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راهنمای نویسندگان مقتول
کسی که در سال ۳۹۹ پیش از میلاد مسیح، جام شوکران را نوشید، برای همیشه مرد، اما «سقراط» هنوز هم در میان ما و با ما زندگی میکند. همچنان که ملاخدر در شهر استانبول میمیرد و گورغریب میشود، ولی نالی تا امروز زنده است و چه بسا همین حالا در یکی از کوچههای استانبول، قهوهچی باشد و یا در ایستگاه قطار شهر کوچکی در آناتولی کار کند و به روی مسافران لبخند بزند. شاید تو هم روزی در یکی از ادارات دولتی با بانوی شاعر «مستوره کردستانی» برخورد کرده باشی و او تبسمکنان کارهایت را انجام داده باشد، تو اما او را نشناخته باشی.
164 pages, Paperback
Published January 1, 2019
3 people want to read
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Displaying 1 of 1 review
August 10, 2023
Readable novel without complicated language and metaphors. Simply written. Like a newspaper report. Yet, full of literary allusions to Kurdish and world literature.
Ata Mohammad, like Bakhtiar Ali, is interested in books, writing, and libraries. Here, as in the City of White Musicians, we are confronted with an underground network that is the guardian of nameless and authorless books.
Another point to mention is the divided characters. Everything has a binary value. Characters, names, and histories, which I think shed lights on the double lives of Kurdish Immigrants in Sweden.
Ata Mohammad, like Bakhtiar Ali, is interested in books, writing, and libraries. Here, as in the City of White Musicians, we are confronted with an underground network that is the guardian of nameless and authorless books.
Another point to mention is the divided characters. Everything has a binary value. Characters, names, and histories, which I think shed lights on the double lives of Kurdish Immigrants in Sweden.
Displaying 1 of 1 review