it appears that this is Case Dismissed!