Dylan Horrocks

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Dylan Horrocks

Goodreads Author


Born
in Auckland, New Zealand
Website

Genre

Member Since
January 2011


Horrocks has been involved in the New Zealand comic scene since the mid 1980s, when he co-founded Razor with Cornelius Stone and had his work published in the University of Auckland student magazine Craccum. Later in the decade he began to get international recognition, having work published by Australia's Fox Comics and the American Fantagraphics Books. He then moved to the United Kingdom where he self-published several mini-comics and co-founded Le Roquet, a comics annual. Upon returning to New Zealand in the mid 1990s, Horrocks had a half-page strip called 'Milo's Week' in the current affairs magazine New Zealand Listener from 1995 to 1997. He also produced Pickle, published by Black Eye Comics, in which the 'Hicksville' story originally ...more

Two new things

Presenting two new things that I have made, both of which are now available for purchase:



DARKEST DUNGEONS

Issue no. 1

(126mm x 71mm or 5″ x 2.8″)

24 pages, black & white with 2-colour covers

$10.00 (USD)

(includes shipping worldwide)


Two young women are unwittingly drawn into the thrilling, spiritually perilous world of fantasy role-playing. At the end of each issue, readers have the opportunity

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Published on November 18, 2018 19:48
Average rating: 3.81 · 18,689 ratings · 1,802 reviews · 112 distinct worksSimilar authors
Hicksville

3.93 avg rating — 2,223 ratings — published 1998 — 2 editions
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Sam Zabel and the Magic Pen

3.73 avg rating — 932 ratings — published 2014 — 20 editions
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The Names of Magic

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3.33 avg rating — 140 ratings — published 2002 — 4 editions
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Incomplete Works

3.66 avg rating — 104 ratings — published 2014 — 10 editions
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Batgirl (2000-2006) #50

by
4.49 avg rating — 45 ratings2 editions
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Batgirl (2000-2006) #45

by
4.23 avg rating — 44 ratings
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Batgirl (2000-2006) #53

by
4.11 avg rating — 45 ratings — published 2004 — 4 editions
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Batgirl (2000-2006) #52

3.85 avg rating — 47 ratings — published 2004 — 6 editions
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Batgirl (2000-2006) #42

by
4.09 avg rating — 44 ratings3 editions
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Batgirl (2000-2006) #41

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3.69 avg rating — 48 ratings2 editions
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More books by Dylan Horrocks…
The Names of Magic (2001) #1 The Names of Magic (2001) #2 The Names of Magic (2001) #3 The Names of Magic (2001) #4 The Names of Magic (2001) #5
(5 books)
by
3.33 avg rating — 160 ratings

Atlas # 1 Atlas #2
(2 books)
by
4.23 avg rating — 30 ratings

Pickle #1 Pickle #2
(2 books)
by
3.67 avg rating — 18 ratings

Dylan’s Recent Updates

Dylan Horrocks wants to read
The Rise of the Novel by Ian Watt
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The Re-Enchantment of the World by Joshua Landy
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A Game of Birds and Wolves by Simon  Parkin
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Dylan Horrocks finished reading
Petar & Liza by Miroslav Sekulić-Struja
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Dylan Horrocks marked as paused
Modernity and the Holocaust by Zygmunt Bauman
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Dylan Horrocks finished reading
All the Water in the World by Eiren Caffall
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Dylan Horrocks started reading
Petar & Liza by Miroslav Sekulić-Struja
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Dylan Horrocks started reading
All the Water in the World by Eiren Caffall
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Dylan Horrocks has read
Cat's Cradle by Jo Rioux
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Dylan Horrocks has read
SuperMutant Magic Academy by Jillian Tamaki
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More of Dylan's books…
Quotes by Dylan Horrocks  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“You know at the end of the day, when you close the door and you're all alone... And you strip off your armor and lower your guard and peel away the mask... When there's nobody watching and nothing to hide... And you no longer need to be strong or clever or pretty or brave... There's just you. That's it. That's the soul.”
Dylan Horrocks, Batgirl (2000-2006) #45

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“For years, walking round London, I had been aware of the actual land, lying concealed but not entirely changed or destroyed, beneath the surface of the nineteenth- and twentieth-century city. It has been said that 'God made the country and man made the town', but that is not true: the town is simply disguised countryside. Main roads, some older than history itself, still bend to avoid long-dried marshes, or veer off at an angle where the wall of a manor house once stood. Hills and valleys still remain; rivers, even though entombed in sewer pipes, still cause trouble in the foundations of neighbouring buildings and become a local focus for winter mists. Garden walls follow the line of hedgerows; the very street-patterns have been determined by the holdings of individual farmers and landlords, parcels of land some of which can be traced back to the Norman Conquest. The situation of specific buildings - pubs, churches, institutions - often dates from long distant decisions and actions on the part of men whose names have vanished from any record.”
Gillian Tindall, The Fields Beneath

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