Catherine Ling is one of the CIA's most prized operatives. Raised on the unforgiving streets of Hong Kong, she was pulled into the agency at the age of fourteen, already having accumulated more insight and secrets than the most seasoned professionals in her world. If life has taught her anything, it is not to get attached, but there are two exceptions to that rule: her son Luke and her mentor Hu Chang. When Luke was kidnapped at the age of two, it nearly broke her. Now, nine years later, her son has astonishingly been returned to her and Catherine vows never to fail him again. But when her job pulls her away from home, she relies on the brilliant and deadly Hu Chang to safeguard Luke in her absence. Now Erin Sullivan, an American journalist with mysterious ties to Hu Chang, has been kidnapped in Tibet. If Catherine doesn't agree to spearhead the CIA rescue mission, she knows that Hu Chang himself will go, a possibility she can't risk. But she will be facing a monster whose crimes stretch back forty years, always eluding the CIA. And the job grows even more complicated when Catherine meets Richard Cameron, a supposed ally who's clearly not telling all he knows. Their attraction is immediate, but Catherine isn't at all sure that he can be trusted. If she's going to rescue this journalist with a story worth killing for, she'll need to keep Cameron very close. From the treacherous landscape of the Himalayas to the twisting back alleys of San Francisco, the clock is ticking for Catherine and those she loves most. At every turn she faces a ruthless enemy who is determined to keep the truth buried, even if it means that none of them live to see tomorrow…
YOUR NEXT BREATH:
Catherine Ling is one of the CIA's most prized operatives. Raised on the streets of Hong Kong, she was pulled into the agency at the age of fourteen. If life has taught her anything, it is not to get attached, but there are two exceptions to that rule: her son Luke and her mentor Hu Chang. Luke was kidnapped at age two, and now, nine years later, he has astonishingly been returned to her. Catherine vows never to fail him again. Now, just as she is building a relationship with Luke, it seems that someone from Catherine's past is playing a deadly game with her, and using those she cares about as pawns. Three are dead already: the former prostitute who helped Catherine when she was out on the street, a CIA agent with whom she worked closely, and the informant who helped her free Luke. Someone is picking off the people Catherine cares about one by one, with the circle narrowing closer and closer to those she loves the most. Catherine has made many enemies throughout her life, and she has no choice but to weed through her past to find out who is targeting her now, and then go after the vicious killer herself.
Iris Johansen is a New York Times bestselling author. She began her writing after her children left home for college. She first achieved success in the early 1980s writing category romances. In 1991, Johansen began writing suspense historical romance novels, starting with the publication of The Wind Dancer. In 1996 Johansen switched genres, turning to crime fiction, with which she has had great success.
She lives in Georgia and is married. Her son, Roy Johansen, is an Edgar Award-winning screenwriter and novelist. Her daughter, Tamara, serves as her research assistant.
IRIS JOHANSEN is The New York Times bestselling author of Night and Day, Hide Away, Shadow Play, Your Next Breath, The Perfect Witness, Live to See Tomorrow, Silencing Eve, Hunting Eve, Taking Eve, Sleep No More, What Doesn't Kill You, Bonnie, Quinn, Eve, Chasing The Night, Eight Days to Live, Blood Game, Deadlock, Dark Summer, Pandora's Daughter, Quicksand, Killer Dreams, On The Run, and more. And with her son, Roy Johansen, she has coauthored Night Watch, The Naked Eye, Sight Unseen, Close Your Eyes, Shadow Zone, Storm Cycle, and Silent Thunder.
I'm so tired of her themes: someone must help and it has to be you; someone won't listen and thinks he has to protect someone else: someone is in danger and someone has to go to the rescue. Then there is pages of dialogue that go nowhere.