The sheer volume and complexity of Deleuze and Guattari's A Thousand Plateaus can be daunting. What is an assemblage? What is a rhizome? What is a war machine? What is a body without organs? What is becoming-animal? Using clear language and numerous examples, each chapter of this guide analyses an individual plateau and examines the tendencies toward both stasis and change for each assemblage found there – be it social, political, psychological, musical, biological or linguistic.
'How is it possible to create something new? Artists struggle with this problem all the time. For them it is a battle against cliché. The artist does not begin with a blank page or a blank canvas. The canvas is not white but black, covered with every past style, color, and shape. The artist’s first task is to scrape away all the accumulated layers of cliché so that something new can be created.'
I can finally understand why there is so much appeal for the concepts of Deleuze and Guattari and their perspective of "perceptual semiotics" that looks at things differently than most of Western metaphysics.
This is a good critical guide for anyone new to this theory like me and analyzes many contemporary examples like information systems and 2008 recession to explain some of D&G's concepts.
Thank you Brent! This is a great book about a great book. Deleuze is my favorite philosopher and it is beautiful to see his work handled with such care. I was already convinced of this book’s efficacy by how understandable it made A Thousand Plateaus, but I was further endeared to the author’s cause in his conclusion where he expresses his hope that this guide will facilitate MORE interpretations, MORE takeaways, rather than fewer.
A very Deleuzian approach to writing on Deleuze. One of the best books I’ve read in years
One feels more than a little gratitude towards Adkins for having endured all the nonsense verse in A Thousand Plateaus to then present what if any arguments albeit groundless the text contains.
Almost all the disciplines that D&G touch upon to then bring into play with signs and symbols from other unrelated disciplines, they misunderstand or misrepresent.
Any primer on Pragmatics, Biosemiotics or the history of Symbolic forms will convey more to a reader than D&Gs mess of plateaus and lines of flight.
I must confess every time I hold A Thousand Plateaus and look at the list of books in the bibliography I feel a certain sadness. Because there was a point in time when I really felt that this book contains novel ideas drawn from all those realms of inquiry. Alas it's no such thing. Which is why Adkins should be applauded for salvaging what he has. I wish he was just a tiny bit more brave and would go full Sokal.
If you're new to D&G's work, as I was, this is the right book for you. It helps clarify some of D&G's core concepts and embeds them within their broader philosophical project. Nonetheless, having read A Thousand Plateaus, it becomes obvious that Adkins' guide in some sense runs counter to D&G's philosophical project. This is because he condenses the multiple potential meanings of their plateaus, thereby somewhat limiting them. But don't let this put you off, this book was an indispensable aid to me.