Peter Kuper

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Peter Kuper


Born
in Summit, New Jersey, The United States
September 22, 1958

Website

Genre


Peter Kuper is an American alternative comics artist and illustrator, renowned for his politically charged, socially conscious, and often autobiographical work. He co-founded the influential anthology World War 3 Illustrated, and is best known for his long-running reinvention of Spy vs. Spy for Mad magazine from 1997 to 2022. Kuper has produced numerous graphic novels, including award-winning adaptations of Franz Kafka’s Give It Up! and The Metamorphosis, as well as autobiographical works like Stop Forgetting To Remember and Diario de Oaxaca, documenting life, travel, and social struggles. His illustration work has appeared on covers and in publications such as Time, Newsweek, The New Yorker, Rolling Stone, and The New York Times. Kuper’s ...more

Average rating: 3.76 · 15,994 ratings · 2,341 reviews · 118 distinct worksSimilar authors
The Metamorphosis (Graphic ...

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3.80 avg rating — 4,933 ratings — published 2004 — 3 editions
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Ruins

3.83 avg rating — 1,204 ratings — published 2015 — 14 editions
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Kafkaesque: Fourteen Stories

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3.84 avg rating — 707 ratings — published 2018 — 14 editions
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Joseph Conrad's Heart of Da...

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3.52 avg rating — 723 ratings — published 2019 — 10 editions
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Insectopolis: A Natural His...

4.40 avg rating — 409 ratings — published 2025 — 4 editions
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The System

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3.95 avg rating — 402 ratings — published 1997 — 18 editions
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Give it Up! and Other Short...

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3.82 avg rating — 340 ratings — published 1995 — 9 editions
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The Jungle

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3.76 avg rating — 287 ratings — published 1990 — 6 editions
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Stop Forgetting to Remember...

3.60 avg rating — 299 ratings — published 2007 — 3 editions
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Diario de Oaxaca: A Sketchb...

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3.89 avg rating — 272 ratings — published 2009 — 13 editions
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More books by Peter Kuper…
Quotes by Peter Kuper  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“The fortress was fashioned by my hard work
and I paid dearly in constructing it.

It had to be hammered into a firm state

and I was glad when the blood came.

It was proof the walls were hardening.

- The Burrow”
peter kuper, Kafkaesque: Fourteen Stories

“They put a young panther into the cage.
The food he liked was brought to him without hesitation.

He seemed not even to miss his freedom.

The joy of life streamed from his throat with such ardent passion that for the onlookers it was not easy to stand the shock of it.

But they braced themselves, crowded around the cage, and did not ever want to move away.”
Peter Kuper, Kafkaesque: Fourteen Stories

“Besides casual onlookers there were also permanent watchers. This was merely a formality: the artist would never swallow the smallest morsel of food.

No one could possible watch the hunger artist continuously, therefore he was bound to be the sole spectator completely satisfied with his own fast.

Such suspicions, anyhow, were a necessary accompaniment to the profession of fasting.

Yet for other reasons he was never content.

For he alone knew how easy it was to fast.

Experience had proven that the interest of the public could be sustained for about forty days.

But after that their enthusiasm began to wane.

So on that day
the cage was opened.
Two doctors entered to
measure the results of the fast,

and two young ladies were selected for the honor of helping the hunger artist in a small table,

on which was spread a carefully chosen meal.

And at this moment the artist always turned stubborn. Why should he be cheated of the fame he would get for fasting longer, breaking his own record as the greatest hunger artist of all time?

- A Hunger Artist”
Peter Kuper, Kafkaesque: Fourteen Stories

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