It is sometime in the 1950's somewhere in outback Australia as the tiny, dry, wheat belt town of Dungatar goes about it's insular business until one winter night an unexpected event: A greyhound bus lets off a passenger who will turn the whole town upside down.
Tilly Dunnage grew up in the town until she was sent away, she went out into the world to Melbourne and Europe where she became a creative and experienced dressmaker. Recently she had tried to contact her mother back in Dungatar and when she could not do so decided to come back.
Having seen the movie a while back I had been keen to read the book, however I am very glad I gave it plenty of time between the two because they are very different indeed. While some or even many of the 'main' events are the same, the book does things very, very differently.
The writing in this book is wonderful; it is rich in imagery, with scattered colloquialisms and Australiana facts that paint an intensely strong image for the reader. That the image the book paints and the image the movie showed are quite different at times, this created a bit of discontinuity for me. I had to concentrate hard to see things wholly from the book's point of view.
Because the book is much darker than the movie. Gloriously so, in fact. The people in the book are, for the most part all the worst of the insular, the malicious, the self satisfied and the cruel that are quite often to be found in small towns. The characterisations of the people of Dungatar are often stereotypes with just enough humour or quirkiness to make them stand up as individuals, but often few mitigating factors to make them likable. There are exceptions, several of the characters are very likable indeed, but as a rule while reading, one feels the chill of being in enemy territory as Tilly clearly is.
Whether it was intentional or not I also felt the book examined how the villains become what they are; the child who tormented child Tilly is no longer alive, but his parents are and as we see his father (definitely one of the harsher stereotypes) one starts to think how boy became what he was.
Tilly herself is a bit of a cipher - we don't really know why she came back. To care for her old, mad mother? Perhaps. That is what she told the townspeople. But her internal dialogue is not given to us, we need to discover her intents through her actions. I feel that we never truly learn her inner motivations (you, who saw the movie may think you do, but you probably don't) or her goals and wants. Although in the book we have time enough as she is in Dungatar for a few years at least.
Comparisons are invidious but; while the dressmaking took complete centre stage in the movie, it is less so in the book. Though the dressmaking is very central to the plot in many ways, the images of everyone swanning around the town in designer dresses is wholly a movie thing, the book is more rational about it. The images of Tilly sewing school children's uniforms is as woven in with her personal, mysterious journey as are the scenes of the shop-girls wedding gown, which is part of one of the story arcs that go throughout the novel.
In many ways Tilly herself has very little story arc, and few triumphs. She is more the focus and the lens through which we see the many other story arcs of the many other inhabitants of Dungatar, all of which are fascinating, many of which are thoroughly disturbing in small hard ways.
Magnificent book! Much meatier reading than the movie led me to expect.
P.S. I read the paperback, not kindle.