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122 pages, Kindle Edition
First published March 10, 2019
Offstage by Jonathan Hill
One of the very few books I have ever read that leaves me shaken and stirred: Offstage is a masterpiece for all sorts of reasons. A short work of just over a hundred pages, it shares with the best folksong that very rare quality of restraint - or rather it is Jonathan Hill that has the quality of restraint, reining himself in from the usual writer's tendency to expose everything in words on the page, and not miss a single detail or explanation of exactly how one event leads to another. He sticks to a tight dramatic form: Prologue, Act One, Interval, Act Two, and Curtain Call. He trusts to the reader's maturity to fill in the gaps, and to make sense of the thrust of the story. In this way the book comes to exist inside us, the reader; it is what we make of it in our own interiority, rather than all being laid out for us and for our admiration on the page.
Beautifully managed, too, is the writing, with, for instance, a recurring image of water that appears variously as the sea, the shower, the toilet, urine and bodily fluids: water in so many of its aspects as supporting, enjoyable, intimate, dangerous, disgusting, and so on, a strong metaphor for relationship. Vivid and accurate description is never allowed to disrupt the tight form Hill has set for himself. This guy is a writer.
There is something of an irony that this restrained expression in the author is also the moving spirit behind the main characters, Daniel and Nathan, whose names we have to wait some time to discover. We know them quite well before we even find out their names, savouring the content before seeing the label. It is what is unsaid that powers the story. Nevertheless, we are introduced to Daniel's tendency to overthink his life to the point where neither he, nor we, know what is real. He meets but does not meet people, as happens explicitly in the Interval. His hopes, his fears, remain largely unexpressed and untested. Such reticence is made psychologically totally convincing by the undemonstrative parents who are quite unable to enjoy, affirm and celebrate Daniel's Truth. They have quite a few things to hide themselves, apparently, and so they condemn him, in turn, to a life of contained anxiety and terror of presenting himself to the world. Hence, Offstage.
The dawning on him of the dangers of this secrecy are the salvation of Daniel: 'Someone I once knew and yet didn't know at all, someone I wouldn't allow myself to know, blinded as I was by what I so dearly wanted from him, and us.'
I loved this book and look forward to reading it again and again, as I am sure there is more subtlety in it to find and enjoy.