Margaret Thursday answers an advertisement for an actress who can appear to be 11 years old. Her subsequent successes on the stage bring with them the unwanted drama of a kidnap rumour. Day and night she is closely protected - but not closely enough.
Mary Noel Streatfeild, known as Noel Streatfeild, was an author best known and loved for her children's books, including Ballet Shoes and Circus Shoes. She also wrote romances under the pseudonym Susan Scarlett.
She was born on Christmas Eve, 1895, the daughter of William Champion Streatfeild and Janet Venn and the second of six children to be born to the couple. Sister Ruth was the oldest, after Noel came Barbara, William ('Bill'), Joyce (who died of TB prior to her second birthday) and Richenda. Ruth and Noel attended Hastings and St. Leonard's Ladies' College in 1910. As an adult, she began theater work, and spent approximately 10 years in the theater.
During the Great War, in 1915 Noel worked first as a volunteer in a soldier's hospital kitchen near Eastbourne Vicarage and later produced two plays with her sister Ruth. When things took a turn for the worse on the Front in 1916 she moved to London and obtained a job making munitions in Woolwich Arsenal. At the end of the war in January 1919, Noel enrolled at the Academy of Dramatic Art (later Royal Academy) in London.
In 1930, she began writing her first adult novel, The Whicharts, published in 1931. In June 1932, she was elected to membership of PEN. Early in 1936, Mabel Carey, children's editor of J. M. Dent and Sons, asks Noel to write a children's story about the theatre, which led to Noel completing Ballet Shoes in mid-1936. In 28 September 1936, when Ballet Shoes was published, it became an immediate best seller.
According to Angela Bull, Ballet Shoes was a reworked version of The Whicharts. Elder sister Ruth Gervis illustrated the book, which was published on the 28th September, 1936. At the time, the plot and general 'attitude' of the book was highly original, and destined to provide an outline for countless other ballet books down the years until this day. The first known book to be set at a stage school, the first ballet story to be set in London, the first to feature upper middle class society, the first to show the limits of amateurism and possibly the first to show children as self-reliant, able to survive without running to grownups when things went wrong.
In 1937, Noel traveled with Bertram Mills Circus to research The Circus is Coming (also known as Circus Shoes). She won the Carnegie gold medal in February 1939 for this book. In 1940, World War II began, and Noel began war-related work from 1940-1945. During this time, she wrote four adult novels, five children's books, nine romances, and innumerable articles and short stories. On May 10th, 1941, her flat was destroyed by a bomb. Shortly after WWII is over, in 1947, Noel traveled to America to research film studios for her book The Painted Garden. In 1949, she began delivering lectures on children's books. Between 1949 and 1953, her plays, The Bell Family radio serials played on the Children's Hour and were frequently voted top play of the year.
Early in 1960s, she decided to stop writing adult novels, but did write some autobiographical novels, such as A Vicarage Family in 1963. She also had written 12 romance novels under the pen name "Susan Scarlett." Her children's books number at least 58 titles. From July to December 1979, she suffered a series of small strokes and moved into a nursing home. In 1983, she received the honor Officer of the Order of the British Empire (OBE). On 11 September 1986, she passed away in a nursing home.
Margaret Thursday's story continues in this sequel to Thursday's Child. Margaret is as engaging as ever in this second book and acting in a play in London. Things are really falling into place as she is able to share a governess and has some pretty nice digs to stay in with her chaperone, Sarah. Then there are rumors of the Matron lurking about. Will Margaret be safe, or will that nasty Matron get her revenge? I do love the glimpses into early 20th century theater in Noel Streatfeild's books. The new covers on these classics invite a new generation to jump right in.
Thank you to HarperCollins and Edelweiss+ for a DRC in exchange for an honest review.
After the sparkle of ‘Thursday’s Child,’ this sequel feels surprisingly flat and laborious. Margaret Thursday becomes more tiresome as the novel progresses, the Matron saga is frankly unbelievable and there’s little of the magic or strong character development that propelled its predecessor. Disappointing as Streatfeild isn’t known for resorting to these lengths to entertain.
Takes me back to childhood! I wish it was longer, but I loved seeing Margaret Thursday again and getting to see what happens to her after the end of Thursday's Child. Cute and fun. Worthwhile read for fans of Noel Streatfeild.
Set at the start of the 20th century, there’s a realistic backdrop to this story with horse-drawn carriages, pea-souper smogs, and a strongly demarcated class system. It's a sequel to 'Thursday's Child' which introduces the intrepid Margaret Thursday, but can be read as a stand-alone.
I often find that Streatfeild’s books end a bit abruptly after the resolution of a dramatic climax, and this is no exception. Indeed, it’s not a long book at all; just over 125 page in paperback, I read it in a little over an hour.
Definitely recommended if you’ve read ‘Thursday’s Child’, or are a fan of Noel Streatfeild. The writing is good and the social history aspect - as well as the insights into the theatre of the era - adds some general interest that might make it appeal to boys as well as girls.
Fluent readers of about eight or nine would be most likely to enjoy this, although it was originally intended for children of about ten to fourteen.
Hello Margaret Thursday, my little hero! In this second book, Margaret, who has become famous as an actress is kidnapped by the evil Matron who seeks revenge for her faults. Margaret never gives up and is finally rescued by the people who now love her.
The sequel to Thursday's Child, Far to Go continues Margaret Thursday's journey to make herself a name and establish herself. I love the older style that this book is written in! I was trying to explain it to my sister, but it usually involves a 3rd person semi-omniscient narrator, a certain phrasing, that I can't explain, and a sort of space for the audience. For me it creates a sense of nostalgia because I read a lot of books written that way growing up! The story is continuing her actress journey as she lands a role at a famous London theatre. Suddenly famous, the news reaches the matron of her old orphanage, who is out to get revenge. Margaret is focused on the play, but she will need to keep her wits about her and enlist the help of friends to keep herself safe. Margaret is so fun! She is very focused on her career and establishing herself. She is not particularly rambunctious, but she knows her mind and her goals. It is also fun to read about all the new characters! They are all interesting and fun to read about. Overall, this is a fun read that continues the story. So definitely this is a book where you probably should read the first book! It is a lovely story that I think is suitable for older elementary readers and up, because of some scenes that could be frightening. However, it may differ depending on the person, of course! It is an older style, so be prepared too!
I voluntarily reviewed a complimentary copy of this book which I received from the publisher through Netgalley. All views expressed are only my honest opinion, a positive review was not required.
At first it was okay, but then it morphed into this weird Oliver Twist meets A Little Princess thing. The wrap was a little too coincidental for me, as if Streatfeild was past her deadline or just tired of writing. At least she didn't turn out to be the daughter of an Earl or something.
Margaret is tired of playing with a small theater company, so when the opportunity arises for her to go to an audition in London, she jumps at the chance. Things seem to be going well for Margaret, until the evil Matron from Margaret's old orphanage is seen skulking around the theater, searching for Margaret in order to take her revenge.
I loved this charming book about a young stage actress at the turn of the century. The characters are vivid and interesting, and I enjoyed the engaging plot. There are a few twists and turns in the plot, but most of its charm comes from the sweetness of the characters, and their close ties to the theater.
I especially liked the details of Margaret's clothes and costumes, and how she got her schooling, and the obstacles between her friendships with the various children around the theater. Those things added an interest and reality to the story.
The ending was rushed, and I wish there had been a few more chapters of denouement, but other than that, I enjoyed the story!
Another one with a lot of plot, and also a bit of theatre, and I still like Margaret Thursday, but ... it's another one not for the faint-hearted. Life was grim for most children in those days, so if you add in someone with a penchant for cruelty it can become quite hard to read. There is of course a happy ending (and I do wish we knew more about what happened to Margaret, surely she should have turned up at Madame Fidolia's or been an elderly grand-dame during Pauline Fossil's first days on stage?) but we go through the wringer to get there. It's almost trash fiction, but it's Noel Streatfeild, so of course it isn't really.
I have always loved Noel Streatfeild's books and as a child I got my library to ILL them for me or hunted through second hand book stores to find all of them. She tells the perfect "girls stories". I was always able to find one character in each book that was my favorite. They definitely stand up to re-reads.
I have loved Noel Streatfeild's novel from being young but still have to catch up with one of them. I have just read this one and still really enjoyed it.
Streatfeild was a part of my childhood. I particularly enjoyed her Gemma books, which did not get as much play in the U.S. as the “Shoe” books. It’s good to see reissues of these classic works of children’s literature.
That said, they probably are not for every modern child. They are set more than 100 years ago, and sometimes that time and place context can be a challenge for today’s young readers. Likewise, the language in books of that era is often more complex. However, for those children who are willing to tackle those things, these books are wonderful fun, with their plucky heroine and colorful supporting cast. These books are fairly short and the pacing is quick, so they are not a daunting read otherwise.
Margaret lives with loving foster parents, but when the financial support she has received yearly stops coming, they no longer have the means to care for her. Her life in the orphanage is miserable, but she is bright and courageous, and makes her escape. The adventures that come next help her to become stronger—physically and emotionally. She finds good people. She also finds not-so-good ones. The first book resolves tidily, but wait…there’s more!
The second book focuses on Margaret’s work in a London theatre company. I find her desertion of the theatre troupe from the previous book to be a bit abrupt. Margaret finds a large “family” in the theatre. Her intelligence and flair for the dramatic serve her well. But her adventures are not yet over, simply because she’s found stability! No, a baddie from her past is on her trail.
Possible Objectionable Material: Lying, running away, deception, perilous situations.
Who Might Like These Books: Those who like books set in the past, plucky heroines, and adventurous stories. Definitely appropriate for the suggested age range, given the caveats I mention above.
Thank you to Net Galley and the publisher for providing ARCs in exchange for my opinion. It was fun to revisit these stories!
I received a digital copy of the reprint of Far To Go by Noel Streatfeild originally published in 1976 and re-released 3/8/22 in exchange for an honest review.
Set in London and the surrounding area this is a historical older elementary school age style book. I had not read anything by this author but it reminded me somewhat of Stuart Little in that it is a fantastical series of adventures that do not shy away from large vocabulary words.
I requested this book primarily because You’ve Got Mail is one of my favorite movies - unsurprising for a bookworm I know and when I saw this book on netgalley I was immediately transported to the scene where Meg Ryans character visits the big box book store that put her shop out of business and a customer asks for The Shoe Books and the employee has no idea and she has to spell the authors name while trying not to cry.
I’m a boy mom to to 5 and 8 year olds. I do not think the 5 year old would have the attention span for this and while the cover is pink and our main character is a girl the adventure of it makes it accessible to boys though there is some talk about being proud to own underthings that have lace on them because it means they’re of high quality and I can see mine thinking that weird and lame but we’re I to read it aloud I would just skip over that part. Obviously this book has stood the test of time. I hope everyone that reads it googles jellied eels half way through like I had to. 5/5
A Victorian street & stage adventure starring a daring young girl with (as the title suggests) far to go.
Despite being a sequel to another Noel Streatfeild book, "Far to Go" makes for a great stand-alone novel about Margaret Thursday, a young girl who flees an acting troupe to join a professional theatre in London. Orphaned and armed with a charming story about having been found in a basket filled with the best baby supplies, Margaret is ready to tackle any obstacle if it gets her on stage.
I think I would have loved this plot as a kid, even if it seems a little old fashioned and a tad contrived. The antagonist hasn't got much of a motive to sabotage Margaret, nor do we get to see much of Margaret with the large and entertaining cast of characters. Streatfeild's prose and voice are the real key to this book's charm. They're what brings Victorian London--with its lovely facets and life-threatening danger--to life in just a few pages.
Recommended for anyone who likes that slightly retro charm of mid-20th century British literature in the vein of Enid Blyton and Joan Aiken, only with the overall lighter tones and happy ending that suits Frances Hodgson Burnett.
Thank you to Harper 360 and Netgalley for giving me an eARC of this book in exchange for an honest review.
First, I love this cover of the book. Minor suggestion but maybe upload this cover page to GoodReads. I believe GoodReads has an older edition of the cover. This one seems more appealing.
I gave this book three stars. Main reason is that since this is a children's book, it seemed to be a lot of depth to it. On Amazon, it says the age range is 9 to 12 years. Issues were brought up such as child abuse (the children in the orphanage being abused) and kidnapping. It could be trigger warnings for some adults.
I also had a hard time understanding a few things that Lizzie said. I understand that she had limited schooling but I had to reread sentences twice to comprehend what she said.
Overall, I enjoyed the character build up. As you can see, I favored some characters over another. My favorites were Margaret, Katie and Sarah.
If a child is doing a book report on this book, perhaps have them take notes on all the characters (you will learn about the characters, as you continue to read it). Also, discuss any questions they have about the book.
Thank you for the opportunity to read this on NetGalley.
The Margaret Thursday books are a lesser-known series by Noel Streatfeild. More popularly known by many will be his Shoes series which include Ballet Shoes and Theater Shoes.
Far to Go is the sequel to Thursday's Child and continues Margaret Thursday's journey as an actress at the turn of the century. Margaret continues to make a name for herself, although this is a new release of an old classic, I will refrain from spoilers.
Streatfeild gives us vivid and exciting characters with an engaging plot. There is charm and little twists and turns that keep the reader turning the page. The attention to detail and focus on characters adds to the interest. When I am left, as a reader, wanting more chapters and more story, although I am a bit sad in the end, it is the way I like a story to be left.
For any fans of Streatfeild, this series is a must-read and this new edition does not disappoint. BUT read the first in the series first!
Thank you @netgalley and @harper360 for this eARC in exchange for an honest review.
In this continuation of Thursday's Child by Noel Streatfield, Margaret Thursday pursues her dream of stardom, landing a part in a well-known London theater. Unfortunately, word travels quickly and she soon finds herself being followed by an old enemy. Will Margret and her friends be able to outwit Matron before it's too late? Or will Margaret's dreams be taken away from her?
I was thrilled to see this book being published after reviewing the first title in the series. Streatfield has a wonderful talent for writing well-paced novels. The characters are believable and endearing. The story is filled with adventure and twists. The plot is clean while still being engaging. I just love the style of this author. In a market saturated with ill-formed characters and low morals, Streatfield's writing stands above and beyond. I wouldn't hesitate to share this one with any of my kids from ages 9 to early teens. This will be a title that we'll enjoy again and again.
*Disclaimer: I received a free copy of this book for review. All opinions are my own.
An enjoyable sequel to Thursday's Child. I wonder if one day anyone will produce a collected edition of the complete novels of Noel Streatfeild (or of any prominent twentieth century children's writer) or if the days of large collected sets are long past – unsaleable and unprofitable in this day and age when new books are so expensive and many people don't read or prefer to read on their electronic devices. But Streatfeild's books do feel like they would be worthy of being reprinted in full, being of such a consistently good standard. From a literary standard they are not deep or complicated and don't always feel quite grammatical, but she just managed to create engaging plots and strong characters, and while the plots are often just variations on a theme, you never grow tired of them. And in this particular instance there were aspects of the book which are quite different (darker) than any of her other books which I have read.
I really enjoyed the first one in this series and was really looking forward to this one - thankfully, it lived up to my expectations. When we last left Margaret Thursday, she was playing in a little tent theater and enjoying life. Enter Sarah, the costume mistress, who believes that Margaret is destined for bigger things and off they go to London, where Margaret earns a part in a big play. Friendships are made, adventures are had and an old adversary makes themselves known, looking for revenge. All in all, an utterly delightful story. It was a wonderful way to spend an afternoon [IF you are able, get the audiobook for this and the first book - the narrator is just lovely and really adds to the story].
Thank you to NetGalley, Noel Streatfeild, and Harper 360/HarperCollins Childrens Books for providing this ARC in exchange for an honest review.
This second book of Margaret Thursday was not as interesting as the first. It seemed like not a lot happened compared to the first book. It wasn’t really until the last hour that it captured my attention. Overall, I would say you could skip reading the second book and just be content with the first, “Thursdays Child”.
It simply did not have the same feel as the first book, it was a little too simplified and a little bit too unrealistic, especially at the end. Still an enjoyable read but the first one is much better.
This one seemed a bit short (it's half the length of Thursday's Child and perfunctory, but I enjoyed what there was. If it had been longer, perhaps the mystery of Margaret's origin might have been dealt with.
It’s a thing, when you realise the author of a beloved children’s book wrote other ones using very similar themes before they wrote the one. I’ve had it with Frances Hodgson-Burnett, and here we have a very similar orphans on stage vibe to Ballet Shoes. But it doesn’t have the spark.
A fun short sequel to Thursday's Child in which the intrepid Margaret embarks on her career on the London stage. Enjoyed the historical theatre details. But life isn't always smooth sailing for our heroine and she is forced to confront a nemesis from her past.