This has the same format, as another book, I read, recently: multiple first-person perspectives. Now we have: Gwen, Lanny, Connor and Sam's narratives; as opposed to just Gwen's POV - which makes it more interesting. We don't have Melvins' perspective, though. Probably because, it would kill the suspense aspect of the story. I guess.
The sequel starts on the twelve night (Gwen's perspective) after the events of book one. Gwen, Sam, Lanny and Connor are in a motel room - when she receives a courtesy text from Absalom, which reads: "YOU'RE NOT SAFE ANYWHERE NOW."
As for Melvin, she thought he'd stay safely locked up, until his execution, but due to certain events - that is no longer the case. He's on the loose and he wants to play.
He likes to taunt her; toy with her, every so often. He makes it abundantly clear, as to what he wants to do - to her. She makes it abundantly clear, that there's no need for him to come to her: she's coming for him. The hunter has become the hunted. It's a case of who is going to get to who first. With the FBI and the Police in every state, adjoining Kansas, hunting him down, he needs to keep a low profile.
And so it begins. As she can't take Lanny and Connor with her and Sam, on their venture, she needs to find a safe haven for them, before setting off. Somewhere safe, from her ex, with someone she trusts, implicitly. Lanny wants to stay and fight. Connor wants to read. They don't want to split-up and leave their mother, but understand the ramifications if they don't. Eventually.
Sam gets a call from his FBI buddy (Mike Lustig) - about the possible location of someone affiliated with Absalom, which leads them to Markerville (a dilapidated town that doesn't exist anymore), Tennesse - looking for Arden Miller. And who is Absalom? An individual? Or is Absalom a collective of master hackers? Anyway, this is where it starts to get crazier and crazier.
Gwen has her work cut-out for her in the sequel; especially when Sam, Lanny and Connor, see something, which makes them question if they really know who Gwen is. It's something that has her questioning herself, too. And she soon finds herself in a very lonely place. Who can be trusted?
In conclusion: I enjoyed the sequel as much as the first book in the series. Maybe, more, at times. The characters' had me seething, with their bad decision-making, sense of reasoning, thought-processing, gambits, and betrayal. There's also an unlikely ally, which adds an intriguing twist to the story. I wouldn't say this ends on a cliffhanger, as such. At least, not like book one, but I think one of the characters' made a fundamental mistake - at the end - possible missed opportunity. As to what that is, I have no idea. But I believe it's something, significant. I'll have to wait until 29th March (2019) for Wolfhunter River to be released - to find out.
At the end of the book, the author provides the soundtrack that inspired her, whilst writing the sequel:
● "Eminence Front," The Who.
● "Sledge Hammer," Peter Gabriel.
● "Poker Face," Lady Gaga.
● "Staring At The Sun," TV On The Radio.
● "Games Without Frontiers," Peter Gabriel.
● "Hate The Taste," Black Rebel Motorcycle Club.
● "Box Full O' Honey," Duran Duran.
● "Red Rain," Peter Gabriel.
● "Time Of The Season," The Ben Taylor Band.
● "Mama," Genesis.
● "Welcome To The Circus," Skittish.
● "Beneath Mt. Sinai," The Stone Foxes.
● "Whatcha See Is Whatcha Get," The Dramatics.
● "Human," Rag 'N' Bone Man.
● "Believer," Imagine Dragons.
● "Jockey Full Of Bourbon," Joe Bonamassa.
Side note: I would've added:
● "Welcome To The Jungle," Guns *N* Roses.
● "Looks That Kill," Motley Crue.
● "Knock 'Em Dead Kid," Motley Crue.
● "Back Off Bitch," Guns *N* Roses.
● "Home Sweet Home," Motley Crue.
● "I Wanna Rock," Twisted Sister.
● "Not Now John," Pink Floyd.
● "Big Dumb Sex," Soundgarden.
● "Ride The Lightning," Metallica.
● "Fade To Black," Metallica.
● "Patience," Guns *N* Roses.
● "Permanent Vacation," Aerosmith.
● "Nothing Else Matters," Metallica.
● "Shoot To Thrill," AC/DC.
● "Here I Go Again," Whitesnake.
● "Hellraiser," Ozzy Osborne.
● "I'm Not In Love," 10 CC.
● "From Out Of Nowhere," Faith No More.
● "Fire Your Guns," AC/DC.
● "Still Haven't Found What I'm Looking For," U2.
● "We Will Rock You," Queen.
● "Schools Out," Alice Cooper.
● "Fucking Hostile," Pantera.
● "Paranoid," Ozzy Osborne/Black Sabbath.
● "Powerslave," Iron Maiden.
● "Run To The Hills," Iron Maiden.
● "You're The Only Hell Your Mama Ever Raised," Warrant.
● "Dude (Looks Like A Lady)," Aerosmith.
● "Rag Doll," Aerosmith.
● "You Give Love A Bad Name," Bon Jovi.
● "Stupid Girl," Garbage.
● "Shout At The Devil," Motley Crue.
● "Who Are You," The Who.
● "Seasons In The Abyss," Slayer.
● "Won't Get Fooled Again," The Who.
● "The Seeker," The Who.
● "I Can See For Miles," The Who.
● "Train Of Consequences," Megadeth.
● "For Whom The Bell Tolls," Metallica.
● "The Heat Is On," Glenn Frey.
● "Tubular Bells," Mike Oldfield.
● "That's The Way I Like It," KC & The Sunshine Band.
● "Knockin' On Heavens Door," Eric Clapton.
● "Live And Let Die," Paul & Linda McCartney.
● "Mean Man," Wasp.
● "Forever Free," Wasp.
● "Don't You Want Somebody To Love," Jefferson Airplane/Wasp.
● "You Ain't Seen Nothing Yet," Bachman Turner Overdrive.
● "One Way Or Another," Blondie.
● "Money That's What I Want," Flying Lizards.
● "You Spin Me Right Round," Dead Or Alive.
● "I Like The Way You Move," Body Rockers.
● "I Love It Loud," Kiss.
● "Stayin' Alive," The Bee Gees.
● "Nobody's Fool," Cinderella.
● "Got My Mind Set On You," George Harrison.
● "Temptation," Cradle Of Filth.
● "Pyromania," Def Leppard.
● "Monkey Magic," Soko.
● "Another Brick In The Wall," Pink Floyd/Korn
● "The Final Countdown," Europe.
● "Tainted Love," Gloria Jones/Soft Cell/Marilyn Manson.
● "Blackout In The Red Room," Love-Hate.
● "Shout," Tears For Fears.
● "Nights In White Satin," The Moody Blues.
● "Bad To The Bone," ZZ Top.
I may add to the playlist. If I think of something else.