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The Amazing Spider-Man (1963-1998)
Amazing Spider-Man (1963-1998) #52
The Kingpin has an unconscious Spidey and J. Jonah Jameson sealed up tight in a watery deathtrap! If they want to get out while still breathing, Jameson will have to wake Spider-Man up from his afternoon nap...
21 pages, Kindle Edition
First published September 10, 1967
About the author
Stan Lee
7,600 books2,370 followersStan Lee (born Stanley Martin Lieber) was an American writer, editor, creator of comic book superheroes, and the former president and chairman of Marvel Comics.
With several artist co-creators, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, Thor as a superhero, the X-Men, Iron Man, the Hulk, Daredevil, the Silver Surfer, Dr. Strange, Ant-Man and the Wasp, Scarlet Witch, The Inhumans, and many other characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. He subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
With several artist co-creators, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, Thor as a superhero, the X-Men, Iron Man, the Hulk, Daredevil, the Silver Surfer, Dr. Strange, Ant-Man and the Wasp, Scarlet Witch, The Inhumans, and many other characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. He subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
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Displaying 1 - 13 of 13 reviews
November 20, 2019
Spidey is beaten by The Kingpin and is placed in a water tight chamber shackled next to J. Jonah Jameson! Nice 'brains over brawn' story that Stan Lee is well known for. When I see The Kingpin drawn by Romita I think of Telly Savalas and Marlon Brando - what a role that would have been!
May 26, 2025
TO DIE A HERO
September 1966
Spider-Man and JJonah captives of the Kingpin..whose ready to drown them.
Kingpin gets rid of Roswell
September 1966
Spider-Man and JJonah captives of the Kingpin..whose ready to drown them.
Kingpin gets rid of Roswell
April 14, 2022
So, this is the end of the first three chapters arc with the Kingpin. I love him as a villain! Sad to see go.
June 9, 2023
My Marvelous Year #6: 1967 pt.1
Poor JJJ - nothing he hates more than having to be saved by Spider-Man.
Read for an epic spidey/kingpin face off!
Poor JJJ - nothing he hates more than having to be saved by Spider-Man.
Read for an epic spidey/kingpin face off!
Read
November 30, 2019Clásicos del cómic:Spiderman
January 16, 2025
The cover alone is worth noting—it’s another water-themed masterpiece that captures the dramatic essence of the issue. Spider-Man and water seems to be a recipe for iconic visuals, and John Romita Sr. nails it once again, creating a sense of urgency and peril that perfectly sets the tone for the story inside.
Picking up from the cliffhanger of issue #51, Spidey finds himself in a deadly trap courtesy of the Kingpin, handcuffed alongside J. Jonah Jameson to a device designed to drown them. The setup is classic comic-book peril, and while Peter’s use of his webbing to escape might stretch the imagination (web parachutes, really?), it’s a fun, inventive moment that captures the whimsical spirit of the era. After all, suspension of disbelief is half the fun of classic superhero tales!
The character dynamics shine in this issue. Jameson’s bluster contrasts hilariously with Peter’s quiet determination, while Foswell’s unexpected act of heroism adds a surprising emotional weight. Foswell’s moment of redemption—sacrificing himself to save Jameson—raises some interesting questions about his past as a former crime boss and how he reconciles his actions with his apparent conscience. It’s a poignant reminder that even minor characters can have complex arcs in Stan Lee’s storytelling.
Meanwhile, the subplot involving Flash Thompson’s return from military service adds a layer of humanity to the issue, grounding the action with glimpses of Peter’s personal life. Flash’s presence serves as a nice reminder of the supporting cast’s importance in making Spider-Man’s world feel lived-in and relatable.
Romita’s art continues to dazzle, from the dynamic action sequences to the expressive character work. The underwater trap is visually striking, and the tension is palpable, even if the mechanics of the escape require a generous dose of comic logic.
While it’s not the most groundbreaking issue in terms of plot, Amazing Spider-Man #52 is a solid, action-packed installment that highlights the strengths of the series: engaging character moments, inventive scenarios, and stellar artwork. It’s a fun, fast-paced read that keeps the momentum of Spidey’s adventures going strong.
Fans of classic Spider-Man and Silver Age comics will find plenty to enjoy here—quirks and all!
Picking up from the cliffhanger of issue #51, Spidey finds himself in a deadly trap courtesy of the Kingpin, handcuffed alongside J. Jonah Jameson to a device designed to drown them. The setup is classic comic-book peril, and while Peter’s use of his webbing to escape might stretch the imagination (web parachutes, really?), it’s a fun, inventive moment that captures the whimsical spirit of the era. After all, suspension of disbelief is half the fun of classic superhero tales!
The character dynamics shine in this issue. Jameson’s bluster contrasts hilariously with Peter’s quiet determination, while Foswell’s unexpected act of heroism adds a surprising emotional weight. Foswell’s moment of redemption—sacrificing himself to save Jameson—raises some interesting questions about his past as a former crime boss and how he reconciles his actions with his apparent conscience. It’s a poignant reminder that even minor characters can have complex arcs in Stan Lee’s storytelling.
Meanwhile, the subplot involving Flash Thompson’s return from military service adds a layer of humanity to the issue, grounding the action with glimpses of Peter’s personal life. Flash’s presence serves as a nice reminder of the supporting cast’s importance in making Spider-Man’s world feel lived-in and relatable.
Romita’s art continues to dazzle, from the dynamic action sequences to the expressive character work. The underwater trap is visually striking, and the tension is palpable, even if the mechanics of the escape require a generous dose of comic logic.
While it’s not the most groundbreaking issue in terms of plot, Amazing Spider-Man #52 is a solid, action-packed installment that highlights the strengths of the series: engaging character moments, inventive scenarios, and stellar artwork. It’s a fun, fast-paced read that keeps the momentum of Spidey’s adventures going strong.
Fans of classic Spider-Man and Silver Age comics will find plenty to enjoy here—quirks and all!
November 29, 2020
THE AMAZING SPIDER-MAN #50-52 (Spider-Man No More)
Every single arc of this comic book is a masterpiece in character-study drama; I really think it is more apt to describe The Amazing Spider-Man as a character-study of a superhero, including their everyday life and ordinary struggles, as opposed to a serialized action-thriller. Every single arc progresses Peter Parker so much further as a character — never settling for a static episodic formula, which plagues so many other comic books from this period.
This arc in particular starts off with a WHOPPER of a first issue, which could stand on its own merits as a self-contained standalone story, regardless of whatever happens in the following issues; sure, every personal development introduced is ultimately reversed by the end of the issue, but not in a way that feels unearned or like nothing consequential happens.
In fact, something VERY consequential happens;
As a matter of fact, the consequences of Peter’s actions in that issue are the springboard for the rest of the storyline! The decision he makes in that first issue is ultimately reversed, but the lasting aftermath of that decision is not. His decision leaves behind a domino effect of conflicts he has to deal with for the rest of the story-arc, and seeing him deal with the negative consequences of an earlier action is a nice callback to Amazing Fantasy #15 ; just as choosing not to use his powers to resulted in a negative consequence then, him choosing not to use his powers to intervene results in a negative consequence now. Lee mirroring that earlier storyline effectively allows us to compare how much Peter has changed between THAT story and THIS story.
A very powerful little character-study, of failing to act when you possess the power to act. It also furthers the already massive progression of Peter’s arc, which never fails to keep being new and active rather than passive and static
Every single arc of this comic book is a masterpiece in character-study drama; I really think it is more apt to describe The Amazing Spider-Man as a character-study of a superhero, including their everyday life and ordinary struggles, as opposed to a serialized action-thriller. Every single arc progresses Peter Parker so much further as a character — never settling for a static episodic formula, which plagues so many other comic books from this period.
This arc in particular starts off with a WHOPPER of a first issue, which could stand on its own merits as a self-contained standalone story, regardless of whatever happens in the following issues; sure, every personal development introduced is ultimately reversed by the end of the issue, but not in a way that feels unearned or like nothing consequential happens.
In fact, something VERY consequential happens;
As a matter of fact, the consequences of Peter’s actions in that issue are the springboard for the rest of the storyline! The decision he makes in that first issue is ultimately reversed, but the lasting aftermath of that decision is not. His decision leaves behind a domino effect of conflicts he has to deal with for the rest of the story-arc, and seeing him deal with the negative consequences of an earlier action is a nice callback to Amazing Fantasy #15 ; just as choosing not to use his powers to resulted in a negative consequence then, him choosing not to use his powers to intervene results in a negative consequence now. Lee mirroring that earlier storyline effectively allows us to compare how much Peter has changed between THAT story and THIS story.
A very powerful little character-study, of failing to act when you possess the power to act. It also furthers the already massive progression of Peter’s arc, which never fails to keep being new and active rather than passive and static
May 8, 2021
ASM #52 has another iconic cover, what's with Spider-Man + water that makes epic looking covers?
After the ASM #51 Spidey is knocked out and Kingpin handcuffs the wall crawler and Jameson to what can only be described as a device that's built to drown people. Without outright spoiling how they survive I've never understood how Parker uses his webs in this way, I was never a fan or bought how he could make parachutes etc from webbing, it always seemed a little silly anyway 60's comics kids!
Foswell gets on his high horse when he believes that Kingpin has murdered Jameson and Spidey, which asks the question just in how did he ever have the clout to take over any of criminal gangs before if he had such a conscience. Anyway he goes all hero and takes a bullet for old JJJ.
Elsewhere Flash is back for some leave from doing his soldier thing.
After the ASM #51 Spidey is knocked out and Kingpin handcuffs the wall crawler and Jameson to what can only be described as a device that's built to drown people. Without outright spoiling how they survive I've never understood how Parker uses his webs in this way, I was never a fan or bought how he could make parachutes etc from webbing, it always seemed a little silly anyway 60's comics kids!
Foswell gets on his high horse when he believes that Kingpin has murdered Jameson and Spidey, which asks the question just in how did he ever have the clout to take over any of criminal gangs before if he had such a conscience. Anyway he goes all hero and takes a bullet for old JJJ.
Elsewhere Flash is back for some leave from doing his soldier thing.
April 28, 2024
8/10
Stan Lee keeps a good pace in this issue balancing action, brains, drama and character development. Romita art is also at a high level as usual.
Great ending issue for a good story arc. All the characters have real and convincing motivations. The only part that seems forced is the hate of J.J. Jameson with Spiderman taking into account the events.
The fight with Kingpin is awesome and one of the best with a villain with no powers. Kingpin skills and with make him a believable menace.
Also, Foswell motivations and decisions are convincing and the events around the other characters keeps the overall interest in the following issues.
Stan Lee keeps a good pace in this issue balancing action, brains, drama and character development. Romita art is also at a high level as usual.
Great ending issue for a good story arc. All the characters have real and convincing motivations. The only part that seems forced is the hate of J.J. Jameson with Spiderman taking into account the events.
The fight with Kingpin is awesome and one of the best with a villain with no powers. Kingpin skills and with make him a believable menace.
Also, Foswell motivations and decisions are convincing and the events around the other characters keeps the overall interest in the following issues.
September 11, 2021
Spider-Man dan Jonah Jameson, dua orang yang tidak akan pernah akur di serial ini, terperangkap bersama-sama di mesin eksekusi milik Kingpin. Judul nomor ini adalah "Mati sebagai seorang Pahlawan". Siapa yang akan mati kali ini?
October 7, 2023
BIG
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOooooooooo
Amazing...
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOooooooooo
Amazing...
May 18, 2025
Title: mi verdadera naturaleza.
Stars 4.4
Stars 4.4
June 28, 2026
rei do crime tenta matar ele e o Jameson afogados numa CÂMARA com ÁGUA e ele constrói um CASULO pra salvar os dois enquanto é TALARICADO pelo Flash
brutal Peter Parker
brutal MJ.
brutal Peter Parker
brutal MJ.
Displaying 1 - 13 of 13 reviews