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270 pages, Kindle Edition
First published February 16, 2021
Varazda felt an anticipatory shiver chase down his spine. Sparring with Damiskos was thrilling. Almost—well, not almost, but very nearly somewhere in the same region—as good as sex with him. — Varazda
Saffron Alley has ties to Sword Dance. While you can maybe read them stand alone I would not recommend it. The case that Varazda is chasing in Sword Dance is still being dealt with in Saffron Alley. This picks up a month later the day Damiskos, referred to mostly as Dami in this book, is due to arrive in Boukos to see Varazda and his family. While Sword Dance was from Damiskos's perspective, Saffron Alley is from Varazda's. We get to meet his family and see the place he has made his home. His family are wonderful and not quite what I expected. They were freed by the Zash ambassador 7 years earlier, Ariston is now 21, Yazata's age isn't given but I suspect he's about the same age as Varazda. Yazata is a bit of an introvert, his life prior to being freed was ugly, he's a homebody. He feels the need to protect. His coding appears to be as an aroace. Ariston is more outgoing and an apprentice sculptor, a lot of his good adjustment is down to Varazda. Much of the story revolves around him. Both Yaz and Ariston are suspicious of Dami and his reasons for being there, due to the closeness of their family bond they are all they have. Their houses are stunning, and I would love you see a visualisation of it, they have shared houses with knocked out walls communal spaces and huge practice space for Varazda. There were some guest appearances from the characters in One Night in Boukos Marzana and Chereia, I thought I remembered seeing Bedar's name as well but apparently not. I haven't read that book, and don't really have much of an interest. Marzana and Chereia are both lovely.
On the names in Saffron Alley. In Sword Dance, Varazda has two names, Varazda his Zash name and Pharastes his Pseuchaian name. That pattern of names continues in Saffron Alley with his family but with a complication. Yazata is also called Iasta by Pseuchaians. Remi is called Umit by Yazata, Ummi is her true name, I really appreciate the cultural aspect displayed there. The character that Varazda always referred to as Tash (Pseuchaian name was Tasos) now uses the name Ariston for everyone. Effectively meaning Varazda is deadnaming him. Personally, I like the choice to have Varazda deadname Ariston. It makes it interesting for a reader. We are in the head of someone who is truly trying to change their thought processes but its a long term habit. The change is recent even he is astounded when people call him by the right name at times, Damiskos studiously refers to Ariston as Ariston despite Yazata, Varazda and members of the community slipping and calling Ariston Tash. Remi is an angel she is so good with Ariston's name, Varazda's pronouns and Damiskos's appearance in her life. Varazda is trying to change, trying to adjust through the book there is this interesting disconnect where he will call Ariston Ariston when it is spoken but think of him as Tash. It's imperfect and that is why I like it. Even though Ariston hasn't changed his gender, it's remains something to adjust to and he must be shown that respect but I can't imagine how hard it must be for families to be to adjust to a name they have used for a long time. It's not an instant switch for fiction to treat it as such is in a way disrespectful. On some Greek Mythological ties. There are a number of very clear mythological names in this. Kallisto struck me straight away. Mythologically she was one of Artemis's nymphs, seduced by Zeus and then cast out eventually meeting her end by either Hera or Artemis (depending on the version). Her father was Lycaon which is quite similar to Lykanos. Though Lycaon was a whole separate mess. Leto is a goddess of motherhood. I'm guessing there are others I missed. I suspect all the names are used in an ironical sense.
“He looks very nice—and I do mean very nice—but more importantly, Marzana had nothing but good to say about him. We just didn’t know you were … well. Quite frankly, we didn’t know you were in the market for handsome soldiers—but perhaps you didn’t know that yourself?”
“I … I did and I didn’t.” — Chereia and Varazda
Random quote and annotation dump for this one.
•“I think all that makes sense.” He’d been quiet because he was listening raptly to his friend and his lover finishing each other’s sentences. — This was Varazda about Dami and Marzana. It would be one thing to witness lovers complete each other's sentences, quite another to watch your fairly close friend and your lover.
•“The Asteria is in honour of Kerialos.” “Oh, right, of course. The one where the women take over the city.” Varazda nodded. “And men are expected to stay home unless they have a chaperone.” “I’ve heard they can be quite strict about it.” After a moment, looking at Varazda thoughtfully, he said, “What do you do?” The question pleased Varazda. He liked that Dami didn’t take it for granted that he knew which side Varazda would fall on, when the city divided itself by sex. — The whole idea of Asteria is so much fun to me. The rules are great. This whole interaction made me smile and is a brilliant demonstration of Dami's attentiveness. Also Asteria, another Greek Goddess and titaness, sister to Leto, mother to Hecate.
• She was the kind of woman you might call “striking rather than beautiful.” — Not sure if this is intended as vaguely insulting. I think it's a pretty good descriptor.
• “I think,” said Varazda slowly, “that maybe we should stop using the word ‘normal,’ because I’m no longer sure what it means—but falling in love with someone and wanting to be with them is pretty common. Even somebody older or younger—or the same age—or who has a strange job or comes from a different sort of family or any of that.” — I really think this is just good advice.
• she was what a goddess of battle would really look like: naked and bloodied and powerful, with her hair down around her shoulders and weapons in each hand. — I mean yeah. She really does. The lady is an absolute badass when she needs to be.
• But it can be useful, sometimes, to have a few imbeciles whom one can deploy when one does not want a job done well. — This is one of the best quotes I've read in quite a while. I laughed.
I'm not sure what sort of book this is in a way it isn't strictly plot-driven and it isn't driven by the characters. But the characters are why I came to it. I adore Damiskos and Varazda. Varazda is a wonderful enby who holds his family together by the power of his own will alone and through a terrifying amount of sacrifices. Which leads him to be willing to give up the one thing he has wanted for himself in a long time. During the Asteria festival, we get a look inside Varazda's head when she in a female mood. I found this whole section stunning. She rode the tide of exhilaration raised by the communal dance, the easy flow of it, the mixture of masculine and feminine that might have been made for her, but was really a high mystery of the Boukossian women’s festival. She looked for Dami on the benches, and there he was, watching her." Damiskos is gloriously attentive to Varazda at all times. While he is not quick to anger, he gets angry at the men that hurt Varazda in his past, and I personally find that highly romantic. He is more than willing to do what gives Varazda pleasure and always puts Varazda first. There is a repeated line ‘I like a lot of things.’ which is honestly one of my favourite lines when it is explained. Damiskos's willingness to respect Varazda's boundaries and limitations even when Varazda is drunk and begging him is something I really appreciated. When they first come back together they aren't sure how to behave reading them find their beat again was enjoyable. The great joy? Their chemistry as they perform together. Varazda as a dancer and Damiskos as his accompanist. That dance... I want to see it performed.
I found Saffron Alley really slow it start and slightly difficult to get into but it ends beautifully. There is a lot of happiness. I didn't really expect those players on those roles. For the endgame but it is effective. According to a reply by A.J. Demas in February 2020, there is a third book in the Sword Dance series, I did originally read this was a trilogy (somewhere). But I don't see where it goes from here. The story arc from Sword Dance itself and the arcs in this appear to be wrapped up. There is the option of Damiskos and Varazda going on a spy mission together (given their chemistry especially when they are performing) or maybe something in Zash. But at least in theory, Varazda can't go back to Zash without dire consequences. Just some things to keep in mind there is a scene of domestic abuse, deadnaming, enby-phobia. I think I'm missing something.
“What else did he say? Oh, I remember. ‘My brother is so comfortable being himself. I wish I could be like that.’ I remember wondering what he meant by that, but now I think I see.”
“Do you?”
“I think he meant that you don’t try to blend in. Not even a little bit. I admire that.” — Kallisto and Varazda (given that Varazda is an enby I feel like this is a huge compliment)
A representative gif: