When he passed permanently into the next dimension in 2006, Syd Barretts life had developed into something far more significant than he could ever have imagined. The man who turned his back on probable fame, fortune and the entire rock music scene over thirty years ago had become an involuntary legend. Was he a genius or just a madman? The definitive answer to this question will never be known. But Psychedelic Renegades goes a long way towards unraveling the enigma that was Syds personality. Mick Rocks extraordinary images and frank text expose a man with enormous natural charisma, whose moods could be dark and brooding as well as buoyant with madcap laughter. This superbly produced book covers the period 1969-71, and features the photo session in and around Syd's London flat that produced the cover for his first solo album, The Madcap Laughs; it also features images Mick shot for the now famous Rolling Stone interview in 1971, which became the last photos Syd ever posed for.
Mick Rock was the man who photographed rock 'n' roll in the seventies, especially glam. He was the official photographer of David Bowie through all his personas.
A photographer best known for his iconic shots of rock and roll legends such as Queen, David Bowie, Syd Barrett, Lou Reed, Rocky Horror Picture Show, Iggy Pop and The Stooges, The Sex Pistols, The Ramones, Joan Jett, Talking Heads, Roxy Music, Crossfade, Thin Lizzy, Motley Crue, and Blondie. Rock has had major exhibitions in London, Liverpool, Berlin, Manchester, New York, Los Angeles, Oslo, Stockholm, Amsterdam, Rotterdam, Tokyo, San Francisco, and Las Vegas.
A beautiful book and a must have for Syd Barrett fans and those interested in photography alike - fortunately of which I am both.
Rock presents as insightful a book as any I have seen about Barrett documenting his time through the late 60's/early 70's. I have read several biographies relating to Barrett and have found Rock's photography, prose and interview the most poignant. At the beginning of the book Rock writes, briefly, about his time with Syd in the late 60's, creating a wonderful atmosphere and context within which the photographs and further prose follows.
Rock also offers insights into his early photography experience in how certain photographs were shot. A definite plus for those interested in photography. Interestingly, the early shots of Syd were among the first he took as a professional photographer and he is able to provide us with glimpses and flashes of a mad cap in the making.
The later shots of Syd, in his mother's garden in the early 70's, are amongst the most beautiful and striking photographs. They show a fragile person yet, at times, give us glimpses of hope and smiles. In between photograph's, Rock provides us with information about the times he knew Syd and also the time spent that day in Syd's mother's garden.
Not your usual collection because there are a lot of images from the same shoot and absolutely none of performances. Which I like. Although this might seem repetitive, I always think it's more repetitive to see a thousand books of photos of musicians holding guitars and stepping up to microphones.
the book I was holding when we met Duggie Fields. Also the book that was the main inspiration for Wil and I to go to visit Syd's flat, as I brought it with me to Jaks house once and it was when we were drunkenly flicking through it that we devised the plan to go!
Syd. I adore you. You are beautiful, still. Shine on, 1946-2006.
Mick Rock's anecdotes are wonderful. You really get a taste of the psychedelic culture. His friendship with Syd was terribly sweet. I loved reading about it.