“There’s something alluring about monsters, about things that hide at the foot of your bed and go bump in the night. If there weren’t, we wouldn’t dream about them. We want to experience that thrill, taste that fear.”
—
“Monsters don’t go hiding in cupboards. No, scratch that. In the Doctor’s world, they probably did.”
—
“Isn’t it funny how on TV you only see the police when they’re arresting dangerous criminals. You never see them pushing people down the stairs and then shooting them dead because they don’t like the look of their face and then munching on a donut like we all know they do all the time.”
Doctor Who doesn’t often do dystopia, but in this book Steve Lyons goes all the way. On this planet, fiction is outlawed and the Doctor and company are trying to fix it. I really love this premise, and for the most part it’s executed very well. The plot is exciting and engaging, the characters are very well-developed, and it’s overall just fascinating.
We get to know this world through the people it has effected, three people specifically: a police officer upholding the oppression, a common person who simply wants to enjoy fiction, and the leader of the fiction rebellion, as it were. Rose, Jack, and the Doctor, who are all very realistically and wonderfully, each meet a character who has some knowledge or insight about the world (the three stated above), and that’s how the worldbuilding is done. It’s especially nice since the three TARDIS crew characters are already established — Lyons doesn’t need to focus on their development, so he doesn’t. He uses our knowledge of them to further the character and plot development of the new story beats. This is a fantastic way to get to know the world.
Even Waller, the police officer, has believable motives, and we learn that she once not only dabbled in fantasy, but that she created her career as a cop from a fantasy. That humanizing only serves to fuel the tragedy of the oppressive society when you consider how brainwashed the average person is and how even in an imagined scenario, some people still insist upon upholding the law of oppression. This also makes the perspective of the other two focal characters much more sympathetic.
The Doctor doesn’t get development of his main character arc in this novel, but we do get to see his passionate side. It’s really nice to see the 9th Doctor get fired up about fiction and eventually become the stand-in figurehead of the fiction rebellion, it really speaks to his love of humanity in a way we didn’t often see.
There is one problem I had with this book, though: the micro-organisms causing people to go “fantasy crazy,” as they call it. That just makes it seem like the state (for lack of a better word) was right in issuing anti-fiction laws. Lyons still makes a point about how the laws are unjust anyway, considering that fiction isn’t the issue, it’s the micro-organisms, but it still seems like he wanted to have his cake and eat it too. How easy would it have been for the hallucinations to be a ploy by the state to keep people in line? That would make more sense, tie in with the themes better, and fit into the narrative in a sleeker way.
This would be a believable episode of Doctor Who, right down to the cop-out plot twist (the micro-organisms) at the end. It’s a little cheesy, but it has a ton of heart on top of great worldbuilding and side-character development, neither of which is guaranteed in a Doctor Who episode. This is in the top tier of stories for the 9th Doctor and I’m very glad I read it.