Five years ago, Sam Jones was just a schoolgirl from Shoreditch. Of course, that was before she met up with the Doctor and found out that her entire life had been stage-managed by a time-travelling voodoo cult. Funny how things turn out, isn’t it? Now Sam's back in her own time, fighting the good fight in a world of political treachery, international subterfuge, and good old-fashioned depravity. But she’s about to learn the first great truth of the universe: that however corrupt and amoral your own race might be, there’s always someone in the galaxy who can make you look like a beginner.
Ms Jones has just become a minor player in a million-year-old power struggle... and as it happens, so has the Doctor.
It’s been ages since I’d read the previous book in the Eighth Doctor Series Autumn Mist and with each new entry continuing the series arcs, I really should read these more regularly...
It’s actually quite hard to review this first part of Interference as not only does it owe so much to knowing the events from the previous books, but it’s very much setting up for the second volume.
I like it when previous companions of The Doctor have appeared in the EDA’s so Sarah and K9’s inclusion was most welcomed. It’s also nice that Sam is very central in this story.
The series is nicely poised and I’m just about to start Part 2!
Well why don't you tell us what you really think, Lawrence Miles!?
This is a book with a lot of really fascinating concepts. It's got multiple different intersecting non-linear storylines, metafiction, and, when it permits itself to empathize with the characters, some really good characterization. Unfortunately, the focus of the narrative - what focus it has, with all those different storylines and characters - isn't on any of that, but on social satire and political polemic. And hoo boy, does that part ever feel like it came out of the era of Fight Club, school shootings blamed on video games, and the idea that electing George W. Bush is basically the same as electing Al Gore, right?
The interesting thing is, the positive and negative aspects of this book sort of synergize, creating an experience that's interesting-but-annoying enough to inspire by counterexample, pushing one to create one's own response. This, I think, is valuable; and the sheer density of ideas makes it a read that's worth it, if you can push past the annoying parts.
This was convoluted, overwritten, and a huge missed opportunity. The Doctor spends most of the novel in prison being tortured again (really, guys? can't come up with anything new?), Fitz is off on his own playing spy, and Sam is gathering information and getting into her own brand of trouble, and making friends along the way. All things that have been done in the EDAs plenty of times previously. Three and eight spend all of five minutes together in a fever dream, even though both of them are on the cover. Three doesn't even really show up properly until more than halfway through the novel. Sarah is only truly there for the sake of exposition. This could have been a wonderful opportunity for both dapper dressed Doctors to band together and save the world through Venutian Aikido and diplomacy. The three companions could have commiserated and supported the Doctors in their plans to defeat the Faction Paradox. Instead, we get a messy jumble of alien-type futuristic humans, side characters we don't care about, Fitz getting put in hibernation and then brainwashed, the history of some out of the way dust bowl planet, and the Doctor recounting and waxing about this adventure. To put it frankly, it's just not interesting, and it really could have been. I only hope that part two starts to make more sense or picks up the pace- because as it stands, it's one of the most forgettable installments yet. Not bad- simply not good.
The first two-part Doctor Who novel gets off to an ambitious start, telling a story in multiple formats and suggesting seismic changes of pace and continuity to come. The characters have a miserable time and there’s no reprieve until Part Two. It’s not much fun as a story, but the generally wry tone and the presence of Sarah Jane Smith help to buoy a plot heavily concerned with big questions and arms deals. The Third Doctor is in it less than the front cover suggests; his story is one of many things heavily reliant on the second book. You’re definitely gonna need both.
Ambitious, perhaps a little overly so, kind of pretentious,misses the mark nearly as often as it hits it. Still, the book feels experimental and chaotic in a good way, despite its shortcomings, and the story so far is interesting, and unfolds in an enjoyably non-linear way, which is great for not only a book about time travel but specifically about screwing around with time travel. The style reflects the narrative in a fun way. Going to start on "Book II" immediately — need to find out what the hell is going on!
he would hate me saying this, but lawrence miles really is kind of the steven moffat of the EDAs isn’t he. and I mean that in both a positive, and a negative sense.
Interference Book One: Shock Tactic is the twenty-fifth instalment of the Eighth Doctor Adventures and one of the most structurally ambitious Doctor Who novels. The Doctor agrees to help the UN negotiate a trade deal with the Remote only to vanish. Framed by cryptic conversations on Foreman’s World, the novel quickly makes it clear that this is less a conventional adventure and more an exploration of ideas. The Third Doctor also finds himself on a dying colony world in the thirty-eighth century, which is somehow connected to the twentieth-century events.
CHARACTER DEVELOPMENT The Eighth Doctor appears sparingly, but Lawrence Miles uses his limited presence effectively. Challenged by his cellmate, Badar, he is forced to confront the myth of his own political neutrality. His long-maintained apolitical stance collapses under scrutiny, exposing a Doctor who acts not from principle but from perception—doing what he believes he can ‘get away with’. It’s deliberately uncomfortable to read, but it results in one of the most compelling pieces of character work in the range.
Sam Jones, nearing the end of her travels, operates independently for much of the novel. Her moral reasoning, once black-and-white, has grown more complex, and her investigation into the Remote highlights that change. Sarah Jane Smith functions both as partner and mirror to Sam—a reminder of what happens when the Doctor leaves companions behind.
Fitz Kreiner’s arc is more unsettling. Removed from 1996 and integrated into a future colony shaped by Faction Paradox, he becomes living evidence of the consequences of the Doctor’s interference. His gradual loss of self plays out in his ‘Travels with Fitz’ chapters, while his future identity as Kode is foreshadowed in the twentieth-century narrative and only explicitly revealed in Book Two.
The Third Doctor’s presence provides a deliberate contrast. Where his era was structured and adventure-driven, here he steps into something destabilised and wrong: impossibly meeting his tortured eighth self, the TARDIS bleeding, and scalding coffee thrown in his face.
WORLD-BUILDING Miles constructs settings that embody the novel’s themes. Foreman’s World is a lush green paradise, used to frame the two sections of the book.
The Earth narrative is saturated with media and political cynicism, rooted in real-world events such as the Indonesian invasion of East Timor and the 1990s arms trade controversies. The parallels are pointed out without being simplistic. Anathema and the Remote present a distorted future humanity shaped entirely by media signals—a caricature that feels even more relevant now than it did on publication, and more unsettling for it.
Dust, by contrast, is a dying world heavy with mortality, its imagery evoking a desolate mid-western landscape.
The recurring universe in a bottle destabilises any sense of narrative certainty, raising the question of whether any layer of reality in the novel is truly primary. The result is a story that constantly questions what is real and who decides.
THEMES Interference exists primarily to examine responsibility and complicity. Sellers of weapons and torture devices claim detachment; the protagonists argue that moral responsibility cannot be outsourced. The novel refuses easy answers, leaving both characters and reader uneasy.
Political identity and the myth of neutrality are woven through the narrative, particularly in the Doctor’s confrontation with Badar.
Media and constructed reality run through both plot and form. Reality is framed, edited, narrated, and performed. This links with fragmentation and identity as the Remote derive their identity from the media and claim humans do likewise. Fragmentation of identity affects both Doctors and Fitz.
Colonialism, slavery, and misperception are quietly but powerfully addressed through the re-contextualisation of the Ogrons, challenging earlier portrayals and drawing clear historical parallels.
The novel opens with a definition:
Utopia n. any state, real or imaginary, considered to be perfect, ideal, or beyond corruption […] Literally: no place
introducing utopia, and raising the question: what does a perfect world really look like, and who gets to define it?
Lesser themes that are present include power through anonymity, mortality and Dust, and change and growth.
PLOT The novel alternates between the complex, multi-threaded Earth narrative and the more linear Dust storyline, framed by Foreman’s World. Action is sparse, and at times deliberately withheld, but momentum comes from structure and revelation rather than spectacle. The fragmentation is deliberate; whether it works will depend on the reader’s tolerance for experimentation.
WRITING This is where Interference distinguishes itself. In addition to the typical limited third-person narration, Miles employs dictionary definitions, script formats, omniscient intrusions, and fragmented memory sequences to reinforce the novel’s themes of mediation and performance. Even tonal oddities, such as the repeated use of ‘natch’, contribute to the sense that events are staged. The experimentalism demands attention and has proved divisive among reviewers. What is clear is that the stylistic choices are purposeful rather than ornamental.
BRIEF QUOTES COMPASSION: The signals don’t give us instructions. I told you. We just use them to make decisions.
SAM: Got it. So it’s like using tarot cards. Or flipping a coin. […] SAM: Don’t you ever think for yourselves?
COMPASSION: Does anybody? —5 Unfortunate Episodes (Sam finally gets into television), p. 83
‘I know,’ the man said. ‘That’s the point. I escape so often I never stop to think about the way I do it. But I’ll tell you the secret if you like. The way you escape is by slipping through the cracks in the routine. […] You’ve got to turn yourself into a kind of skeleton key. Find the gaps in their system. Get into the workings of the lock. Turn the tumblers from the inside.’
The man sighed then. The sigh was long, forced and theatrical.
‘But there’s no logic,’ he went on. ‘No system. Not here. […] They don’t even have any reason to torture us: they just do it when they feel like it. There’s no routine, no order. Nothing you can adapt to. […] There’s just brutality. Pointless brutality. You see? This isn’t like Ha’olam. There’s no implant, there’s no alien super intelligence stopping me from getting out. It’s not an experiment. It’s not part of some masterplan or other. It’s real.’ —8 Another Day in the Life (19 August, somewhere a long way from London), p. 144
‘Yes. It’s got nothing to do with the laws of time. It’s all to do with me. It’s to do with the way I see things. I see people in need of help on the outer planets, and I tell myself it’s a crusade. I see people in need of help in Africa, or Israel, or even in Britain, and I tell myself it’s only local politics. I like to think I’ve got principles, but it’s the way things look that makes me act the way I do, not the way things really are. It’s true, what you said. I just do whatever I think I can get away with.’ —8 Another Day in the Life (19 August, somewhere a long way from London), p. 145
SUMMARY This was one of the first Doctor Who novels I ever read, and I loved it long before I understood why. It’s a masterclass of experimental science fiction—one that uses structure and form to interrogate politics, identity, and reality itself.
It’s not conventional, and it’s not effortless. But for readers willing to engage with its ambition, Shock Tactic remains one of the most intellectually provocative entries in the range.
Well, it's been a hot minute since I read an 8th doctor novel, and now we're onto the first half of the last story of Sam. Thank god. I was super excited to get into this book knowing this and...well... okay it doesn't happen in this book (spoilers but not really)
So this book is really the setup to the next one. it's a 2 parter and it's setup that way. Every single thing that happens in this book has no pay off, but then again, i don't think many of us were really expecting that as it's more of a necessity to get into the huge big finale of the 2 parter. (aka the next book)
Faction paradox is up to its old wacky shenanigans again and doc, sam, and fitz are all separated doing their own thing. (most of which ends up with them being captured in some way because of course it does). The real big addition to this story is Sarah Jane. She's in this book QUITE a lot (in fact i'd say she's in it more than the 8th doctor) and while this book advertises the 3rd doctor as being a big part, he's really only in this one for about.. like..... 50 pages at the end. and he talks to the 8th doctor for like 3 of them. So he technically DOES meet 8 in this one, but for a very VERY brief time.
The basic premise is that there's some strange arms dealing going on with this alien race called "the Remote" that have this weapon called "The Cold" which is basically a teleporter that sends you to a weird dimension that people can come pick you up out of if they feel like it. Everyone gets captured separately except for Sarah who's off doing investigation things.
That's all you really need to know for this book as Faction Paradox is kind of just there in the background.
The third doc stuff at the end basically has his walking around this desert planet and hanging out with this lady and the remote are there being jerks.
The parts are interspersed with 8 talking to someone named I.M. Foreman after the events of this book and the parts are treated like he's telling the story to this woman on a planet while having a picnic.
It's hard to judge this book because in all honesty, it's not really a whole book. It's literally half of a book. the entire book is parts 1 and 2 together, but it was split into 2 books because well, then the book would be over 600 pages. and also they wanted double the money i'm sure.
As it is, this book is just a LOT of setup. like a LOT. That's literally all it is. I mean, i could have done without the doctor being in prison, because well......i'm tired of stories of him being in prison and being tortured. But honestly i could have used more 8th doctor in GENERAL. There wasn't a lot of him IN this one. like if you added up all the 8th doctor pages, out of 309 you'd probably have somewhere around.... 50 maybe? He's not very prominent in his own book in this one. There's a LOT more Sam, but ESPECIALLY Sarah. Fitz is barely in it too. He's maybe in... 15-25?
The one new thing about this book is that we meet compassion. (who is important for reasons i don't want to spoil) She's...interesting. She's kind of soldiery, but i can't seem to nail down exactly what she is. they talk about how they're human, but also how they look a bit different but aren't REALLY human...it's complicated. But from what I could gather, she's all right. She's no nonsense, but after dealing with Sam for so long, seeing her get slapped was always fun.
I want to see more of Compassion and see where the story's going with her.
It's hard to rate this book because there's not a lot TO it. It's like taking a deep inhale before screaming when you go down a roller coaster. It's very hard to rate the track leading up to the big drop because the real fun stuff hasn't happened yet.
All in all, is the book good? Not really? But i'm excited to see where it leads because there's a LOT of threads that need to be tied up and storylines to be resolved.
Still, i didn't HATE it, i just wish more things happened rather than just the setup, but that's a tricky thing because in actuality, that's all this book is. (still though. i didn't need an ENTIRE book of 8 in prison again).
When all's said and done, i'll give it an even 3 out of 5. If the sequel book is garbage, i might go back and change this, but for now, giving it the benefit of the doubt to see if the payoff is worth the 300 pages of setup.
Also, i sincerely hope 3 and 8 hang out more in the next book rather than a 3 page "how do you do?"
A good example of why I think Doctor Who novels from the interregnum are superior to more (if not all) other franchise tie-in fiction, Lawrence Miles's Interference Book One is a postmodern marvel, even if it's only (only?) set-up for a second part. There are a few postmodern writers working on Doctor Who at this time, a liberty that's almost unheard of in licensed universe fiction. It keeps changing modes of writing - documents, script formats, different 3rd and 1st person devices... It's got unreliable narrators, and you'll either entirely revise who was speaking by the end of a section, or be left with a partial understanding of what's going on because the starring character also has that partial understanding. It even begins a different novel just when the going gets good, as a distraction! And it's about media. Doctor Who is a television show, so Miles invents a race of people who depend on television signals for their culture, who exist as if in a TV show, perceive the world in this way and let themselves be guided by such signals. The point being that, so do we (although the Internet has since replace TV per se). "Interference" is a strong theme in the novel, and surely why it allows itself to start a second (related) story in the third act. It's about the "signals", yes, but also how the Doctor and his foes interfere with history, how he interferes with (changes) his Companions, and vice-versa, and ultimately, how the author interferes with the reader's ability to follow a narrative. Lots of cool ideas, lots of Faction Paradox stuff, lots of wit (especially for Doctor Who die hards who will get the meta jokes), but not lots of Eighth Doctor. He and Fitz take a real back seat (to the point where Miles is almost defying his editor by sidelining them... another type of "interference"? Sam instead shares the adventure with one of the Doctor's past companions (it's someone we like, don't worry!), and another version of the Doctor puts in an appearance (ditto). Such an intriguing read, I'm not even going to say my enjoyment depends on the resolution.
It's been forever since I've read anything from Lawrence Miles. I read Alien Bodies years ago and loved it, such an imaginative and well-written novel that set a standard for the Eighth Doctor Adventures and introduced 'Faction Paradox'. Interference is Lawrence Miles's two-novel epic that concludes Sam's arc and introduces Compassion. I've been excited to read this story for years and it's only now I'm finally getting to read it.
Sam Jones is back on Earth her travels with The Doctor are over but she has one last mission before she says goodbye. At a nearby conference in London, unknown aliens are making an arms deal with the human race, and it's up to Sam to find out what's going on. Sarah Jane Smith is also on the case and with K9 by her side what can go wrong? Unfortunately, members of Faction Paradox are attempting to interfere with history, and The Doctor and Fitz are in danger. How do events connect to The Third Doctor and Sarah's adventure on Dust and who's set these complicated events into motion? Only time will tell; if it doesn't get re-written first that is.
Lawrence Miles's first installment to the Interference storyline is complicated, timey-wimey, filled to the brim with insane and unique concepts, interesting character pairings, and plenty of drama. It's a political novel with a dash of horror, espionage, action, betrayal, and most important of all Ogrons. It is a novel full of creativity and imagination, yet surprisingly it doesn't have a very deep or intricate plot, but it still manages to have a sense of scale to it that quite frankly makes it feel epic.
I loved the ideas at play here and how the characters are pushed into unique or horrifying situations that put them to the test. It's a tense novel that demands you to pay attention to what it's trying to do and to take it at your own pace.
Overall: It's a brilliant first installment that has me hyped to see how it wraps up in the next installment. 10/10
This is just too much, the way this first part of Interference plays with your sense of perception about the nature of a justified and good action of interference (which has essentially been what the Doctor’s character is all about) opposed to the unexplainable devastation his meddling causes; absolutely everything is done so perfectly. Signals that echo throughout space-time, picked up by one lone traveler occasionally accompanied by some humans, finally meet his breaking point, and the vulgarity of the Faction Paradox in the picture just completes the circle of inevitability.
While I do agree with other reviews that say this is definitely a teensy weensy bit preachy at times, overall this is an EXCELLENT return to form for the EDAs after a little slump from books 20-24. (Autumn Mist was slightly awful.) Sam returns to character, although Fitz has very little to do, and Sarah Jane was a lovely surprise! I know I'm biased, but the Faction Paradox is just such an excellent antagonist and Eight is wonderful when he's put in situations. Excited to read book two.
I have had this book for years, probably about ten years. The description is somewhat misleading. You expect the two incarnations to actually interact rather than some brief telepathic mathematical thing that somehow means that the Doctor can sort of leave his body almost like astral projection and travel through time. It seems all over the place
The introduction of Compassion, plus Sarah Jane Smith working with Sam Jones in the present day, some nailbiting trauma for Eight, and an old adventure with Three and Sarah Jane. That last one didn't really hold up for me--I kind of got what they were doing with I.M. Foreman, but in a novel starring my two favourite Doctors I was disappointed not to have more interaction between Three and Eight. Still, Eight's hyper-math in jail--drawn in his own blood, yikes!--and his ability to send messages across spacetime was great.
Love, love, loved Sarah Jane in this--bold clever investigative journalist, loyal friend, and exactly the person for Sam to end up with when she leaves the TARDIS. As much as I hate to see Sam go, if she's going to end up in Sarah Jane's care, I feel like she's in good hands. And I can imagine all kinds of adventures for them as Sam settles back into life on Earth.
The Father Kreiner plot really disturbed me, but the "remembrance" of people in the Remote was really fascinating (if also worrying). If anyone can put Fitz back together, it's the TARDIS, but at the same time, this was an adventure that will definitely leave its mark.
I have been beaten. I haven't really finished reading Interference part 1. I just... conceded defeat. It's very good fun but oh my brain is in a pretzel after 20 or so pages... which is probably why I've been reading it for like 7 years now. Despite what I was advised, I think if I am going to read the Eighth Doctor Adventures series, I really do have to read them all from the start, beginning with the novelization of the TV movie despite the fact that it's full of canonical details and also not that great otherwise. But there are layers upon worlds of complexity that are casually discussed here that I just don't understand AT ALL. I mean, it's worse than asking a casual fan the difference between the Silurians and the Sontarans, and why one of them would be nicer to a girl in a miniskirt than the other (because I actually KNOW THAT answer and it took me 35 years of fandom to get there). This is an entirely new, barely related shard of Doctor Who "canon", and it's its own thing, and I can't just start with Lawrence Miles alluding to drug trips and actual sex and not keep stopping to scream "WHAAAAAT?"
http://nhw.livejournal.com/1114003.html[return][return]A typically rambling Lawrence Miles story, rambling in this case over two volumes, linking together his Faction Paradox concept with the truth about I.M. Foreman, and bringing in also Sarah Jane Smith as an investigative journalist to supplement EDA regulars Sam and Fitz. There are some passages of vivid writing (the Saudi prison cell, Sam's experiments with LSD) and a fairly spectacular plot resolution, with an intricate narrative structure which I suspect actually does make sense (though I remained a little confused about the various versions of Fitz' story). I think really one for completists only (as with almost the whole Eighth Doctor range), but engaging enough to keep my interest over both volumes.
If you haven't read a lot of the Eighth Doctor books, you'll be lost as a bunch of story threads show up in this and most of it feels like the author is trying too hard to be clever, while taking a serious look at the Doctor and his world.
Most of the book is Sam, Sarah Jane and K-9. Fitz and the Doctor make guest appearances.
The parts with Sarah are fun, but the rest is such a jumble and nothing really gets explained, so by the time the past Doctor shows up I had lost all interest and could care less if it all gets explained in book 2.
THe Seventh and Eighth Doctor series had a lot of writers trying new things and it was very hit or miss. This was a miss.
Wow...Sheer bloody brilliance, and madness, all rolled into one wonderful book (not to mention part two, but more on that later). This is absolutely amazing, and one of my favourite stories in the Doctor Who universe. A must for any fan of the classics and also for the eighth Doctor fans out there. Though it helps to have a back knowledge of the classics and eight Doctor stories, this book is just enjoyable on so many levels. Luckily I have a brilliant mentor who guided me through the history before I read this two part epic ;).
I was put off by the intro, but the book was brilliant. I really enjoyed the variety of story telling methods, such as the movie scripts. The companion bits with Fitz and Sam (and Sarah!!) pretty much carried the whole story, but the occasional Doctor scenes always had me on the edge of my seat. What this story lacks in endearing characters, it makes up for in imagination and fantastic plot twists. I love Faction Paradox. These guys need a moment in the TV series. They deserve it. If you love the Doctor, this one will cause you pain, but YOU MUST READ IT.
The Doctor answers a call for help from UNIT to help with an alien negotiation. Things get dangerous when Faction Paradox become involved. This is a different kind of story that can be seen as slightly complicated. Sarah Jane guest stars, and is involved in the plot because of something that happened when she was with the 3rd Doctor. So in a way this could be seen as a multi doctor book. A very good read.
I have to say I found the Interference duology to be a real bore, which is such a shame as Miles 'Alien Bodies' was such a strong entry into the 8th Doctor series.