Three hour-long stories connected by a theme of the ocean and, more significantly, introducing us to new companion Hebe. The latter is played by Ruth Madeley, which, since she has since appeared as a different character in the TV series – and just possibly a lead in the rumoured spin-off – probably means that we won’t be seeing more from her from now on. Still, fans might be interested in listening to her playing a rather different character to the TV one, at least for a while.
The Rotting Deep – The first story is set in the 2000s; the near-future from Mel’s perspective, although not much is made of it being the recent past from ours. The setting here is a disused oil rig in the North Sea, mysteriously sending out a distress signal that the TARDIS can pick up. Arriving to investigate, the Doctor and Mel find themselves in a base under siege where regular wildlife appears to be what’s doing the besieging - in the style, most obviously, of The Birds. The puzzle of what is causing this isn’t resolved until close to the end, so that there are no monsters other than real-world sea life.
This, of course, is also the story that introduces Hebe, a marine biologist. It’s notable here that the biology she quotes is more plausible than some of the other science used in the story, although even then there’s some coatrack hanging where creatures do something that they probably couldn’t really. (Although the line about electron microscopy makes zero sense; writers never seem to have the first clue about what it involves, or, in this case, what you’d need it for).
A slight weakness is that Hebe is probably the only one of the people trapped on the rig who isn’t either a stereotype of some kind or who dies early on. She also comes across as overly prickly and defensive, which is perhaps plausible for somebody who so often gets treated with condescension or pity, but doesn’t make immediately likeable or sympathetic either. (Those listeners who are actually in Hebe’s situation may, however, come at this from an entirely different angle, so that may just be my privilege speaking). Perhaps not the best start, but she’s certainly a good match for the Sixth Doctor, and the story itself works surprisingly well in a guess-who’s-going-to-die-next disaster movie sort of way. 4 stars.
The Tides of the Moon – In the second story, we visit the first of the two “water worlds” of the title. This happens to be Earth’s moon, which an untested but serious scientific theory suggests could once have had a thick (if toxic) atmosphere sufficient to hold onto shallow seas or lakes. Here, the Doctor travels back billions of years to that time, discovering an alien city on the shoreline. The aliens, naturally enough, turn out to be facing a threat to their survival which forms the focus of the story.
This does mean that there are no human characters in this other than the companions and the setting is odd enough that it’s difficult to fully envisage. It fits in with many of the tropes of the show, but the strangeness of it all lends a degree of distance and it could have done with a few lines of exposition earlier on to explain some of the setting. There are also a few points where it’s difficult to work out what’s going on – the description of the monsters, for example, is vague, and there are some scenes that could have done with some explanatory dialogue to figure out what’s happening to the characters. (I’ll note here that the writer is new to Big Finish and likely to audio in general, having previously written primarily for cartoons such as Phineas and Ferb).
Hebe comes across as more likeable here, while still being true to what we’ve seen in the previous episode, but the story as a whole is merely okay. 3 stars.
Maelstrom – The third story is, to my mind, the strongest of the three. Here, the TARDIS crew arrive on a water world with only a few reefs peeking above the surface, where they are picked up by people believing themselves to be the last survivors of their doomed civilisation. The story keeps up the aquatic theme of the set, not only by being almost entirely set on a ship, but also by including a couple of scenes where the characters descend into the deeps in a bathysphere. This, however, is not the main thrust of the story, which is instead centred around the technology keeping the ship’s crew alive.
The result is a good tale with some morally ambiguous characters. Hebe is really starting to feel like part of the TARDIS crew, perhaps because Morris is toning down some of the spikiness she exhibited in the first story, without ignoring the basics of the character. Mel is in the story rather less, but for a good reason that ties into what it’s all about. The usual high quality soundscaping also helps sell the fact that the story is set on a ship on a stormy ocean and, despite the isolation of the setting, it’s not a true base-under-siege story, ensuring that the three stories in the collection are different despite