Even when venting off, Christopher Brookmyre is poetic. When hard man Kirk is taken aside by Mr Kane, the schoolboy expects a mild telling off, only to be ripped apart: “Do you know how many bright Scottish boys from places like Gleniston end up making the least of themselves, just because they’re afraid getting the head down and scoring good grades would clash with their hard man image? Too fucking many.” Christopher Brookmyre’s memories from his own school days in the Scottish town of Barrhead are crystal clear and his anger is unambiguous. Say what you think, Christopher.
Partly as a result, his latest novel – a horror, black comedy, commentary and polemic - is not only his best ever but an important book which deserves to become a modern day classic. Not least because of this, it should become a standard text in British schools; and for two other reasons. It has enough profanity - all within context as it happens but that’s irrelevant – to engage all young people irrespective of their interest in reading, but it also sets them the same challenge posed by Mr Kane to Kirk.
In telling this story about thirty sixth-formers on a retreat, Brookmyre has nailed the teenager: their angst, front, recklessness and sometimes self-destructive tendencies are there in spades; but this is balanced by their natural curiosity in many things beyond normal adolescence, internal self-awareness and their ability, when they feel like it, to articulate very clearly their feelings and observations on the world.
Brookmyre draws on several earlier works. In “A Tale Etched in Blood and Hard Black Pencil”, he alternated between a current day murder mystery (itself much in the style of his earlier Jack Parlabane novels) and flashbacks to the schooldays of those involved. Many of the tribes are re-used: the hard-men, the geeks, the bible-bashers, the quiet ones, the cool kids, the happy-go-lucky gang, the gossipers and one splendidly isolated emo.
The similarity ends there. In “Pandemonium”, some of the sixth-formers come to gory ends, but in a very creative way. The back story does not involve humans; it is about creatures from the bowels of the earth. It is also about a battle between two of Brookmyre’s favourite subjects: science versus faith.
He has recently written about both. In “All Fun and Games until Someone Loses an Eye”, his pulp fiction adventure goes into much scientific detail – some correct and some invented, irrelevant in either case – and shows his interest and understanding of physics and maths. Brookmyre has an inner geek, much like Adnan, his main character in “Pandemonium”.
In another recent novel, “Attack of the Unsinkable Rubber Ducks”, he did a hatchet job on so-called mystics. In “A Snow Ball in Hell”, his target was celebrity. In “Pandemonium” he turns his guns on the big one: both the message of religion and its medium, the Church. In doing so, he has clearly taken some of the arguments of “The God Delusion” by Richard Dawkins (to whom he dedicated "Attack....”, along with the rationalist James Randi), but he has also introduced a few challenges of his own, and they are not superficial. His thoughtful conversations between Mr Kane and Father Blake deserve a considered response from religious intellectuals.
This novel shows that Brookmyre is an outstanding writer, commentator and philosopher. He could probably also have been a scientist had he been born in an earlier, less specialised, age. I once wrote that he was a Renaissance Man, and this novel has the rigour that such a label deserves.
This rigour extends to his careful use of poetic licence. Mr Kane concludes his dressing down of Kirk with “And our unis end up full of overprivileged mediocrities from Fettes and fucking Hutchie Grammar and the like, who rise way above their abilities because they’re not afraid someone’s going to call them a poof for getting their sums right.” We all know that thick rich kids go to Fettes and Glasgow Academy, but that would require a slightly less poetic use of language.