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Charles Bernstein
Born
in New York, New York, The United States
April 04, 1950
Website
Genre
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A Poetics
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published
1992
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4 editions
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Girly Man
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published
2006
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7 editions
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All the Whiskey in Heaven: Selected Poems
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published
2010
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8 editions
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Content's Dream: Essays 1975-1984
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published
1986
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5 editions
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My Way: Speeches and Poems
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published
1999
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6 editions
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Attack of the Difficult Poems: Essays and Inventions
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published
2011
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4 editions
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Dark City
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published
1994
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2 editions
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Close Listening: Poetry and the Performed Word
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published
1998
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5 editions
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Republics of Reality: 1975-1995
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published
1996
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2 editions
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The Politics of Poetic Form
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published
1989
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8 editions
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“Michael writes of sun, but all I can think of is sunsickness, too much in the sun never a daughter. As if God's light still shone on we who have shaded our eyes. A few phrases remain but the drift is vanish. No way out and no way in--a straight call to blast, Adrift on stage for all to view--the cringe, the sigh, the curveilinear clide. The scholar-trancemaker hangs from the end of a trope and asks to be cut down. An umbilical cord signifies no less. Yet despite, i can now see or is it all a mitake? & does it splatter?”
― Dark City
― Dark City
“What falls on air yet's lighter
than balloon? What betrays time
yet folds into a cut? Who flutters
at the sight of song then bellows
into flight? What height is
halved by precipice, what gorge
dissolved by trill? Who telling
tales upbraids a stump when
prattle veils its want?
Stone breaks it not, nor diamonds,
yet splits with just one word: it's
used for casting devils out; still,
fools obey it first. ”
―
than balloon? What betrays time
yet folds into a cut? Who flutters
at the sight of song then bellows
into flight? What height is
halved by precipice, what gorge
dissolved by trill? Who telling
tales upbraids a stump when
prattle veils its want?
Stone breaks it not, nor diamonds,
yet splits with just one word: it's
used for casting devils out; still,
fools obey it first. ”
―
“Medicine, psychology, criminology, sociology. Which treat bodies as machinery (passim Descartes, the “father” of our Western subject). Developing alongside the dirty sciences. Industrialization, Taylorization, automation.”
― The Politics of Poetic Form
― The Politics of Poetic Form
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