Okay this is my last Paul Theroux novel. I've read two now and that's enough for me to determine this author isn't for me.
In this doorstopper of a novel, we have a thoroughly unlikeable man with a ludicrous name, Slade Steadman, taking us on fantastical and often preposterous ride. Steadman is successful beyond his skill level, the author of a cult classic and a spinoff merchandising deal which has made him wealthy beyond imagining. He lives in the swanky Martha's Vineyard, rubbing shoulders with the snobbish, prosperous and connected elite who seem to find him a charming pet.
His life is pretty darn good, what with all that money, except, goshdarnit, he's the author of only one successful novel, and he wants it to be two successful novels. There is much made of this, lots of adult mental machinations and angst, which a two year-old could have eloquently summarised in a supermarket tantrum.
He has a dubious relationship with the smart and somewhat sneaky (possibly even sinister) Dr Ava. They travel to Ecuador on a drug trip, which is also a "break up trip" - apparently this is something the well-to-do actually do: go on an extravagant overseas vacation to mark the end of their romantic relationship. They really can't stand each other at this point. That's when they're not having riotous sex in their hotel rooms, luridly described in rather ridiculous detail. (as an aside on this point, we learn that Dr Ava is one of the "6% of women who enjoy giving a man oral sex", which is one of the many sex acts vividly described. This is definitely adult reading).
Riiiiight. We can't stand one another, we're breaking up, we're in Ecuador on a drug tour, we're having hot sex. It's all making sense now.
During this trip Steadman partakes of an extra-elusive and secret plant/drug which renders him temporarily blind but with an inner vision. This gives him the idea that he could use this drug to write his second classic cult novel. Yes you heard that right sportsfans! Our man Steadman doesn't want to just right another book he insists on writing another classic. Yep. At this point, the main character is so utterly obnoxious, I'm not sure I care one way or the other what happens to him. But I continue reading. Still many many pages to go (we're not even a third through at this stage) - it could get better.
So that's what he proceeds to do. He procures from another traveller, Manfred, who somehow has obtained a stash of this drug, roughly a year's worth of this blind-yet-vision-making drug, goes home to Martha's Vineyard, drugs himself every day to become blind-yet-visionary, and writes the next American classic masterpiece. Got that?
But he can't do it alone. Oh no. He needs help. And who helps him?
Dr Ava helps him. Instead of Ava leaving him when they return to Martha's Vineyard, she inexplicably stays with him to, er, well, there's no easy way of saying this: transcript his novel and be his sex slave. Yes! Our smart and in-demand doctor gives up her beloved job, decides not to break up with Steadman after all and instead moves into his reclusive estate and transcribes his novel by day and enacts his sexual fantasies at night.
For what reason does she do this? We don't know. She doesn't especially care for him, she doesn't especially like him, she's getting no financial benefit from it. There seems to be virtually nothing in it for her at all. And yet she stays. And stays. For over a year, she stays. On sufferance for much of the time, too. She doesn't appear to especially enjoy either of her weird jobs (and we learn later how much she was "phoning it in" when it came to her nighttime escapades, bringing his sexual fantasies to life in inconceivable detail).
So it's all very strange. During this time we bear witness to even more adult material in the form of sexual escapade after sexual escapade, some bizarre, others simply Penthouse material. But as strange as this all is, it gets stranger.
Even though the drug makes him temporarily blind, he decides it would be a really great idea to draw attention to himself as the Blind Author (BA), and starts attending high profile parties on the Vineyard, where he can be "outed" as the BA. And Marvelled At. He doesn't want to be pitied, he wants to be seen as superior, victorious, courageous, insightful through adversity. He's a giant pain in the ass really. Pompous, grandiose, bombastic, conceited. He's just awful.
There's even a series of pretentious pages where he has an interlude with POTUS (yes, the President of the United States) at one of these high-falutin' Vineyard parties, where he has special insight into the President's soul. He sees his gnawing pain, his terrifying weaknesses, his adolescent internal drivers and petty motivations. He's prescient to the President. Oh it's all too ridiculous. It just makes the author seem delusional. I know it's supposed to be satire, but it's just silly.
So back to the story. Dr Ava knows he's awful and conceited and flaunting a mask. She begs him to put his BA act aside, to be real, to drop the mask. "There are truly sick people I could be helping". But no, that can't be done. He must be SEEN as unseeing. After accepting an invitation to the White House, where he is again Seen as Blind Author and praised/marveled at, he goes on a national book tour.
Where he's superior and obnoxious on a whole new level, belittling escorts who are there to help him from airport to hotel or book signing (some for crimes as small as suggesting the audience asked great questions, therefore reducing his prowess as a speaker of to-be-marveled-at-pronouncements from the podium), slashing his white cane at fellow travelers who have the temerity to try to assist him, and growling at his editor back in New York at every opportunity.
If it kept on in this way, I would have to have thrown the novel out the window. I was at my limit for how much pompous overbearing bullshit I could stand for one protagonist to be showing. But this is about where the book started to get interesting, as a plot twist was on its way. We're well over 300 pages in by now, and it's just getting interesting. You may not have the patience. But I kept going.
It's while on this book tour that he discovers in a blinding flash (forgive me the pun) that he is actually blind - not just drug-induced, temporarily so. The drug is no longer required to make him blind - something has happened (we don't know what) and he just is blind. But it's different to his previous blindness - there's no inner vision, no inner light, no prescience. It's just blackness.
Oh joy! This contemptible insufferable man is actually blind. Hooray! At last, on page 348, we get some satisfaction as readers: this man will be served his just desserts for all that boasting counterfeiting of who he really is and all that lording it over others and all those outrageous superior thoughts, feelings and proclamations over every other human being on the planet (which is roughly how our man Steadman feels about everyone else - they are Less Than).
And bad things do start to happen. He gets mugged while being "helped" across the street - both his expensive handmade watch and his wallet are lifted. Joy! He gets a call from the head of merchandising from his ludicrously successful product line from his first book to say they are getting rejections to their product development ideas. Wonderful! Sadly, that storyline doesn't go anywhere else from there -- I so wanted him to lose the lot, and have his massive income from the merchandising line dry up, leaving him destitute.
Unmasked, unloved, disgraced and impoverished: that's what I hoped was coming.
Alas, Steadman only received a small portion of his just desserts. Sure he was in mental agony at the thought of being totally blind for the rest of his life. But apart from that, he doesn't suffer too much. Ava stays with him, and bizarrely brings in a female lover. We are treated to another series of sex scenes, explicitly drawn in a rather ugly fashion, involving this new lover, with Steadman as sex toy. But Dr Ava fades in and out, we can't quite get a bead on where she's at and who she's being, except that she's emotionally withdrawing from Steadman (which is how the novel started, so she hasn't really traveled a great distance).
The novel ends with a form of redemption. Back to Ecuador we go, with the villain of the piece, Manfred, our German-born, American journalist who pops in and out of the story without really advancing it in any real way, except to give Steadman the jitters from time to time. There's a few short passages describing a toxic yet healing ritual and we're left with some form of loosely drawn, vague hope for Steadman. It's all ambiguous and enigmatic and we are essentially left to draw our own conclusions about what kind of redemption it actually is, and where Steadman is placed to go from here.
This is one of those epic books which could have been rather excellent, but isn't. It makes you wonder if you couldn't do a better job, if this is one of America's best loved and most successful authors of fiction, and if this is one of his best works.