Kamachi Kazuma (鎌池和馬) is a Japanese-born light novel author and the original creator of the Toaru Majutsu no Index light novel series and Toaru Kagaku no Railgun, its spin-off manga series.
Alright ..... This was definitely the volume that changed my mind the most in the middle of the reading.
I really appreciate how Index can easily change a reader's opinion of some volume, whether for good or for bad...
Remember how some schools adopted a generalized configuration of putting several areas together and averaging between them? As "science", which includes biology, chemistry and physics. So, this technique can actually be interpreted as good for both sides... For the work of some lazy professors, which turned out to be easier to coordinate with a general mass of subjects than individual ones. On the other hand, we have students, who have less chance of failing if their qualities manage to alleviate their negative points.
With that, imagine yourself as a student who has just received your report card. You slowly open the report card, find yourself excited by the good grades you got in the visible part of the report... You go further down and see that your grades have increased and now they were amazing and you feel insurmountable. Of course, at least you kept it that way, until the real bomb arrived.
Finally excited, you open the entire newsletter and see the rest of your notes .... They were terrible and still persisting in hope, you finally decided to add your strengths to your minuses, and in the end, becoming mediocre.....You won't be flunked, but at the same time, you won't be praised.
I think that defines well what this volume was...... It was really fun to go through the "slice of lifes" with no depth, just a good light comedy. As a few more pages go by, the quality increases, with some very well structured dialogues between Kamijou and Kamisato, with the addition of a good monologue by Misaka Mikoto. Of course, it would be a very good volume, at least until the bomb arrives... Salome
Like a bomb, it is not content to take just its objective with it, but all the terrain, small particles and living beings without any involvement in the real fight. When it arrives, it seems that all the characters' perception disappears, they don't think straight anymore, the narrative becomes rushed and not as conclusive, leaving many parts cut off. Furthermore, action scenes look poorly coordinated and their presence makes the environment completely distorted and ugly.
Later on, this distorted environment proves to be a deliberate technique by the author and serves as a great plot twist, but.... In the end the environment was so distorted that even if the author tries to clean it, the landscape will never return to that beauty before.
The problems continue to arise.... Some monologues here in Touma become quite boring and only serve to fill the script with content, almost like a person who forgot his shopping list at home and decides to fill his cart with random items. The author is not content to force Touma like an idiot to make comedy, but he also does the same for serious parts of the script, which are hard to digest and seem like amateur tactics that distort the true professionalism of the script and writing (Some people say that Index has always been like that, but they will be definitely stupid statements... The Deus Ex Macchina of Index is very well done, as the world projects itself for the functioning of this Ex Macchina, without creating discrepancies. Furthermore, it will rarely be really forced, like in parts where the timing seems pretty convenient.). In fact, Kamisato's harem becomes even less explored and functions more as a symbol of his existence and as a point of salvation for Kamisato. To end the freak show, the fights end up taking too long, and what should be short and thick fights are forced to be longer while the lines take over the volume..
In the end, when comparing the strengths and the negatives, it becomes a volume that I wouldn't be proud to have read, but also, I wouldn't belittle myself for wasting my time. It's an OK volume, no biggie. He has enough good points not to become bad, but he also has enough bad points that he can't be good.
EXTRA NOTE 1: Well, at least that's my opinion.... Incidentally, Salome had an interesting concept of criticizing society for having already gone too deep into its rotten parts. It's interesting, but poorly explored because of the chief position the character assumes (About her being a ######) and as much as the author tries to make her less evil because her works aren't really THAT evil , her other selfish acts and yanderes don't fit in well with the statement...... She's a cute yandere loli, who shouldn't have the "cute" part built in.
EXTRA NOTE 2: I'll really be stunned if the next volumes are any worse than this... I mean, Kamisato arc (Volume 14-17) is known as a great descending quality slide and I hope that's not true. Well, at least after Kamisato Arc, we will have Corozon (Volume 18-22R), which is said to be one of the best, IF NOT the best, arcs so far.
EXTRA NOTE 3: Now, for the character list that Kamijou Touma won't remember... Besides Shokuhou Misaki, now we have Akinawa Mitch- Wait, what was her name again?
This vol gives some interesting foreshadowing for Mikoto future development. But as far as I've heard, the development hasn't happened yet, even though it's been 10 whole new vols since this one Disappointed but not surprised :D Side note, Aleister's appearance in the streets is kinda cool. Good to know he can walk normally and not have ti move around in a fish tank with wheels
This entire review has been hidden because of spoilers.
Salome is cool but she sure doesn't kill much for someone labelled as a mass murderer. Seeing Touma and Kamisato interact without trying to kill each other is very fun.