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Doctrine of Labyrinths #4
Corambis
In the spellbinding conclusion to the brilliant fantasy series, Doctrine of Labyrinths, two brothers discover their ultimate destiny.
Exiled from Melusine for the crime of heresy, Felix Harrowgate and his half-brother Mildmay journey to the land of Corambis to face judgement from a ruling body of wizards. Both brothers carry memories, regret, and-hidden deep in their hearts-hope.
Exiled from Melusine for the crime of heresy, Felix Harrowgate and his half-brother Mildmay journey to the land of Corambis to face judgement from a ruling body of wizards. Both brothers carry memories, regret, and-hidden deep in their hearts-hope.
432 pages, Hardcover
First published March 3, 2009
28 people are currently reading
1047 people want to read
About the author
Sarah Monette
89 books984 followersMy pseudonym is Katherine Addison. Katherine reviews nonfiction. Sarah reviews fiction. Fair warning: I read very little fiction these days.
I was born and raised in Oak Ridge, Tennessee, one of the secret cities of the Manhattan Project. I studied English and Classics in college, and have gone on to get my M.A. and Ph.D. in English Literature. My first four novels were published by Ace Books. I have written two collaborations with Elizabeth Bear for Tor: A Companion to Wolves and The Tempering of Men. My short stories have appeared in lots of different places, including Lady Churchill's Rosebud Wristlet, Weird Tales, and Strange Horizons; I've published two collections of short stories, Somewhere Beneath Those Waves and The Bone Key. I collect books, and my husband collects computer parts, so our living space is the constantly contested border between these two imperial ambitions.
I was born and raised in Oak Ridge, Tennessee, one of the secret cities of the Manhattan Project. I studied English and Classics in college, and have gone on to get my M.A. and Ph.D. in English Literature. My first four novels were published by Ace Books. I have written two collaborations with Elizabeth Bear for Tor: A Companion to Wolves and The Tempering of Men. My short stories have appeared in lots of different places, including Lady Churchill's Rosebud Wristlet, Weird Tales, and Strange Horizons; I've published two collections of short stories, Somewhere Beneath Those Waves and The Bone Key. I collect books, and my husband collects computer parts, so our living space is the constantly contested border between these two imperial ambitions.
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Displaying 1 - 30 of 162 reviews
August 4, 2012
Corambis
Or
Felix Tries Not To Be A Dick For a Change and Seriously Who Designed This Cover?
This was an excellent conclusion to the series. There are dark parts in the story telling, but over all things end on an unapologetically happy note. Which feels right and fair for everything these characters put up with.
I was dubious about having a third narrator again. But Kay was less intrusive to the story than Mehitabel. His sections, while present, work to explain the political and social system we find ourselves in. His story also does not distract from the main plot of the book. Most importantly, Kay's sections also consisted of considerably less of the novel than Mehitabel's, giving plenty of time for Felix and Mildmay to tell their story.
And by Felix and Mildmay, I mostly mean Felix. This, in a lot of ways, was truly his book and he plays the central character. Don't pick up the last book expecting lots and lots of Mildmay. He's present, he's awesome as ever, but the story is primarily about Felix. I have always liked Felix, so this was a pleasure for me. People who didn't like Felix as much may not enjoy this book, depending on what aspects of his personality they do or don't like. He spends a lot of the story double guessing himself, so if you didn't like wishy washy Felix, you may not enjoy this. On the other hand, if you hated him because of the way he treated Mildmay, you may enjoy this book. People who hated Felix will have to make their own call on that one. As someone who liked Felix, the book gets an A plus.
I've been checking a lot of books out of the library recently, but this is series I actually want to own and have on my shelf. I loved the intricate writing, the distinct voices, and I was absolutely addicted to this series while reading it. Now I have to find something else to do with my weekends since I finished all four books. Oh well, back to paranormal books, I suppose.
Or
Felix Tries Not To Be A Dick For a Change and Seriously Who Designed This Cover?
This was an excellent conclusion to the series. There are dark parts in the story telling, but over all things end on an unapologetically happy note. Which feels right and fair for everything these characters put up with.
I was dubious about having a third narrator again. But Kay was less intrusive to the story than Mehitabel. His sections, while present, work to explain the political and social system we find ourselves in. His story also does not distract from the main plot of the book. Most importantly, Kay's sections also consisted of considerably less of the novel than Mehitabel's, giving plenty of time for Felix and Mildmay to tell their story.
And by Felix and Mildmay, I mostly mean Felix. This, in a lot of ways, was truly his book and he plays the central character. Don't pick up the last book expecting lots and lots of Mildmay. He's present, he's awesome as ever, but the story is primarily about Felix. I have always liked Felix, so this was a pleasure for me. People who didn't like Felix as much may not enjoy this book, depending on what aspects of his personality they do or don't like. He spends a lot of the story double guessing himself, so if you didn't like wishy washy Felix, you may not enjoy this. On the other hand, if you hated him because of the way he treated Mildmay, you may enjoy this book. People who hated Felix will have to make their own call on that one. As someone who liked Felix, the book gets an A plus.
I've been checking a lot of books out of the library recently, but this is series I actually want to own and have on my shelf. I loved the intricate writing, the distinct voices, and I was absolutely addicted to this series while reading it. Now I have to find something else to do with my weekends since I finished all four books. Oh well, back to paranormal books, I suppose.
August 24, 2023
This goes off in a completely different direction from the first three books; the setting is somewhere new, and nearly all the characters (save for Felix and Mildmay) are new. Yet I found it a very satisfying conclusion to the series, because although it introduces new elements and a new story arc, it also resolves Felix and Mildmay's character arcs and relationships in a believable and pleasing way. (I do miss Mehitabel, though!)
February 6, 2017
3,5 stars.
Well, going back to the beginning. The first book was awesome. I loved it to death and more. The second book was extremely good. The third book was a disaster (all IMHO, mind you!) And the last book... I loved the first half of it almost as much as I loved the first and the second book. It focused on Felix and Mildmay, it was intense, there was so much angst you could drown in it twice and a half, and yet there were sparkles of hope as well... And the third p.o.v., Kay's, was not annoying, well, since Kay was in the situation of extreme suffering and yeah, I cared what was happening to him.
And then it all kinda... I don't know what... petered out. Kay's p.o.v. became just page count (well, I want to say it again: it all is just my opinion, I can totally imagine other readers loving it all). There were too many characters I didn't care about doing things I didn't find interesting. Felix and Mildmay's relationship... you know, if it were a contemporary book, they'd probably go to psychotherapy (and you're right, I do sound as unenthusiastic as I seem). Anyway, they were working on their relationship, they figured out their mistakes and will try to be better. And it was good, I'm happy for them...
Who am I kidding? I want passion, I want suffering, I want catharsis. The ending was so anti-climatic I'm trying hard to find something to say about it. It ended. I'm ready to move on and start reading other books.
And it shouldn't be like that! I spent more than a week with these characters, there should be a... a sillage after that in my mind. I do love it, lingering on the characters after I finish reading, imagining their lives after the word "end". I don't want to do it here. It's all so... bland, I don't know. Maybe I didn't like the ending, too.
A couple more things I'd like to mention. Why the f*ck was that incest thing necessary? Please, I've read all four books, I still don't see any importance of it. I don't want to guess the author's motivations because I won't be nice about it. Anyway, it was the gun that didn't shoot and just got rusty hanging on the wall. Stanislavsky is disappointed.
Another thing... I think SM is really bad with romance. Any romance, m/m or m/f. Not her strong suit. I don't mind it per se because - you cannot have everything, I know it. Just saying.
So well. I'm happy I read the first two books. And there was no way I wouldn't read the third and the fourth one. But... I just hate it how often - almost every time! - a fantasy series stars stellar and finish up disappointing. IMHO again.
P.S. I suddenly wondered if it'd make a difference for me if it were not the last book of the series. If I knew the author planned another book (even if it never was written). And the answer is yes. If the ending of the book is just a stage in Felix's and Mildmay's life, a temporary situation before they move on - I would find it pacifying and would be content with it. But since the ending of the book is the CONCLUSION of the series - and so, supposedly, what we have there is the prediction of their future... no, I dislike this kind of future for them. It's lukewarm future.
Well, going back to the beginning. The first book was awesome. I loved it to death and more. The second book was extremely good. The third book was a disaster (all IMHO, mind you!) And the last book... I loved the first half of it almost as much as I loved the first and the second book. It focused on Felix and Mildmay, it was intense, there was so much angst you could drown in it twice and a half, and yet there were sparkles of hope as well... And the third p.o.v., Kay's, was not annoying, well, since Kay was in the situation of extreme suffering and yeah, I cared what was happening to him.
And then it all kinda... I don't know what... petered out. Kay's p.o.v. became just page count (well, I want to say it again: it all is just my opinion, I can totally imagine other readers loving it all). There were too many characters I didn't care about doing things I didn't find interesting. Felix and Mildmay's relationship... you know, if it were a contemporary book, they'd probably go to psychotherapy (and you're right, I do sound as unenthusiastic as I seem). Anyway, they were working on their relationship, they figured out their mistakes and will try to be better. And it was good, I'm happy for them...
Who am I kidding? I want passion, I want suffering, I want catharsis. The ending was so anti-climatic I'm trying hard to find something to say about it. It ended. I'm ready to move on and start reading other books.
And it shouldn't be like that! I spent more than a week with these characters, there should be a... a sillage after that in my mind. I do love it, lingering on the characters after I finish reading, imagining their lives after the word "end". I don't want to do it here. It's all so... bland, I don't know. Maybe I didn't like the ending, too.
A couple more things I'd like to mention. Why the f*ck was that incest thing necessary? Please, I've read all four books, I still don't see any importance of it. I don't want to guess the author's motivations because I won't be nice about it. Anyway, it was the gun that didn't shoot and just got rusty hanging on the wall. Stanislavsky is disappointed.
Another thing... I think SM is really bad with romance. Any romance, m/m or m/f. Not her strong suit. I don't mind it per se because - you cannot have everything, I know it. Just saying.
So well. I'm happy I read the first two books. And there was no way I wouldn't read the third and the fourth one. But... I just hate it how often - almost every time! - a fantasy series stars stellar and finish up disappointing. IMHO again.
P.S. I suddenly wondered if it'd make a difference for me if it were not the last book of the series. If I knew the author planned another book (even if it never was written). And the answer is yes. If the ending of the book is just a stage in Felix's and Mildmay's life, a temporary situation before they move on - I would find it pacifying and would be content with it. But since the ending of the book is the CONCLUSION of the series - and so, supposedly, what we have there is the prediction of their future... no, I dislike this kind of future for them. It's lukewarm future.
September 26, 2020
Reread, 2020: My opinion is largely unchanged from my first reading. If the payoff/comfort comes too easy in this volume, it's still satisfying because the journey towards it has been a protracted struggle. This affects all elements, unfortunately including this book's climax. But I love it as often as not. Take as example the delightful conversation about the conflicting magical systems operating as magical metaphors, not prescriptive but descriptive (and therefore limited). It's obvious in retrospect of the generous, indulgent location-hopping throughout the series, but--like the character growth--it's been a long journey getting there for the characters themselves, so it's satisfying to see them achieve it.
My only real change of opinion is Kay. Giving him a dialect is more effective than the techniques used to make Mehitabel's voice distinct, nonetheleast because of the way that language and politics dovetail in this series. The tropes surrounding him--how he frames his disability, his fiancée's characterization--are predictable, but he still comes to feel like a distinct, complete person.
Original review, 2013: Exiled from Mélusine, the wizard Felix and his brother Mildmay journey towards Corambis, a foreign nation recently sundered by civil war. If the Doctrine of Labyrinths has been a protracted hurt/comfort fic, then Corambis is the comfort. New narrator Kay is another complex and strongly voiced character, but he fails to be as compelling or introduce as much diversity as the missing Mehitabel. The pacing is uneven, reliant on coincidence with all the plot pushed to the beginning and end of the book. The middle is given to interpersonal relationships, and this has always been the series's strength. Corambis is a slow journey towards self-acceptance and healing, and while it's predictable and manipulative, that doesn't matter: the previous three books have fostered an intense emotional investment in the characters, and their hard-won happiness is rewarding despite any flaws.
I've made a number of criticisms of this series without even touching on its potentially problematic representation of homosexuality and (sexual) abuse, and they all stand. The Doctrine of Labyrinths is an uneven effort, but it's also a unique one: Monette's mastery of character, voice, and place shines through obscure delivery and occasional absences of plot, and the effect is deeply personal and evocative. I'm sorry to see this series end, but it ends on a high note. I recommend it.
My only real change of opinion is Kay. Giving him a dialect is more effective than the techniques used to make Mehitabel's voice distinct, nonetheleast because of the way that language and politics dovetail in this series. The tropes surrounding him--how he frames his disability, his fiancée's characterization--are predictable, but he still comes to feel like a distinct, complete person.
Original review, 2013: Exiled from Mélusine, the wizard Felix and his brother Mildmay journey towards Corambis, a foreign nation recently sundered by civil war. If the Doctrine of Labyrinths has been a protracted hurt/comfort fic, then Corambis is the comfort. New narrator Kay is another complex and strongly voiced character, but he fails to be as compelling or introduce as much diversity as the missing Mehitabel. The pacing is uneven, reliant on coincidence with all the plot pushed to the beginning and end of the book. The middle is given to interpersonal relationships, and this has always been the series's strength. Corambis is a slow journey towards self-acceptance and healing, and while it's predictable and manipulative, that doesn't matter: the previous three books have fostered an intense emotional investment in the characters, and their hard-won happiness is rewarding despite any flaws.
I've made a number of criticisms of this series without even touching on its potentially problematic representation of homosexuality and (sexual) abuse, and they all stand. The Doctrine of Labyrinths is an uneven effort, but it's also a unique one: Monette's mastery of character, voice, and place shines through obscure delivery and occasional absences of plot, and the effect is deeply personal and evocative. I'm sorry to see this series end, but it ends on a high note. I recommend it.
September 6, 2018
So, here we finally finish up what is surely the darkest series I have read in a really long time, a series so dark I'm actually really surprised I finished it. That doesn't by any means mean it was a bad series, it just means that it's dark enough that, looking back, I'm surprised I didn't say, "You know what, this personally isn't for me, I'm going to stop." It's a series full of violence and trauma, and that's not something I'm big on. Nevertheless, I finished it, and for the most part I enjoyed it a lot more than I expected.
And I want this to be clear: I'm knocking a star off this book and rating it 3 stars instead of 4 stars because it absolutely does not feel like the end of the series, despite the fact that it was published 9 years ago and I think it's pretty clear that another book isn't coming out at this point. Felix and Mildmay's story does not feel wrapped up in any way shape or form. It's not like there is a huge, unbearable cliffhanger, but nothing feels property done, either. We aren't left on a satisfying note.
Other than that, it is a good book. It continues to not be a romance in any shape or form despite being categorized as a "Romance > M M Romance," and as with some of the previous books, there isn't even any romance in the book to make the label make sense. I'm not sure if GoodReads is causing weirdness with the categorization or what. But this book is 100% not a romance. If you want a romance, this book will profoundly disappoint you and make you unhappy. There's a lot that goes on, but it's not romance.
It's also a book, as I said, that is full of trauma. The book has on page, graphic rape, and one of the characters is put through what I would describe as psychological torture. It's not a gentle book, so be ready if you're planning to go in.
The world building is absolutely fascinating, and I love the way that different parts of the world have both different cultures and different levels of technology. That's just fun.
And I want this to be clear: I'm knocking a star off this book and rating it 3 stars instead of 4 stars because it absolutely does not feel like the end of the series, despite the fact that it was published 9 years ago and I think it's pretty clear that another book isn't coming out at this point. Felix and Mildmay's story does not feel wrapped up in any way shape or form. It's not like there is a huge, unbearable cliffhanger, but nothing feels property done, either. We aren't left on a satisfying note.
Other than that, it is a good book. It continues to not be a romance in any shape or form despite being categorized as a "Romance > M M Romance," and as with some of the previous books, there isn't even any romance in the book to make the label make sense. I'm not sure if GoodReads is causing weirdness with the categorization or what. But this book is 100% not a romance. If you want a romance, this book will profoundly disappoint you and make you unhappy. There's a lot that goes on, but it's not romance.
It's also a book, as I said, that is full of trauma. The book has on page, graphic rape, and one of the characters is put through what I would describe as psychological torture. It's not a gentle book, so be ready if you're planning to go in.
The world building is absolutely fascinating, and I love the way that different parts of the world have both different cultures and different levels of technology. That's just fun.
October 12, 2025
Content warnings: If I had a quarter for every time a in this series, I would have $.50. The first time, I can see the argument for why the assault is part of the story and the work that it's doing for plot and character. This time . . . I don't know. Much harder sell. It's my main quibble with this book and series as a whole. If you find sexual violence triggering, I would skip.
Corambis is a suitable culminating book to the Doctrine of Labyriths series. It has the sprawling style only loosely concerned with plot that I've come to expect from Sarah Monette, but as with her work as Katherine Addison, I enjoy her point of view so much I don't mind the meandering pace.
Felix continues to be his insufferable self and Mildmay is definitely the second banana in this offering. I liked the progression for both of them, and the culminating plot and fallout is more satisfying here than in Book III.
I do miss Mehitabel from Books II and III. There's a new wing woman for our troubled brothers in this book and she's lovely, but nowhere near as deep a character. I appreciate why Tabby didn't join them this time, but I do wish there'd been a way to include her. Le sigh.
The real standout is Kay, a character new to the series and who has much in common with Thara Celehar, a hero whose journey was yet ahead of Monette/Addison when she finished this work.
I thought at first that Kay was entering as a love interest, but his presence is more subtle and more interesting because Monette makes other choices for him.
Of all the books in the series, this is the one that I might consider adding to my permanent collection. The character resolution between Felix and Mildmay is well earned and satisfying when it arrives.
Corambis is a suitable culminating book to the Doctrine of Labyriths series. It has the sprawling style only loosely concerned with plot that I've come to expect from Sarah Monette, but as with her work as Katherine Addison, I enjoy her point of view so much I don't mind the meandering pace.
Felix continues to be his insufferable self and Mildmay is definitely the second banana in this offering. I liked the progression for both of them, and the culminating plot and fallout is more satisfying here than in Book III.
I do miss Mehitabel from Books II and III. There's a new wing woman for our troubled brothers in this book and she's lovely, but nowhere near as deep a character. I appreciate why Tabby didn't join them this time, but I do wish there'd been a way to include her. Le sigh.
The real standout is Kay, a character new to the series and who has much in common with Thara Celehar, a hero whose journey was yet ahead of Monette/Addison when she finished this work.
I thought at first that Kay was entering as a love interest, but his presence is more subtle and more interesting because Monette makes other choices for him.
Of all the books in the series, this is the one that I might consider adding to my permanent collection. The character resolution between Felix and Mildmay is well earned and satisfying when it arrives.
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April 15, 2025Doktrine su mi objašnjene kao whump fic (guglajte dalje na sopstvenu odgovornost, prvi hit je AO3 kategorija, zatekao sam neki Sasuke/Naruto fic i pobegao). Prvi put sam čuo za to, lepo kad naučiš nešto novo =] Ali da, u Doktrinama svi pate i povređeni su i povređuju druge i sebe i tako u krug. Izgleda mi da je i autorki bilo dosta, jer ova knjiga je kao neki auto au, kao da je napisala fic na sopstveni roman u kome likovi mogu da se bave sobom i izlaskom iz kruga nasilja, vraćanjem u "normalu" i oporavkom. S druge strane, nije joj bilo dosta, Felix je opet dobio svoju porciju žuči, neki novi likovi takođe, al makar je Mildmay bolje prošao. Felix je u #3 bio supermoćni genije koji savladava na prethodnoj stranici nepoznate filozofije i škole magije, ovde je to bolje balansirano rekao bih...
TLDR: fenomenalan serijal
TLDR: fenomenalan serijal
September 2, 2009
I have very mixed feelings about this book, probably because I love the first three of the series soooo much and it's been a while since I've read them. That's the problem with huge fantasy epics, you forget stuff and then want to dive in without being properly oriented to what's going on.
Also, I read this on a Kindle which is nice but you don't have a map (if there was one in the hardback version). A map would have helped reading this book a lot. Hell, I like maps in every book I read, regardless of genre :)
The good stuff: I love these characters, I love how this series is not really categorizable, I love how she deals with homosexual characters in an interesting way, I love the introspection and the deepness of world-building.
The stuff I want to avoid talking about but must to review it is that this book was a bit of a disjointed ending to an AMAZING series. I felt like the world we got dropped into, one with mechanics and steam etc etc, was a little bit jumping the shark from the first three. Better this had been a start to another trilogy in this "steampunky" universe our heroes got taken to. I missed the secondary characters from the last book (which ended on a heartwrenching note, amazing), and I was slightly confused about why we actually were living through the new character's eyes, even to the end. The first half was very engrossing because it was a lot of Felix and Mildmay (or more Felix actually), but the storylines seemed to drift from where they wanted to go midway through, and instead into a metaphysical realm that was a bit hard to follow and connect with as a reader (Only my personal opinion).
I will definitely read other things this author has to offer, she reminds me of Jaqueline Carey a lot, and I would encourage trying this series despite the strange turn book 4 took.
Also, I read this on a Kindle which is nice but you don't have a map (if there was one in the hardback version). A map would have helped reading this book a lot. Hell, I like maps in every book I read, regardless of genre :)
The good stuff: I love these characters, I love how this series is not really categorizable, I love how she deals with homosexual characters in an interesting way, I love the introspection and the deepness of world-building.
The stuff I want to avoid talking about but must to review it is that this book was a bit of a disjointed ending to an AMAZING series. I felt like the world we got dropped into, one with mechanics and steam etc etc, was a little bit jumping the shark from the first three. Better this had been a start to another trilogy in this "steampunky" universe our heroes got taken to. I missed the secondary characters from the last book (which ended on a heartwrenching note, amazing), and I was slightly confused about why we actually were living through the new character's eyes, even to the end. The first half was very engrossing because it was a lot of Felix and Mildmay (or more Felix actually), but the storylines seemed to drift from where they wanted to go midway through, and instead into a metaphysical realm that was a bit hard to follow and connect with as a reader (Only my personal opinion).
I will definitely read other things this author has to offer, she reminds me of Jaqueline Carey a lot, and I would encourage trying this series despite the strange turn book 4 took.
This entire review has been hidden because of spoilers.
March 22, 2009
Perfect ending to the Doctrine of Labyrinths series and incontestably the number one fantasy of 09 so far for me, though there are many books to come.
Also a daring book as it's pretty much a standalone, taking place far away from Melusine in Corambis, and having only Mildmay and Felix as recurring characters.
Corambis is a very different setting too with trains, subway, magic as technology, and an Aristocratic Republic to boot, just ending a brutal three year old insurrection from its southern province formerly known as the kingdom of Caloxa which was a medieval like state with very different magic and has been conquered only 40 years before.
Felix was presented as "Caloxan"" by Malkar to the Mirador Court in the series beginning, and that is basically the only tenuous connection between the first 3 volumes and this one.
Outstanding and the best of series, a truly mature novel that marks the culmination of one of the best fantasy series of the past 4 years
February 11, 2024
loved this fucked up series😌
can't believe monette invented aroace romantasy in 2005
can't believe monette invented aroace romantasy in 2005
December 9, 2010
I read this because I had thoroughly enjoyed the previous 3 books in the series but I think this one is not nearly as good. It's not bad but it is not as deeply engaging. I felt like I had come to know and care about the characters through the first 3 books but by in this one they were too different and capricious. The ending was ultimately somewhat unsatisfying. I think the problem was that in the other books Felix and Mildmay are interacting fully with other characters and in this book the other characters feel very tangential to the larger point of finally getting these brothers to admit they care for each other. The storyline feels very isolated. Monette also introduces an entirely different world (Corambis and Caloxa) with steam engines and universities and it is not as engaging as Melusine. It's not a steampunk book so the attempts feel clumsy. I think this book is worth reading just to finish the series. The beginning of the series is SO GREAT that I felt disappointed but it's not a terrible book just not on the level of the others.
June 7, 2013
What am I going to do now this series has finished? I feel somehow at a loss. Yes, all four books were that good. Corambis was a fitting conclusion to a truly wonderful story. I'd say epic, as well, only that might lead some people to think of the wrong sort of epicness. The writing from the first page of Melusine to the last page of Corambis was simply superb, and the scholarship and erudition inspiring. This is a many-layered story, with many-layered characters, and layered writing, and that's what makes it so incredible.
June 9, 2025
Corambis reminds me vaguely of The Goblin Emperor, which was the first book I read by the author and obviously the way way more popular one (and although I was probably too young to read DOL when they first came out - not that that ever stopped me before - how sad am I that I didn't find them before now? VERY SAD. That is the answer. I've been missing out all these years!).
It's relatively quiet, the plot is (mostly) calmer, there's a lot of academic pondering and theoretical discussions of magic (which I love), there is emotional growth and catharsis, all wrapped up in a steampunk setting that highlights engines and politics and some cool new speech patterns. After the nonstop trauma beatdown this series has been, I think it's a welcome change of pace, if a strange sort of ending for the quartet seeing as how it introduces an entirely new setting, plot, and characters. It made it a bit less emotionally satisfying because there's not as much depth, given that it spends a lot of time setting up new relationships, which was a bit sad, and I miss the previous characters. But also, there's something beautiful about getting out of the claustrophobic setting of the Mirador.
Of course, the heart of the series is truly Felix and Mildmay and their relationship, and there really is beautiful growth and healing here. If The Mirador was Mildmay's book with his arc of growth, Corambis is Felix's. Having spent so much time with these characters, the bittersweet but mostly happy payoff is well-deserved.
Lest you think it's all roses (this is probably not a spoiler because it's so vague but just in case)
The plot is, as was the case for the previous books, sort of meandering and awkwardly-paced. I didn't mind honestly, because the focus is really on the characters, but then again I'm a sucker for character-driven fantasy and I'll forgive a poor plot (was there even a plot? I'm not sure. Did I care? Hell no).
Overall, the series is sometimes uneven and has its flaws, but it is marvelous in its uniqueness and beautiful in a lot of its character development, and the examination of relationships. Also, the writing is almost always top-notch, and I can say without a doubt this is one of the best examples of distinct voice I've ever read. I may be like 15 years late to the party, but I'll sorely miss this world and the characters.
But seriously. Go read this series.
It's relatively quiet, the plot is (mostly) calmer, there's a lot of academic pondering and theoretical discussions of magic (which I love), there is emotional growth and catharsis, all wrapped up in a steampunk setting that highlights engines and politics and some cool new speech patterns. After the nonstop trauma beatdown this series has been, I think it's a welcome change of pace, if a strange sort of ending for the quartet seeing as how it introduces an entirely new setting, plot, and characters. It made it a bit less emotionally satisfying because there's not as much depth, given that it spends a lot of time setting up new relationships, which was a bit sad, and I miss the previous characters. But also, there's something beautiful about getting out of the claustrophobic setting of the Mirador.
Of course, the heart of the series is truly Felix and Mildmay and their relationship, and there really is beautiful growth and healing here. If The Mirador was Mildmay's book with his arc of growth, Corambis is Felix's. Having spent so much time with these characters, the bittersweet but mostly happy payoff is well-deserved.
Lest you think it's all roses (this is probably not a spoiler because it's so vague but just in case)
The plot is, as was the case for the previous books, sort of meandering and awkwardly-paced. I didn't mind honestly, because the focus is really on the characters, but then again I'm a sucker for character-driven fantasy and I'll forgive a poor plot (was there even a plot? I'm not sure. Did I care? Hell no).
Overall, the series is sometimes uneven and has its flaws, but it is marvelous in its uniqueness and beautiful in a lot of its character development, and the examination of relationships. Also, the writing is almost always top-notch, and I can say without a doubt this is one of the best examples of distinct voice I've ever read. I may be like 15 years late to the party, but I'll sorely miss this world and the characters.
But seriously. Go read this series.
March 4, 2018
The conclusion to Monette's series really got under my skin. This is the redemption book, and we see real development of the two main characters and their relationship. This book also gives us one of the most cool magic systems I have encountered. Throughout the books, Felix is constantly studying different types of magic systems from different regions, just as one would study different religions. He believes that the underlying reality of magic will never be known; rather, it's the metaphors that different cultures create to model that unknowable reality that determine the magic's capacity. Felix says, "There are bad metaphors, dangerous metaphors, destructive metaphors-- but not wrong metaphors. Thaumaturgical theory, in the broadest sense, is about manipulating our metaphors and, ideally, making sure that the metaphors we use are good ones." This explains different schools of wizardry, but also leaves open the possibility of completely new metaphors. I think it is amazingly cool!
October 15, 2018
An excellent ending to a very enjoyable series. I'm so happy with the resolution, growth and sense of hope at the end this series. The plot stuff isn't always stellar but the thoughtful, nuanced exploration of both main characters as well as the emotional engagement makes this for a thoroughly worthwhile read.
March 25, 2022
This is the conclusion of the story of Mildmay and Felix and I suppose I am somewhat conflicted about it. Maybe I just don't want it to end except that I wouldn't want it to not end... And I like the ending, it's earned after all the things these guys have gone through, but somehow it was a rather mellow ending.
October 10, 2017
I so loved reading this tetralogy. It was one of those “I want to read these books ALL THE TIME but I also never want them to end”. Luckily, the four books together were over 2000 pages so they lasted for quite a while.
Magic (so Felix claims) works, or is explained, through metaphors. And therefore The Doctrine of Labyrinths is a very apt name for the book series. It was through following the characters - the two main characters, but also the many side characters - through their trials, through their mazes, avoiding or seeking the heart of the labyrinth, wrong turns and right turns, gathering magic all the while, that I came to care for them so deeply.
I often thought about it - and I hope you know I mean this as true praise - as reading really good fanfiction. Centered round the emotions and reactions of characters one has become deeply invested in: their stupid, conditioned choices and their stupid not-talking-to-each-other and their getting lost in the labyrinth even though they took the only road they could have taken - and then the honesty and openness, when the clouds do part, being all the more important.
Sidenote: there’s a critics’ term, probably male critics’, not certain if it’s Swedish or more widespread, of “housemaid reading” - “pigläsning”. It means involving your feelings in your reading, reading emotionally, considering your emotional attachment to the characters and the story, and not only your intellectual appreciation and understanding of the text. … So, I guess, the opposite of how you read male, white Nobel Prize winners. (No offence to Eyvind Johnson, Albert Camus, and some others. I got emotionally attached to your stories and your characters.)
Sidenote 2: It wasn’t until the second half of the second book that I realised that The Doctrine of Labyrinths can be read not only as really good fanfiction, but, in a way, as a very advanced AU of my incredibly preferred fanfic: Holmes & Watson. (This is not to suggest that the world-building is lacking: it is wonderful, and, to use a word from one review, luscious. And certainly multi-faceted and carrying its own weight.)
Sidenote 3: There have been reviews of this series that haven’t liked the POV-switching, and I’d worried beforehand that this would mean that the author would forget whose POV we were in in a particular scene - but the switches are clearly marked and I think they work very well dramaturgically.
Magic (so Felix claims) works, or is explained, through metaphors. And therefore The Doctrine of Labyrinths is a very apt name for the book series. It was through following the characters - the two main characters, but also the many side characters - through their trials, through their mazes, avoiding or seeking the heart of the labyrinth, wrong turns and right turns, gathering magic all the while, that I came to care for them so deeply.
I often thought about it - and I hope you know I mean this as true praise - as reading really good fanfiction. Centered round the emotions and reactions of characters one has become deeply invested in: their stupid, conditioned choices and their stupid not-talking-to-each-other and their getting lost in the labyrinth even though they took the only road they could have taken - and then the honesty and openness, when the clouds do part, being all the more important.
Sidenote: there’s a critics’ term, probably male critics’, not certain if it’s Swedish or more widespread, of “housemaid reading” - “pigläsning”. It means involving your feelings in your reading, reading emotionally, considering your emotional attachment to the characters and the story, and not only your intellectual appreciation and understanding of the text. … So, I guess, the opposite of how you read male, white Nobel Prize winners. (No offence to Eyvind Johnson, Albert Camus, and some others. I got emotionally attached to your stories and your characters.)
Sidenote 2: It wasn’t until the second half of the second book that I realised that The Doctrine of Labyrinths can be read not only as really good fanfiction, but, in a way, as a very advanced AU of my incredibly preferred fanfic: Holmes & Watson. (This is not to suggest that the world-building is lacking: it is wonderful, and, to use a word from one review, luscious. And certainly multi-faceted and carrying its own weight.)
Sidenote 3: There have been reviews of this series that haven’t liked the POV-switching, and I’d worried beforehand that this would mean that the author would forget whose POV we were in in a particular scene - but the switches are clearly marked and I think they work very well dramaturgically.
July 3, 2011
An excellent finale to Felix and Mildmay's story, although I personally wouldn't mind if there was going to be another book. Or an epilogue or something with a fluffy ending.
Compared to the third book, this one is almost simple. Normally, that is not necessarily a good thing, but the previous one was so chock full of details and history and genealogy and ghosts and stories and spies and murky shadows and unexplored hallways, that this book almost radiates with its clean, good story line. It is a relief to leave all those other people, dead or alive, behind in Melusine. Not only for the reader, but for Felix and Mildmay as well. The distance they put between themselves and their past and all the drama in the Mirador allows them to gain much needed perspective on their previous lives. Both gain the kind of insight in themselves that comes with making a new start in a new place. Sure, you carry your baggage with you, but without other people around who expect you to be who you've always been, that baggage isn't quite as heavy a burden and you have the freedom to make different choices. A large part of the story is about the main characters finding those things out.
Add all the excitement of a new country, new customs (good and bad), new politics, new characters and new technology in all its steampunkish glory and this becomes a very satisfying read.
What I need though is a map of this world. If ever a series needed a map, this is it. Milmay has maps. Why don't I get one?
Compared to the third book, this one is almost simple. Normally, that is not necessarily a good thing, but the previous one was so chock full of details and history and genealogy and ghosts and stories and spies and murky shadows and unexplored hallways, that this book almost radiates with its clean, good story line. It is a relief to leave all those other people, dead or alive, behind in Melusine. Not only for the reader, but for Felix and Mildmay as well. The distance they put between themselves and their past and all the drama in the Mirador allows them to gain much needed perspective on their previous lives. Both gain the kind of insight in themselves that comes with making a new start in a new place. Sure, you carry your baggage with you, but without other people around who expect you to be who you've always been, that baggage isn't quite as heavy a burden and you have the freedom to make different choices. A large part of the story is about the main characters finding those things out.
Add all the excitement of a new country, new customs (good and bad), new politics, new characters and new technology in all its steampunkish glory and this becomes a very satisfying read.
What I need though is a map of this world. If ever a series needed a map, this is it. Milmay has maps. Why don't I get one?
June 15, 2009
Fantasy. This is the fourth and final book of Mildmay and Felix's adventures and it assumes you just finished reading the previous three within the past hour. If you haven't, I suggest you get right on that because there's a lot of name-dropping and it went straight over my head as I can only vaguely recall the events of the past books.
I definitely feel like I would have been more engaged with Felix if I could remember all his past traumas, but there are just so many. As for this book -- nothing happens. There's a lot of travelling and hotel rooms, and eventually there's a thing that has to be done, but the story lacks a central conflict. I could have lived with that, but there's not enough character development to make up for all the floundering around. A new guy, Kay, is introduced, but all I got from him was a sense of stoutness. I did like Corbie, what little we saw of her. Mildmay's still Mildmay, but at one point Felix's magic [redacted:] and Felix doesn't even react! It wasn't until pages later that I realized something (supposedly) awful had happened. This is a lackluster and pointless finish to a series plagued with pacing problems.
Three stars. It's not terrible, but it's not great either. Read it just to be done with it. (And maybe because someone will write us Felix/Mildmay slash.)
I definitely feel like I would have been more engaged with Felix if I could remember all his past traumas, but there are just so many. As for this book -- nothing happens. There's a lot of travelling and hotel rooms, and eventually there's a thing that has to be done, but the story lacks a central conflict. I could have lived with that, but there's not enough character development to make up for all the floundering around. A new guy, Kay, is introduced, but all I got from him was a sense of stoutness. I did like Corbie, what little we saw of her. Mildmay's still Mildmay, but at one point Felix's magic [redacted:] and Felix doesn't even react! It wasn't until pages later that I realized something (supposedly) awful had happened. This is a lackluster and pointless finish to a series plagued with pacing problems.
Three stars. It's not terrible, but it's not great either. Read it just to be done with it. (And maybe because someone will write us Felix/Mildmay slash.)
January 4, 2010
Another fantastic novel by Sarah Monette. Honestly, I think I'm biased because I love her character so much that I'd read any story about them, even if the plot wasn't that good. But Monette's characters are really her strongest trait I think. Her characters are human, imperfect, damaged and hurting, but not like so many emo!wannabe characters you find in every book nowadays. Felix and Mildmay's pains and hurts are real, easy to relate to, even if it's unlikely anyone of us has had to live through so many horrors as they have.
This (unfortunately last) novel is about healing. Mildmay and Felix's relationship has always been a very difficult and troubled one, as can be expected from two persons with such dark pasts, but in this novel, they find a way to accept the past for what it is and move on.
I think this novel has a lot more dialogue than any of the previous books, and it reads maybe too easily. I mean, I was loving every bit of it, but it feels like there's not enough. Not enough at all ! It can't possibly be the last we read of Felix and Mildmay and Kay and all the other characters, right ? I pray that Monette is once again inspired to write in this wonderful universe. More more more !
This (unfortunately last) novel is about healing. Mildmay and Felix's relationship has always been a very difficult and troubled one, as can be expected from two persons with such dark pasts, but in this novel, they find a way to accept the past for what it is and move on.
I think this novel has a lot more dialogue than any of the previous books, and it reads maybe too easily. I mean, I was loving every bit of it, but it feels like there's not enough. Not enough at all ! It can't possibly be the last we read of Felix and Mildmay and Kay and all the other characters, right ? I pray that Monette is once again inspired to write in this wonderful universe. More more more !
March 18, 2020
It's been a long journey of four books and we get another ugly cover--I don't know what Ace Books was thinking and what kind of audience they were aiming for in those covers, but it's honestly so unfortunate.
Anyway, after all the murders and the exile and whatever wrong things that would happen to Felix and Mildmay, we are seeing the light at the end of the tunnel. It's a gradual thing, but they talk to each other more, they make an effort not to hurt each other even if they can, and Felix is starting to forgive himself.
Having Felix and Kay Brightmore as bookends, if you will, works perfectly: they are both 'monsters' and have hurt people, each in their own way and for their own reasons, and they're also both looking for their own reasons to live.
Which is how stories work and labyrinths also: you do have to go through the thorny bits to be able to get out.
Anyway, after all the murders and the exile and whatever wrong things that would happen to Felix and Mildmay, we are seeing the light at the end of the tunnel. It's a gradual thing, but they talk to each other more, they make an effort not to hurt each other even if they can, and Felix is starting to forgive himself.
Having Felix and Kay Brightmore as bookends, if you will, works perfectly: they are both 'monsters' and have hurt people, each in their own way and for their own reasons, and they're also both looking for their own reasons to live.
Which is how stories work and labyrinths also: you do have to go through the thorny bits to be able to get out.
April 16, 2013
I liked this book, but in a lot of ways it felt so different from the rest of the series that they hardly mesh in my head. It feels kind of like a spinoff, but still with the same main characters.
Felix and Mildmay go to a very different place, where everyone does very different things, and they themselves change so much so as almost to become unrecognizable.... Felix mostly. I've been wanting more character growth from Felix for the entire series, but coming as it did in this (very different) final volume, it sometimes felt like it wasn't really even Felix at all.
All that being said, I enjoyed it immensely. And I feel somewhat satisfied with the end of the series, though I could go on happily reading more about Felix and Mildmay for quite some time.
Felix and Mildmay go to a very different place, where everyone does very different things, and they themselves change so much so as almost to become unrecognizable.... Felix mostly. I've been wanting more character growth from Felix for the entire series, but coming as it did in this (very different) final volume, it sometimes felt like it wasn't really even Felix at all.
All that being said, I enjoyed it immensely. And I feel somewhat satisfied with the end of the series, though I could go on happily reading more about Felix and Mildmay for quite some time.
April 12, 2009
Amazing, excellent end to the series. I really didn't want this to end, and it's been a long, long, *long* time since I felt that way about a series.
I think, at this point, I have read everything Monette has published, so I need to find new authors again.
I think, at this point, I have read everything Monette has published, so I need to find new authors again.
March 30, 2012
An enjoyable read, and a nice enough ending for this series. It's rather different from the earlier books - it dips a toe into steampunk, for instance. Knowing that this was the series wrap-up, I had a hard time getting interested in the new characters and their problems, and I missed Mehitabel.
August 25, 2015
The last book of the series is the only one that isn't quite depressing. I love it, and I love how Felix Harrowgate slowly and painfully reclaims his empathy.
Also, I'm a big fan of Ferrand Carey, the Duke of Murtagh. No really edifying reason, though. I just like heroic bears. :)
Also, I'm a big fan of Ferrand Carey, the Duke of Murtagh. No really edifying reason, though. I just like heroic bears. :)
March 5, 2018
All the tension between Mildmay and Felix, every harsh word, argument, physical altercation... all of it was finally paid off in the last book in the series, when Felix is arguably at his lowest (knowing exile, compared to his earlier unknowing madness) and decides that it's time he tried harder to be a decent person.
His faults and his transgressions are not wiped away--quite the opposite, in fact. He's less able to forgive himself for what he's done than others are, especially Mildmay. It comes out, in a short but beautifully emotional conversation between the two of them, that basically Felix did so much to push his brother away because he couldn't believe anyone could ever accept him as he was, and the fact that Mildmay did felt undeserved, unwarranted.
I am wholeheartedly satisfied with this conclusion, and it was a real pleasure to watch the two of them interact like friends, even like family, rather than brothers-by-chance who were thrown together by circumstance.
On top of that, what made this final book a standout for me in the series was a twist on worldbuilding I'm not sure I've ever seen. The first three books seemed to have the same rough level of technology as say, Edwardian England--carts and horses and boats for travel, at best. Then, in exile, Felix and Mildmay go to a country totally unknown to them, and there are trains! Corambis has a higher level of technology, and while steampunk is nothing new (and technically they're steam- and magic-powered) I've never read anything involving higher technology without alien visitation being involved.
Also, Monette uses a very similar structure for the books throughout this series, many seemingly unrelated plot threads that gradually (or suddenly, in some cases) come together in a spectacular ending. While I criticized the previous book for doing this badly, here, it's handled much better. While I couldn't see all the specifics of how the ending would play out, I did at least get some sense of where things were going, instead of being bewildered about the importance of a character or an incident for most of the book.
I look forward to rereading the entire series in the future, hopefully picking up more of what confused me the first time, now that I know how it all works out.
His faults and his transgressions are not wiped away--quite the opposite, in fact. He's less able to forgive himself for what he's done than others are, especially Mildmay. It comes out, in a short but beautifully emotional conversation between the two of them, that basically Felix did so much to push his brother away because he couldn't believe anyone could ever accept him as he was, and the fact that Mildmay did felt undeserved, unwarranted.
I am wholeheartedly satisfied with this conclusion, and it was a real pleasure to watch the two of them interact like friends, even like family, rather than brothers-by-chance who were thrown together by circumstance.
On top of that, what made this final book a standout for me in the series was a twist on worldbuilding I'm not sure I've ever seen. The first three books seemed to have the same rough level of technology as say, Edwardian England--carts and horses and boats for travel, at best. Then, in exile, Felix and Mildmay go to a country totally unknown to them, and there are trains! Corambis has a higher level of technology, and while steampunk is nothing new (and technically they're steam- and magic-powered) I've never read anything involving higher technology without alien visitation being involved.
Also, Monette uses a very similar structure for the books throughout this series, many seemingly unrelated plot threads that gradually (or suddenly, in some cases) come together in a spectacular ending. While I criticized the previous book for doing this badly, here, it's handled much better. While I couldn't see all the specifics of how the ending would play out, I did at least get some sense of where things were going, instead of being bewildered about the importance of a character or an incident for most of the book.
I look forward to rereading the entire series in the future, hopefully picking up more of what confused me the first time, now that I know how it all works out.
September 16, 2018
This book, as well as the rest of the series, is an amazing, captivating, and mystifying tale. Sarah Monette truly brings the reader in to this world, yet not quite into the whole story.
The plot is not the strongest suit of this book, if fact it is actually at times quite difficult to read through all of the names and descriptive magical theories to get the the parts that matter most: all scenes that involve both Mildmay and Felix together in which they exchange even the slightest form of conversation.
You get attached in the first book to these brothers and it will never let you go. Character development in this series is extremely strong. While there may be a lot of minor characters and their names and importance is hard to remember, it matters not. Both Felix and Mildmay evolve in a horridly slow and unsteady pace, but grow they do. And because you love them so much, every single detail about their relationship stands out to you the moment the change is subtlety revealed.
And where the book may seem wild and untamed, that is what makes it so great. It is the lives of people in a world that is not ours that we see through different lenses. Lives aren’t supposed to be perfect, and neither is this tale.
I went into the first book with curiosity and inspiration (finished in two days). Then I read the second book with great enthusiasm, expecting a lot and also gaining a lot (though maybe not those things that I desired of the book). The third book came to me only a month later and after much built up excitement I read it too. Here is where my opinion of the book and its characters changed. Not for better or for worse, just different. My preconceptions of both Mildmay and Felix had evaporated into thin air. And then came the fourth book, which was mor challenging to read through, what with all the new places, new societies, names, theories, magical terms, metaphors, and character’s relationship to each other and their importance I the plot, but was all the more rewarding.
I one hundred percent recommend this book to anyone interested in fantasy and truly enthralling characters.
I love this series. (Though I will not make myself read it again, there certainly must be things I missed.)
The plot is not the strongest suit of this book, if fact it is actually at times quite difficult to read through all of the names and descriptive magical theories to get the the parts that matter most: all scenes that involve both Mildmay and Felix together in which they exchange even the slightest form of conversation.
You get attached in the first book to these brothers and it will never let you go. Character development in this series is extremely strong. While there may be a lot of minor characters and their names and importance is hard to remember, it matters not. Both Felix and Mildmay evolve in a horridly slow and unsteady pace, but grow they do. And because you love them so much, every single detail about their relationship stands out to you the moment the change is subtlety revealed.
And where the book may seem wild and untamed, that is what makes it so great. It is the lives of people in a world that is not ours that we see through different lenses. Lives aren’t supposed to be perfect, and neither is this tale.
I went into the first book with curiosity and inspiration (finished in two days). Then I read the second book with great enthusiasm, expecting a lot and also gaining a lot (though maybe not those things that I desired of the book). The third book came to me only a month later and after much built up excitement I read it too. Here is where my opinion of the book and its characters changed. Not for better or for worse, just different. My preconceptions of both Mildmay and Felix had evaporated into thin air. And then came the fourth book, which was mor challenging to read through, what with all the new places, new societies, names, theories, magical terms, metaphors, and character’s relationship to each other and their importance I the plot, but was all the more rewarding.
I one hundred percent recommend this book to anyone interested in fantasy and truly enthralling characters.
I love this series. (Though I will not make myself read it again, there certainly must be things I missed.)
August 31, 2017
Well, damn. It's hard to say whether the book is worth three or four stars, since it depends on what you want from it. Corambis is the last part of the Doctrine of Labyrinths series that is more like a journey than a story with a plot. This eventually ate the fourth star, since Corambis didn't manage to gather the bits and pieces for me. Felix is exiled to Corambis where he is supposed to get his judgement for being a heretic. Mildmay follows him and mostly the story is about this journey and them meeting other people and eventually saving Corambis from titan clocks, automatons and whatnot. This part of the story, the whole labyrinth thing was lacking though and somehow we never got into it, really. The books all deal with difficult magic and structures, which makes reading heavy. Also, I don't really get why Kay gets a voice and some of the other characters in the books. It makes the story line messy.
The most I love are Felix and Mildmay and them together. The pervert in me wanted them to get together and somehow it feels like Monette did just that. Their relationship changes subtly in this book and suddenly our brothers act like a married couple and at first I was sure Felix would end up with Kay, but nothing (thank god, wasn't the dead dude enough..). The last paragraph kind of implies that our brothers are more than just brothers. Or is it just me? The whole "lets make our life together in a secluded lighthouse and be happy, you and me". Throughout the book it felt like Monette wrote us what we wanted, but was so clever with it. I loved it. The whole plot is quite simple and it's more about the characters than anything else. Felix and Mildmay's voices are perfect and so different and at the same time they work so well with each other. I wished for more affection though, even though the whole staying in bed together, talking and witchlights around them was romantic, but I needed something more concrete, even though it would've been creepy in a sense. I'd love to get an unofficial lighthouse love episode when Mildmay caves in. Yes, I'm a pervert.
The most I love are Felix and Mildmay and them together. The pervert in me wanted them to get together and somehow it feels like Monette did just that. Their relationship changes subtly in this book and suddenly our brothers act like a married couple and at first I was sure Felix would end up with Kay, but nothing (thank god, wasn't the dead dude enough..). The last paragraph kind of implies that our brothers are more than just brothers. Or is it just me? The whole "lets make our life together in a secluded lighthouse and be happy, you and me". Throughout the book it felt like Monette wrote us what we wanted, but was so clever with it. I loved it. The whole plot is quite simple and it's more about the characters than anything else. Felix and Mildmay's voices are perfect and so different and at the same time they work so well with each other. I wished for more affection though, even though the whole staying in bed together, talking and witchlights around them was romantic, but I needed something more concrete, even though it would've been creepy in a sense. I'd love to get an unofficial lighthouse love episode when Mildmay caves in. Yes, I'm a pervert.
October 18, 2023
The brothers travel to a new city where Felix is meant to submit himself to the local magicians who I guess are supposed to make him behave/not kill anyone else. Mildmay is following Felix like a dog, which seems to be his lot at this point in the narrative. We get a new POV in Kay, a (former) margrave who lost his military leader/unrequited love in a failed magical engine ritual that left him blind.
A lot of things happen. Felix makes an unexpected, brief, and I felt unlikely return to prostitution which goes disastrously wrong, though it does point to the power of ritual. Felix becomes a popular university professor, because of course he does.
Mildmay limps, and that's about all he does.
After a lifetime of being a man of action, Kay has to get used to being blind. Kay's brother-in-law wants to marry him off to a widow, though Kay is gay. It wasn't clear to me who knew and who didn't, or whether the brother-in-law or future wife would care. The society seemed reasonably tolerant.
The botched magical military maneuver continues to affect the land, the grazing animals, and the population. Felix attempts to counteract the previous ritual and .
The brothers, along with Kay, are moving to a new location with a lighthouse. Sure. Okay. I'd totally read another book in this series, but I wish Mildmay would get back some of his earlier spark. I wish Felix would have maybe a little less charisma and a little more common sense and consideration. I liked this book less because I knew it was the end of the series and none of that is going to happen in a future book.
A lot of things happen. Felix makes an unexpected, brief, and I felt unlikely return to prostitution which goes disastrously wrong, though it does point to the power of ritual. Felix becomes a popular university professor, because of course he does.
Mildmay limps, and that's about all he does.
After a lifetime of being a man of action, Kay has to get used to being blind. Kay's brother-in-law wants to marry him off to a widow, though Kay is gay. It wasn't clear to me who knew and who didn't, or whether the brother-in-law or future wife would care. The society seemed reasonably tolerant.
The botched magical military maneuver continues to affect the land, the grazing animals, and the population. Felix attempts to counteract the previous ritual and .
The brothers, along with Kay, are moving to a new location with a lighthouse. Sure. Okay. I'd totally read another book in this series, but I wish Mildmay would get back some of his earlier spark. I wish Felix would have maybe a little less charisma and a little more common sense and consideration. I liked this book less because I knew it was the end of the series and none of that is going to happen in a future book.
September 29, 2018
I remember calling Mehitabel's pov "intrusive" and now I'm laughing. This time we start off with the pov of a character we don't even know. Kay. And ho boy, is Kay's voice annoying. I guess the writer wanted a very distinctive speech pattern, and the way she chose to go about that couldn't be more excruciating to read. Inconsistent too, understandably.
There is this whole new country, whole new culture, whole new mess of politics, whole new set of characters that I'm supposed to launch into, understand and care about and I don't. The story is unoriginal though, events are eerily similar to those in book one and the first portion of book two. It's like the writer didn't know what else to do in Mélusine and its surroundings so she just dropped the protagonists in a different place and figured she could get away with having them do the same old things all over again.
There's an overarching plot that is kind of interesting, though.
On the bright side! Felix FINALLY does some much needed growing up, the relationship between him and Mildmay evolves into something bearable and even enjoyable at times, with mutual respect and support and affection and everything, and incest is honest to god declared dead early on.
Now in hindsight I can definitely say that none of these books should be labeled as romance of any kind, and the fact that they are makes me feel cheated. I'm a sucker for romance stories and expecting one and not getting it most assuredly factors in the low ratings of the whole series.
There is this whole new country, whole new culture, whole new mess of politics, whole new set of characters that I'm supposed to launch into, understand and care about and I don't. The story is unoriginal though, events are eerily similar to those in book one and the first portion of book two. It's like the writer didn't know what else to do in Mélusine and its surroundings so she just dropped the protagonists in a different place and figured she could get away with having them do the same old things all over again.
There's an overarching plot that is kind of interesting, though.
On the bright side! Felix FINALLY does some much needed growing up, the relationship between him and Mildmay evolves into something bearable and even enjoyable at times, with mutual respect and support and affection and everything, and incest is honest to god declared dead early on.
Now in hindsight I can definitely say that none of these books should be labeled as romance of any kind, and the fact that they are makes me feel cheated. I'm a sucker for romance stories and expecting one and not getting it most assuredly factors in the low ratings of the whole series.
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