Augusto Sales de Queiroz

“I yelled "Revolution girl style now!" before "Double Dare Ya" like I'd been doing live and reassured myself that the session was meant to take a snapshot of our songs, not to make them sound perfect. Maybe being sloppy would inspire other girls to start bands.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk

“Was it really so bad that a working-class guy who couldn't afford to play five-dollar shows for the rest of his life had signed to a major label? Was it really so bad that his band wanted to reach an audience that didn't have access to labels like K or Dischord? The indie-vs.-major labels thing started to seem like a silly hill to die on.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk

“I am still so grateful that a guy we'd never met put his time and energy into what most people considered a shitty opening band. It made me see myself as worthy in the underground scene. It also undid a lot of shit other men doled out to me on that tour.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk

“Poetic lyrics were important, but it felt like women sometimes hid behind poetry as a way to say something without actually saying it. I was on a mission to just fucking say it.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk