I dunno. I read this because I am somewhat committed to reading a few/a lot of the Eisner 2022 nominees, and this is one I hadn’t yet read. As you may have noticed, my superhero comics reading, never crazy high, has slowed way down in the last year or so. Well, can this kind of comic rescue me? Let’s see: Nightwing is a kind of YA answer to Batman, a younger, livelier guy, and the coloring in this run is YA lively, too. I really didn’t like this story much at all but gulped when I saw how many of my Goodreads friends raved about it, but here goes:
The best thing about this volume by far is the terrific art by Bruno Redondo, with coloring by Adriano Lucas. Very attractive, inviting. Purple and pink to match all the feels that Tom Taylor works to eventually emerge. Nightwing thankfully looks like he is built more like a fit trapeze artist and not a hormonally-enhanced bodybuilder--so that’s a plus! Well, all the characters are tousled-hair gorgeous, and sleek, befitting most mainstream superhero YA, but okay. This volume in general looks very good.
There’s a few things here I don’t love:
--I saw a couple editing mistakes, and I already know the kind of corporate production these comics go through, vetted by everyone, so I was put off on page two already a bit.
--The Bad Guys (led by Blockbuster) are So Bad that they steal from homeless kids! And they kick puppies and threaten to shoot one! Oh, no, that’s BAD! But seriously, can we try to make the Bad Guys less cartoonishly evil? I know it's YA but teens are not dumb
--Who knew that the recently departed Alfred invested his salary and pretty well so he died a billionaire and gave it all to Dick. Wow, that’s a lucky break, eh? Ehhhh. And in the end, we are supposed to be really moved when Dick gives a speech we hope our current spate of billionaires would listen to, as if they would give most of their money to healing the world (okay, a couple billionaires are in fact giving a ton of money to charity). And Batman and Babs get all misty-eyed that he is going to help the city by creating a philanthropic foundation for the poor. My little nitpick about this is that the billionaire charity foundation is not a good model for saving the world.
--Oh, and Grayson gets a puppy (hearts and feels abound, natch!), which seems to make a relationship with Barbara Gordon more likely. Okay, I’ll go with it, we need this element to soften our hearts toward Dick and Babs, but it, again, seems too easy and cliched.
--To be fair, I like the on again/off again Barbara Gordon-Dick Grayson struggle through friendship/romance, though it apparently has been going on for a long time. This long process of possible romance, stringing us along, is of course typical in comics and tc, and so on. I can be an old softy at times, sure!
--Speaking of hearts, a killer named Heartless without an actual heart actually cuts out and saves hearts in Ball jars. Not a very well developed character here, but maybe that will change. But in general Heartless and Blockbuster, not memorable villains for me.
--Besides Babs and the dog, and so on, there is also Big News that Dick has a sister we have never heard about, Melinda Zucco, the daughter of Tony Zucco who killed Dick’s parents. Eh. . . we’ll see.
PS--Whoa, I see I am way in the minority on this one. Hey, I can be wrong sometimes. We'll see.