I’ve read comic books since I was very young, some of my earliest memories include the trips to my local comic book store in Chicago and being amazed at what surrounded me on all the walls. Eventually, I started getting issues of Marvel series in the mail and once I reached my teens, I opened up a subscription box at my local store that I have maintained since then. Through all of that time in my life, there were comics that I liked, but it wasn’t until the arrival of Brightest Day and The New 52 that I found comics that I loved. That love began with the Snyder-Capullo run on Batman and it would change the way I viewed comic books forever.
What this creative team did for the character was largely a revitalization. Up until their start Batman had had moments of real brilliance but very few periods of sustained brilliance, after all, it is very difficult to go for many years on a character without making some missteps. What Mr. Snyder and Mr. Capullo did was strip the titular character down to its barest parts and slowly introduce a series of situations that took Batman into new territory, and it’s absolutely brilliant.
The first story arc contained in this collection, The Court of Owls, Batman essentially finds himself fighting against his own city. He comes to understand that he doesn’t know Gotham nearly as well as he thinks, and it shakes him to his very core. This is best encapsulated, in an issue that is regarded by many as the best of Mr. Snyder’s whole run, when the court traps Batman in a maze and slowly begins to grind away at his sanity. This scene is probably the closest the character has come to losing his mind and it’s a testament to the quality that the reader can come to expect from this series as a whole.
Mr. Snyder, after almost taking away the city from Batman, then threatens to take away his family. This arc, Death of the Family follows the return of the Joker after spending a year away from the city. This time, however, the Joker has come back a changed man, only he’s changed for the worse somehow. In the quest to make Batman face things he’s never faced Mr. Snyder makes the joker truly deranged, even to the point where Harley has become scared of him.
In a lot of Joker stories, the character has some level of charm or a whimsical quality to him. We, the reader, know that he’s insane but he’s also sort of fun, there are certainly stories like The Killing Joke where he’s all insanity, but for the most part he’s been written with that ounce of charm that almost reflects an inner belief to the character that he knows he won't win. None of that applies, however, to the Death of the Family story arc, Joker here is not only all insanity but one could make an argument that there’s an ounce of victory for the Joker. By the end of the story Batman is headed towards killing his arch-nemesis at the end of the story, and it’s highly likely that he goes through with it if Joker doesn’t throw himself off the edge.
These two stories are probably the ones that this creative team are most famous for, Zero Year and Endgame also received a lot of recognition but not nearly the amount that The Court of Owls and Death of the Family did. It’s not hard to see why either, as both arcs are incredible in how they break down both the city of Gotham and the character of Batman. I know that there are people who dislike this particular run of comics, but I genuinely have no clue why. Any argument that I’ve read about why Mr. Snyder’s writing lacks quality doesn’t seem to hold water, so don’t listen to the detractors, it’s genuinely the best creative team that Batman has had in a long time.
The second half of that creative team, Mr. Capullo, is just as good as the writing by the first half. He remains one of the best pencilers in comics to this day and is my personal favorite. He draws Batman in a way that emphasizes his mystery and actually uses his cape to present the character in a shrouded manner at certain points in the story, which is an aspect of his character design that is vastly ignored. All of the secondary characters are really well rendered in a form that’s true to their appearances outside this book. This may sound weird, but it’s the best way that I can think of to describe the art, it’s meaty, and that a choice that really emphasizes the power of the heroes and the dirtiness of the city. Mr. Plascencia’s coloration matches its art appropriately and can be both bright and dark when the scene calls for it.
Of all the New 52 books, this was the only one to have the same creative team from the start of its run until its finish, and that’s only one aspect of it that makes it one of the greatest runs in comic book history. It’s clear that all of the creatives on this book get each other, Mr. Capullo knows exactly how to render the vision Mr. Snyder has and Mr. Plascencia knows exactly how to give the right colors to Mr. Capullo’s pencils. It all meshes together for an incredible end product and if you haven’t read this series yet this collection is the perfect spot to dive in, and I’d be amazed if you don’t want to keep reading once you’ve finished it.