Augusto Sales de Queiroz

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“I was finally ready to mourn the girl who was excited to show everyone our new zine, the girl who was amped to go on tour and move to DC. She was gone and I was exhausted trying to pretend she wasn't. But now some new person was in her place, and maybe letting her exist would let me feel some of the joy I used to feel.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk – A New York Times Bestselling Memoir of the Riot Grrrl Movement

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“But if you ever wonder why so many well-off kids were in nineties punk bands, that's why. They could afford to not get paid. They could also afford to look generous by donating their services more than we could.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk – A New York Times Bestselling Memoir of the Riot Grrrl Movement

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“I thought those were pretty big words coming from a guy who covered AC/DC songs.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk – A New York Times Bestselling Memoir of the Riot Grrrl Movement

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“I yelled "Revolution girl style now!" before "Double Dare Ya" like I'd been doing live and reassured myself that the session was meant to take a snapshot of our songs, not to make them sound perfect. Maybe being sloppy would inspire other girls to start bands.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk – A New York Times Bestselling Memoir of the Riot Grrrl Movement

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“I realized that sexism was telling me to stay home and not par pate in the larger world. "Dance to records by yourself in your room would say. "Stay at home and read alone!" it would yell. I decided I gonna do everything in my power to make Bikini Kill shows a brief prieve from sexism, even if it was imperfect and fleeting.”
― Kathleen Hanna, Rebel Girl: My Life as a Feminist Punk – A New York Times Bestselling Memoir of the Riot Grrrl Movement

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