“Get down with the sickness...”
For as much as I love dark thriller movies, I find that I rarely read a dark thriller book. And I’m not really sure why. I love me some twisted and devious villains, damsels in distress, and a team of understaffed but motivated folks trying desperately to stop a monster (human or otherwise). Put that on celluloid, and I’m already in line buying a ticket. Put it in the pages of a book and I’m like…meh. It’s doubly strange, too, considering that I love reading the reviews of friends here on Goodreads who regularly read these types of novels. I’ll read a good review and be all like “yeah, I need to read that!”. But then I never do…
So it’s doubly strange that I went out on a limb and purchased Disturbed for my Kindle. I’ve got Oathbringer by Sanderson waiting in the wings, and a few other recent adds to my TBR that are more in my general wheelhouse, but I wanted something different. Maybe it’s because I was in the mood for something dark and atmospheric, after having just watched The Ritual on Netflix. I’d never read a Jennifer Jaynes book before, but the premise sounded promising, and the price point was good. The cover was also pretty cool (I know, I know, don’t judge a book…). So I took the plunge.
And…well…I’m mostly happy I did.
As always, I will endeavor to keep this review spoiler free. I think all books are more enjoyable when you go in as plot-blind as possible, but that’s especially true with murder mystery thrillers. So if it’s not mentioned in the official synopsis, I’ll do my level best to avoid mentioning it here.
First, the pros. Though I can’t speak to her other books, Jennifer Jaynes definitely crafted a page turner here. I think I finished this one in less than three and half hours. There is a palpable sense of dread, so she definitely handles the dark atmosphere well. And once you get invested with Chelsea and what she’s been through, you can’t help but stick around and see what happens to her. I can see why she’s a bestseller…her books are intense, easy to read, and dark and disturbing (pun intended) without being TOO dark or disturbing. They have that mass market appeal that makes them fly off the shelves.
Chelsea is a decent protagonist. She survived a horrific night, and though she still bears scars (figuratively and literally) of her awful experience, she is moving on with her life and doing what she can to put it all behind her. There are themes touched upon with Chelsea that make sense. Survivor’s guilt being the biggest one. There’s also the difficulty with making lasting connections, which is almost a given due to her foster home upbringing. She’s also kind of a contradiction…she runs 5 miles a day, but eats almost nothing but pizza and Hungry Man microwave dinners. But, I guess with the constitution of a 23 year old, you can get away with that. She’s reclusive, which make sense given her past experiences. And she’s struggling with memory loss, which makes her question some of what she sees. It’s an interesting mix, as she’s determined and motivated, but she’s also basically programmed to doubt what is real and therefore can hardly make any forward progress. She’s essentially her own unreliable narrator.
Our other protagonist, though he’s doesn’t get a lot of chapters, is Detective Lang. He was the investigating Detective on the night when Chelsea and her friends were attacked, and he has a vested interest in the case. Though he retired from the force due to an injury, he was re-hired to help close cold cases. And when Chelsea’s past starts to haunt her again, he is determined to help catch the killer and keep Chelsea safe.
Other characters come and go, generally just to help advance a certain part of the plot along. Boyd, another person from Chelsea’s past, could have had a much more interesting and plot deepening setup, but his point of view chapter comes too late to make as much of an impact as it could have. If he’d been given a little more establishment in the beginning, he could have been much more effective in the book.
As for the antagonist, all I can say is that, despite a few strange clues near the 2/3’s mark, it wasn’t who I expected it to be. So that’s a win for the author, as the whole “mystery killer” plot point IS the point of the book. And while the motivations weren’t always the strongest, the ways in which the killer operates worked pretty well.
So yeah, the murder mystery itself was unique, and I felt genuine concern for Chelsea and her well-being. Even though she was a bit of a cypher, Chelsea still had grit, and I wanted to see her overcome this trial.
But, what about the stuff I didn’t like? Well, I’m glad you asked.
Remember how I said that this book was easy to read? Well, there’s more than one reason for that. There’s a good sense of dread, which definitely helps keep the pages turning, but there’s also a significant lack of detail. This is a VERY plot and event driven book. So much so that the character interactions and the mystery set pieces are basically all that the book contains. We get the bare minimum of details as to what the characters look like, how they live their lives when they aren’t talking about the crazy shit going on, and what they surround themselves with. We get the barest description of Chelsea’s place or Lang’s life aside from his daughter. In fact, one the most detailed passages in the book talks about a coffee shop that our heroine visits only once. Now, I’m not saying that you need Robert Jordan levels of detail to tell a story. That’s certainly overkill, and basically takes the momentum of a tale and grinds it to a halt. But at the same time, one of the main reasons that this book was so easy to burn through was there wasn’t much substance to it outside of the major events taking place. Again, this kind of writing is great for putting books on shelves in a quick manner, but it did nothing to help deepen the story or fill out the characters. Aside from their involvement with Chelsea (past or present), the characters barely have a presence.
I read a review somewhere by someone who’d visited Boston in a trip, and mentioned that they loved that this book was set there. But, let me be honest, I didn’t get much of a feel of Boston from this book at all. Again, since this is a plot/event driven novel, there’s really very little detail given to the city itself, the people who inhabit it, or the general vibe. Having travelled to some interesting cities in our fantastic United States, I can definitely say that each city has a unique vibe. Philadelphia felt very different from New York, which felt very different from San Francisco. I could talk about the southern hospitality and nearly overwhelming green of Atlanta, or the complete lack of hurry and worry in nearly all the residents of Colorado Springs. But though this book ostensibly takes place in Boston, it honestly could have been happening anywhere.
There were also a couple of supporting characters who didn’t get anywhere NEAR enough time to shine or deepen the plot. And that was a big missed opportunity I think. Once the story starts nearing the endgame, what little fluff there was gets jettisoned to keep the story moving along. But I think a few more chapters from the supporting characters would have gone a long way in enhancing the narrative and given us even more possible suspects in the “who wants to slice up Chelsea 2.0” mystery.
But, I’m perfectly willing to admit that the problem could be my own. I’m used to reading much larger and longer books that are much more detail-centric. And that’s very likely given me a set of blinders. And I’m not trying to take anything away from the author. I think she wrote the book she set out to write, and she obviously has a knack for crafting a page turner. If this was a movie, instead of a book, it would do decently well at the box-office. The story certainly has appeal. I just can’t help but wonder what Jennifer Jaynes could accomplish if she gave everything a bit more detail and room to breathe.
All that said, I feel like I got my money’s worth, and managed to step outside of my comfort zone. So I’ll count that as a win.