Dizz Tate’s debut novel is an intense, lyrical reinvention of a plot that’s a staple of American crime fiction, the missing girl in a small town. Tate moves between past and present: in the past a cabal of 13-year-olds operate as one, telling their stories as a chorus; while in the present they are separate, world-weary, individual. The group are united in their apparent obsession with the disappearance of Sammy, the local preacher’s daughter, something that continues to haunt them as adults.
Tate is partly inspired by a favourite book The Virgin Suicides but she shifts perspectives so the girls in her novel take control of narrating, while the choice of collective voice is taken from a technique used by Mariana Enriquez. Tate’s chosen setting, Lands Fall, Florida, seems as significant as character here. It’s a blighted place, filled with the stench of the nearby fertiliser factory, it's a site of falsity, outward displays of glitz or glamour masking poverty and decay. It also links Tate’s vision of teenage angst, longing and rebellion with something more fundamental in contemporary American society, here seen as a country that holds out a promise of a bright future that few are likely to possess, and one in which those with power are free to exploit the weak and innocent.
Tate’s main themes which centre on issues around gender, misogyny and child abuse reminded me of recent work by writers like Emma Cline and Sarah Manguso’s Very Cold People, Tate’s overall approach is less conventional, and there are some marvellous observational passages and imagery, but at the same time I felt she was covering well-trodden ground. So although this is a very promising first novel, and there was a lot I admired, it never had quite the impact I was hoping for.
Thanks to Netgalley and publisher Faber for an ARC
Rating: 3/3.5